This Is So Sad, Alexa Play Going Through Changes By Eminem

Every now and then I’m absolutely baffled by actors and what they can do.

Especially starkid actors.

Like, you’re telling me that:

This is a set of three people who are not related to each other???

This is voiced by a guy with a mic off stage???

This woman isn’t having the most horrifying day of her life?????

You’re telling me this is not a pipe??

Thank you but I don’t believe it

Solomon Lauter is so underrated. I know we all hate him because he’s horrible to Steph, and he does suck for that, but he’s also such a compelling character, especially for the limited screentime he’s had. I want to know more about his backstory, I want to know the specifics of his deal with the Lords in Black, I want to know WHY he’s so desperate to keep his position as mayor because it seems like it goes deeper than just wanting to stay in power and he doesn’t seem to have any aspirations beyond it—at least so far, he hasn’t expressed interest in, say, running for governor or the senate, which I feel like he would if it was just about power and ambition. I think he needs to keep watch over Hatchetfield specifically (stand sentinel at the gates of hell, as he phrases it in NPMD) and he can’t ever leave his post. Something is keeping him tied there.

The way he immediately, blatantly directs everyone to start pointing fingers at each other in Hatchet Town and it works. The way he doesn’t seem to care about individual people very much, but is still invested in saving the world from Max, to the point where he’s willing to dig up the black book and trust Stephanie with it. The way he’s still unwilling to touch the book himself. The way he KNOWS Max cannot be reasoned with, but is still desperate enough in his final moments that he tries to plead with him and offers to buy him beer of all things. And the way Corey delivers his monologue right after he makes Pete Steph and Grace dig up the book?? The way the Nightmare Time leitmotif comes in on “to survive this night, you’ll have to strike a bargain with the Lords in Black”?? Fucking immaculate. So good, so chilling, I think it might be one of my favorite serious/non-comedic moments in the entire Hatchetfield trilogy.

In conclusion: he’s such a fascinating character and I really hope we get to see more of him at some point in the future.

Lautski Day 2: party 💃🕺👩‍❤️‍💋‍👨

@lautski-week

had a brain blast last night so i made this enjoy <3

If I had a nickel for the times Starkid musicals had a "Jekyll and Hyde" moment for a character I'd have two nickles which isn't a lot but I just realised it happend twice

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.

The wait is almost over! Cinderella's Castle Digital Tickets Available 9am PST / 12pm EST on Friday August 16th

OKAY

SEVERAL PEOPLE NOW HAVE REBLOGGED MY SPOILER HEAVY CINDERELLA'S CASTLE POSTS WITHOUT SPOILER TAGS

I AM GOING TO SAY IT ONE MORE TIME

TAG! YOUR! FUCKING! SPOILERS! EVEN IN REBLOGS!

Lautski Day 5: change 👗

@lautski-week

cinderella’s castle countdown day 3