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We’re only a few months away from leaks and then it’ll be teasers and then promo and then press and then season 3 btw.

Dutch is a very expressive character; it's very easy to tell whenever he's angry, upset, or using his silver tongue, just by his facial expressions and his tone.

This makes replaying the game a lot more interesting; even though he starts unravelling towards the end of the game, you can tell his distrust in Hosea and Arthur began before the game starts:

The easiest example for this is in "Who The Hell Is Leviticus Cornwall". Dutch starts by pleading to Hosea, telling him the gang needs money, but when Hosea stands his ground, Dutch's expression turns dark, and his eyes are covered by his hat, which from a cinematic stand point is used to symbolise something sinister; he already had some doubts eating away at him, and I believe Hosea saw it and chose to back down.

While we also see this in a few more instances later in the game; Dutch tells Arthur and Hosea to ride together so they reminisce about the "old Dutch", He tells Arthur in Horseshoe Overlook that Arthur looks like the type to betray him, and he constantly begs for the gang's faith in the earlier chapters, even if it's not as obvious as the latest chapters, I think it's an interesting choice from rockstar to show Dutch's distrust in his people in the very first quest with him after the tutorial.

armand hyperfixation so bad it’s got me listening to random ass 80’s music on some random spotify character playlist made for him

the revelation that claudia’s rebirth was such a twisted and horrible moment, with louis dragging her like she was a thing, a stranger who neither of them knew but he kept saying over and over “our daughter, our beautiful little daughter” to lestat, really solidified the way she was never the main character of her own story. she was always an accessory to some or the other of louis’ whims: his guilt, his loneliness, his conflict of being a killer, his rocky relationship with lestat. there was love there, love from both her fathers, but it was never enough. lestat saw her too much as a wretched mirror held up to his own self, and louis was always too steeped in his own feelings to care enough about hers. claudia’s story truly was the greatest tragedy in this tale, treated horribly by every man around her, even her fathers, relentlessly exploited and brutally ignored, always second and never first. the only one who loved her the way she deserved to be loved was madeleine, and the moment she truly had her, her happiness was torn from her. and just before she died, she got to see someone actually choose her in her entirety, not for what she can be but for who she is, and it still wasn’t enough. she still burned alive in the sunlight. the love was there, but it wasn’t enough to save her.

WIP - The Vampire Armand

Anyone else freaking out over the Hannibal reunion happening in Chicago this April ಠ_ಠ

interview with the vampire if it was published in the 70s—wait

inspo under the cut

Norman Rockwell art theft be my redemption please

washing off the stench of death

god has the face of your first love