Airplane Bro doodle
strong urge to continue this post
“I am aware that this request is fundamentally selfish. I can offer no justification for it, no argument in its favor. It is simply the outcome I desire to see the most.”
He has the range
Tianlang-jun really is the guy of all time. He's a DILF. He's a MILF. He's a manic pixie girl, and a shrewd bastard. He's an aspiring bimbo. A babygirl. He's a fujoshi. A daddy. He swoops you off your feet with a wink in one moment, then falls into your arms with a giggle and a hair twirl the next. He's a guy, just a little guy, and also it's his birthday! He will fuck you up. He runs the economy, but will ask his wife to explain how it works to him. He's the seme of the ukes, as well as the uke of the semes. He is the Gomez and the Morticia. I desire him so very carnally.
CW for kidnapping and general bingge behavior
Bingge, who has wrenched gods from the heavens and made use of countless divine treasures, ripping through the folds of time-space with xin mo to find and crush the orchestrator of his misery. He does not think it will be hard. He expects his creator to be an old creature, immortal and mighty as time itself; perhaps they will be calm and speak of fate, as though bingge’s suffering was naught but an ant struggling in the dirt to them; perhaps they will be cruel, having taken true delight in making his life agonizing.
But in a dingy apartment, small and cramped and stained with water leaks, he finds sqh working. The night is late and the only thing that lights up sqh’s face is the glow of his laptop. It’s almost divine. But bingge catches a glimpse of sqh’s face, and see’s him - so young, and yet impossibly weary and aged by the dark circles under his eyes and the weary blankness of his expression. This is no lofty god, conducting fates from upon a cloud. This is a creature who needs to eat and sleep as bingge once did.
Sqh turns when bingge steps on a crooked floorboard wrong, making it squeak. There is a bare fraction of a second where sqh looks upon bingge, and his eyes widen with emotion- recognition, panic, awe, fear. In that moment, bingge leaps forward, and knocks sqh clean out before a scream can even begin to form in his throat.
For a moment, bingge holds sqh. His creator, his god. Sqh is a faint weight in his arms, made haggard and pale by years of being shut away. But his face is softer in sleep, younger. Bingge enters his mind through his dreams.
He learns all there is to know of ‘Shang Qinghua’. There is no great tragedy to his life; he is no wayward orphan, or abused stepchild, or prince fallen from grace, or any other physically beaten and bereaved creature. But abandonment still lingers around him, the hurt of rejection buried deep. He is as resigned to his life of unpleasant work for survival as bingge is to his shallow existence and hollowed heart. Where bingge clings ever tighter to any love he can unearth, sqh shies from it, afraid to gain something for fear of the slight chance of losing it again. Here, in sqh, bingge finds the root of himself. He finds that which birthed him - that which held him close and nursed him, and released him onto the world as both a survival tactic and a buried cry for help.
Here is his creator, his god. His.
Perhaps it is not love bingge feels, not in the way he sees married couples love one another (not like his own marriages, no - he has long since learned that his marriages, even to the women he genuinely cares for, are not born of a true love). But it is a bone-deep feeling of belonging, the sense that a mechanism has clicked into place and is running properly for the first time. Here is the connection he has so craved; an utterly undeniable binding of red thread, a bond that cannot be broken by things like distance or emotion. Sqh is his, inasmuch as he is sqh’s. Creator and creation, god and vessel, mother and child.
Bingge’s suffering was molded by sqh’s hand, yes. But it was not without purpose, no - it is bingge’s suffering that has been given the dual purpose of keeping food in sqh’s mouth and kept him from going mad with lack of catharsis. Bingge has always, always been able to suffer any hurt if it would aid someone, and so he cannot help the thrill that he feels to know that his agony had meaning. It is a flaw he shares with his creator; for why else would sqh change the story of his heart to suit the whims of faceless people, to cater to their desires? Bingge feels every ounce of resentment flood away.
Bingge cradles sqh’s body on the apartment floor. The light of the laptop continues to pool over them, washing out the color in sqh’s skin, making him look as delicate as porcelain. Bingge wonders what color he is under the light of the warm sun. He gently tugs sqh’s hair free of it’s tangled hair tie, loosening the unwashed strands. The room smells of sweat, and salty noodles. Sqh’s strange clothes fit him ill, bulky and oversized, as though he was trying to trick himself into believing there was someone nearby.
He is small and dirty and weak, but bingge finds this irrelevant, if not comforting. Here is one who would not scorn his child self, grubby-handed and shoeless and starving. What is a physical state, in the end, when it can be changed so easily? Bingge will wash him and drape him in fine clothes, and feed him by hand until he is radiant, and then people will look upon sqh and see what he is - bingge’s.
(He knows, from looking, that mbj is sqh’s most beloved creation. His favorite. A toy made just for himself, carefully hidden from the greedy gazes of his readers. Bingge does not mind - for he is the first, and he will not be jealous of the little pet sqh made for himself. Perhaps mbj would be better suited to a bed than the battlefield anyway, he muses.)
Without another look or another thought, bingge rends the world with his sword again and steps through the hole, god cradled in his arms
Wait, What? AKA, that time sixteen-year-old Wei WuXian showed up at Cloud Recesses, took one look at Lan WangJi and declared, “That’s my future husband!” … and Lan WangJi said, “Mm”.
The Sun Is Haunted In another universe, Wen Ruohan had a child called Wen Chao, who grew up to be cowardly, petty and basically an idiot. In this universe, however, Wen Ruohan had a child called Wen Wuxian, who grew up to be courageous, cunning and basically a genius.
if you can’t beat them, recruit them Wei Wuxian uses a powerful array to go back in time and builds a secret squad to prevent the misfortunes of the future.
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Immortal!WWX Series
Getting Jet Lag From Time Travelling Lan Qiren stared in mute horror at the letter in his hands. The world’s most dangerous demonic cultivator and immortal leader of the great Yiling Wei Sect wanted Lan Wangji’s hand in marriage. Lan Zhan, his youngest nephew, his most promising disciple, a quiet boy of barely twelve.
An Unusual Betrothal Desparate and out of options, Wei Wuxian and Lan Wangji turn to time travel. It is just their luck that Wei Wuxian misplaces a zero somewhere in the time traveling array and ends up in a time before the cultivation existed. Sequel to “Getting Jet Lag From Time Travelling”
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WangXian pokemon au!!!
Here’s a story about changelings:
Mary was a beautiful baby, sweet and affectionate, but by the time she’s three she’s turned difficult and strange, with fey moods and a stubborn mouth that screams and bites but never says mama. But her mother’s well-used to hard work with little thanks, and when the village gossips wag their tongues she just shrugs, and pulls her difficult child away from their precious, perfect blossoms, before the bites draw blood. Mary’s mother doesn’t drown her in a bucket of saltwater, and she doesn’t take up the silver knife the wife of the village priest leaves out for her one Sunday brunch.
She gives her daughter yarn, instead, and instead of a rowan stake through her inhuman heart she gives her a child’s first loom, oak and ash. She lets her vicious, uncooperative fairy daughter entertain herself with games of her own devising, in as much peace and comfort as either of them can manage.
Mary grows up strangely, as a strange child would, learning everything in all the wrong order, and biting a great deal more than she should. But she also learns to weave, and takes to it with a grand passion. Soon enough she knows more than her mother–which isn’t all that much–and is striking out into unknown territory, turning out odd new knots and weaves, patterns as complex as spiderwebs and spellrings.
“Aren’t you clever,” her mother says, of her work, and leaves her to her wool and flax and whatnot. Mary’s not biting anymore, and she smiles more than she frowns, and that’s about as much, her mother figures, as anyone should hope for from their child.
Mary still cries sometimes, when the other girls reject her for her strange graces, her odd slow way of talking, her restless reaching fluttering hands that have learned to spin but never to settle. The other girls call her freak, witchblood, hobgoblin.
“I don’t remember girls being quite so stupid when I was that age,” her mother says, brushing Mary’s hair smooth and steady like they’ve both learned to enjoy, smooth as a skein of silk. “Time was, you knew not to insult anyone you might need to flatter later. ‘Specially when you don’t know if they’re going to grow wings or horns or whatnot. Serve ‘em all right if you ever figure out curses.”
“I want to go back,” Mary says. “I want to go home, to where I came from, where there’s people like me. If I’m a fairy’s child I should be in fairyland, and no one would call me a freak.”
“Aye, well, I’d miss you though,” her mother says. “And I expect there’s stupid folk everywhere, even in fairyland. Cruel folk, too. You just have to make the best of things where you are, being my child instead.”
Mary learns to read well enough, in between the weaving, especially when her mother tracks down the traveling booktraders and comes home with slim, precious manuals on dyes and stains and mordants, on pigments and patterns, diagrams too arcane for her own eyes but which make her daughter’s eyes shine.
“We need an herb garden,” her daughter says, hands busy, flipping from page to page, pulling on her hair, twisting in her skirt, itching for a project. “Yarrow, and madder, and woad and weld…”
“Well, start digging,” her mother says. “Won’t do you a harm to get out of the house now’n then.”
Mary doesn’t like dirt but she’s learned determination well enough from her mother. She digs and digs, and plants what she’s given, and the first year doesn’t turn out so well but the second’s better, and by the third a cauldron’s always simmering something over the fire, and Mary’s taking in orders from girls five years older or more, turning out vivid bolts and spools and skeins of red and gold and blue, restless fingers dancing like they’ve summoned down the rainbow. Her mother figures she probably has.
“Just as well you never got the hang of curses,” she says, admiring her bright new skirts. “I like this sort of trick a lot better.”
Mary smiles, rocking back and forth on her heels, fingers already fluttering to find the next project.
She finally grows up tall and fair, if a bit stooped and squinty, and time and age seem to calm her unhappy mouth about as well as it does for human children. Word gets around she never lies or breaks a bargain, and if the first seems odd for a fairy’s child then the second one seems fit enough. The undyed stacks of taken orders grow taller, the dyed lots of filled orders grow brighter, the loom in the corner for Mary’s own creations grows stranger and more complex. Mary’s hands callus just like her mother’s, become as strong and tough and smooth as the oak and ash of her needles and frames, though they never fall still.
“Do you ever wonder what your real daughter would be like?” the priest’s wife asks, once.
Mary’s mother snorts. “She wouldn’t be worth a damn at weaving,” she says. “Lord knows I never was. No, I’ll keep what I’ve been given and thank the givers kindly. It was a fair enough trade for me. Good day, ma’am.”
Mary brings her mother sweet chamomile tea, that night, and a warm shawl in all the colors of a garden, and a hairbrush. In the morning, the priest’s son comes round, with payment for his mother’s pretty new dress and a shy smile just for Mary. He thinks her hair is nice, and her hands are even nicer, vibrant in their strength and skill and endless motion.
They all live happily ever after.
*
Here’s another story:
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bro shut the fuck up im analyzing homoerotic subtext
serirei week day #2 - touch
dance time