— Mimi Evangeline, From Girlhood Is Godhood

Elaine Castillo, America Is Not The Heart Jeanette Winterson, Oranges Are Not the Only Fruit Ijeoma Umebinyuo, ‘Confessions’, Questions for Ada Mohamad Hafez, Baggage series Evelyn Waugh, Brideshead Revisited Anne Carson, ‘The Glass Essay’, Glass, Irony, and God Margaret Atwood, ‘November’, You Are Happy Richard Siken, ‘Boot Theory’, Crush

Olena Kalytiak Davis, Shattered Sonnets, Love Cards, and Other Off and Back Handed Importunities

Sharon Olds, True Love

Stephen Crane, In The Desert

Cameron Awkward-Rich, Meditations in an Emergency

ANTIGONE: The fields were wet. They were waiting for something to happen. The whole world was breathless, waiting. I can’t tell you what a roaring noise I seemed to make alone on the road. It bothered me that whatever was waiting, wasn’t waiting for me.

Jean Anouilh, Antigone

Etel Adnan, The Spring Flowers Own & The Manifestations of the Voyage

I’m trying to give you everything I have. But I can’t find it; I can’t find it yet.

Alice Notley, In The Pines

Anne Carson, Plainwater: Essays and Poetry

& if I were to forgive you (& I know I could)

who would be left

who would be left

to forgive me?

Hieu Minh Nguyen, Afterwards

Mahmoud Darwish, Mural

Fariha Róisín, How to Cure a Ghost

“You kiss the back of my legs and I want to cry. Only / the sun has come this close, only the sun.”

Shauna Barbosa, GPS

Mahmoud Darwish, Mural

Forough Farrokhzad, Another Birth

repetition in poetry // part i

(part ii) (part iii) (part iv) (part v)

can you do a web weaving about ocean/sea being metaphors for love?

William Shakespeare, Romeo and Juliet

SEAY, Love Is The Ocean

Zora Neale Hurston, Their Eyes Were Watching God

Edmund Dulac, ‘The Little Mermaid Saved The Prince’, from The Little Mermaid by Hans Christian Andersen

Titanic (1997) dir. James Cameron

Bobby Darin, Beyond The Sea

Nikos Kazantzakis in a letter to Harilaos Stefanidis, written c. June 1924

Kahlil Gibran, The Prophet

Uncle Yanco (1967) dir. Agnes Varda

Veronica Rossi, Through the Ever Night

The Kooks, Seaside

Vincent van Gogh, from The Letters of Vincent van Gogh

“Male culture ensures that women’s anger is not taken seriously (and thus that women’s anger will not lead to social change) by defining anger in women as pathological. Broverman et al. (1972) found that mental health professionals judged aggression to be a trait associated with a healthy man, but not a healthy woman. Feinblatt and Gold (1976) found that more girls than boys were referred to children’s mental health centers for being defiant and verbally aggressive. Aggressive girls described in hypothetical case studies were rated both by graduate students in psychology and by parents as more disturbed, as being more in need of treatment, and as having poorer prognosis than boys described with identical problems. Hochschild (1983) found that males who displayed anger were thought to have deeply held convictions, while females were considered personally unstable.”

— Dee L. R. Graham, Loving to Survive (via reading-blog)

Love™️ cont.

— Devil in Spring by Lisa Kleypas

“I did love you. I even loved your hate and your hardness” —“Cat on a Hot Tin Roof” by Tennessee Williams

—“Poor Little Rich Boy” by Regina Spektor

“Kaling being a total boss lady seems to only make him love her more. An audience member asks if he is going to marry her, to which after only a slight pause he says, “I don’t know.”” —B.J. Novak about Mindy Kaling

“Then I realized that we all think we might be terrible people. But we only reveal this before we ask someone to love us. It is a kind of undressing.” —The First Bad Man by Miranda July

“But I love you. I want you to have your own thoughts and ideas and feelings, even when I hold you in my arms.” — A Room with a View by E.M. Forster

“She still loves him. This is the fact she wakes up to each morning. She checks it, sometimes, a tongue probing an aching tooth, making sure it still hurts.” —Salt Houses by Hala Alyan

—“State of Grace” by Taylor Swift

“I don’t write this letter to put bitterness into your heart, but to pluck it out of mine. For my own sake I must forgive you.” — De Profundis by Oscar Wilde

“My love for you is more/athletic than a verb,/agile as a star” — Sylvia Plath

“I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you. And Peter does. He sees me, and I see him.” ― To All the Boys I’ve Loved Before by Jenny Han 

― Eleven Scandals to Start to Win a Duke’s Heart by Sarah MacLean

  The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Sandra Gilbert and Susan Gubar

Olivia Gatwood, Life Of The Party

The woman who eschews femininity, who is content with her natural shape and size and smell, who is impatient with the lengthy rituals of femininity, is condemned by both sexes. To women, she is an uncomfortable reminder of the extent to which they have abandoned themselves to the demands of men. To men, she is a threatening warning that their domination is not total and that women still have the power to regain themselves. 

- Anne Summers, Damned Whores and God’s Police

The Knight Wonders What, Exactly, He Rescued by Jeannine Hall Gailey