I’m Going Thru Big Trauma Hours And Reading Your Compiled Research Has Been Very Cathartic And Oddly

i’m going thru big trauma hours and reading your compiled research has been very cathartic and oddly healing in a way. i was just wondering if you had recommendations for writing with more trauma-focused/interpretation of Medusa or other horror ish, female-focused works?

i hope whatever you’re going through eases soon. here are some things i hope might help. 

What If We Cultivated Our Ugliness? or: The Monstrous Beauty of Medusa, Jess Zimmerman

Transforming Medusa, Charlotte Currie

Grand Unified Theory of Female Pain, Leslie Jamison

Nightingale: A Gloss, Paisley Rekdal

The Thread: Forged in Fire, Marissa Korbel

The Thread: Volcanoes, Marissa Korbel

The Girls Who Turned into Trees, Miranda Schmidt

There Is No Way Out of Here: Trauma and Transformation, Andrea Applebee

Make Me a Cold and Pitiless Goddess, Sharma Shields

Xenomorph, Sara Eliza Johnson

The Resurgence of the Monstrous Feminine, Hannah Williams

Our Talons Can Crush Galaxies, Brooke Bolander

Embrace Your Monstrous Flesh: On Women’s Bodies in Horror, Rebecca Harkins-Cross

Horror Lives in the Body, Megan Pillow Davis

Hero Status: Medusa, Hazel Cills

Medusa Writes for Teen Vogue, Dorothy McGinnis

Snake Eyes: The Power to Turn the Patriarchy into Stone, McKenzie Schwark

The Timeless Myth of Medusa, a Rape Victim Turned Into a Monster, Christobel Hastings

OUROBORICISMS, Alice Lesperance 

On the Haunted Lives of Girls and Women, Rachel Eve Moulton

Prey, Kathleen Hale

Medusa Reflects, Jacqueline Doyle

you’ve given me a very broad topic and thus i have tried to give you a wide range of things to read. some of these don’t exactly fit what you requested, but since they helped me, i hope they might help you too. i’m always available if you want more. i hope you find your healing soon, angel 💖

More Posts from Purposefullylackadaisical and Others

and the grocery store is never just the grocery store. i'm staring at cereal boxes trying to find one that'll stain my heart honey-sweet again. i'm pacing the snack aisle looking for an epiphany or addiction. i'm circling the croissants like they'll make my life beautiful. i'm looking at birthday cards wondering who i have left to congratulate. i'm clutching my sleeves in the produce section. as if this particular lettuce will cleanse away years of inner turmoil. i'm cradling wilted bouquets like precious cargo--have i ever been held this tender, this secure? i'm hovering before the self-checkout and cashier line, wondering if it'd be nice to go through something with someone else for once.

“How do we forgive our fathers? Maybe in a dream. Do we forgive our fathers for leaving us too often, or forever, when we were little? Maybe for scaring us with unexpected rage, or making us nervous because there never seemed to be any rage there at all? Do we forgive our fathers for marrying, or not marrying, our mothers? Or divorcing, or not divorcing, our mothers? And shall we forgive them for their excesses of warmth or coldness? Shall we forgive them for pushing, or leaning? For shutting doors or speaking through walls? For never speaking, or never being silent? Do we forgive our fathers in our age, or in theirs? Or in their deaths, saying it to them or not saying it. If we forgive our fathers, what is left?”

— Thomas Builds-the-Fire, Smoke Signals (Sherman Alexie)

From The Art Of Loving And Losing Female Friends By Rachel Vorona Cote
From The Art Of Loving And Losing Female Friends By Rachel Vorona Cote
From The Art Of Loving And Losing Female Friends By Rachel Vorona Cote

From The Art of Loving and Losing Female Friends by Rachel Vorona Cote

The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski
The Love Club, Lorde | Sharp Objects, Gillian Flynn | Lady Bird Dir. Greta Gerwig | Class Of 2013, Mitski

the love club, lorde | sharp objects, gillian flynn | lady bird dir. greta gerwig | class of 2013, mitski | white oleander, janet french | girl in progress dir. patricia riggen | writer in the dark, lorde | little fires everywhere, celeste ng | electrick children dir. rebecca thomas | mythological beauty, big thief

No two women have the same experience. All feminism is founded not on actual essential unity, but on political coalition and affirmation of shared political needs and goals.

Race, culture, class, birth assignment, religion, and countless other factors mean all women experience womanhood differently. Excluding trans women because we have a different life experience misses the point that all women have different life experiences. This idea isn’t even new, its not even specific to trans women, its literally the point Crenshaw and Collins and Mohanty and countless other woc and third world feminists have been making for decades now.

oldest daughters have more de-escalation training than cops do

“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing
“The Most Haunting Time At Which To See Them Is At The Turn Of The Moon, When They Utter Strange Wailing

“The most haunting time at which to see them is at the turn of the moon, when they utter strange wailing cries; but the lagoon is dangerous for mortals then…”

“the mermaids” - marianne boruch // “hylas and the nymphs” - john william waterhouse // “the love song of j. alfred prufrock” - t.s. eliot // “a mermaid” - john william waterhouse // “the siren” john william waterhouse // moby-dick - herman melville // “the knight and the mermaid” - isobel lilian gloag // “the land baby” - john collier // “lamia” - john keats // of “hylas and the water nymphs” - henrietta rae // peter pan // j.m. barrie

Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine
Aloha From Hell - Richard Kadrey / X / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine

Aloha from Hell - Richard Kadrey / x / I Can Fly - Lana Del Rey / Alejandro Jodorowsky / Cut - Catherine Lacey / How’d Your Parents Die Again? - Fatimah Asghar / Margaret Atwood / Courtney Love Prays To Oregon - Clementine von Radics / The Milk Train Doesn't Stop Here Anymore - Tennessee Williams / Vesuvius - Amber Sparks

From Todays Newsletter

From todays newsletter

when florence welch said “and everything i ever did was just another way to scream your name” and when mitski said “if you would let me give you pinky promise kisses then i wouldn’t have to scream your name atop of every roof in the city of my heart” and when taylor swift said “and i still talk to you when i’m screaming at the sky” and when phoebe bridgers said “there are no words in the english language i could scream to drown you out” and when oh pep said “heard you were yelling before you could talk” and when

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