I'M A KALEIDOSCOPE !
private, independent, highly selective, 18+ multimuse -> featuring muses from gravity falls, marvel, star trek, & more ! - šš¢š”š©šššš šš¦ ššš š š ( she / they ) 26 ⤠-
QUASTARI ā ā i struggled for a LONG TIME with surviving. and no matter what, you keep finding something to f i g h t for. ā ā INDIE & PRIVATE multimuse featuring joel miller from the last of us. game-based with show influences.
Ā Ā Ā Ā Ā surprise flickers over arthur's face immediately, attention shooting back over in time to watch the way hope's eyes expand. her fingertips brushing over plush, pink lips as if it would help REIN in what she just said. but it was in the air now - hanging in much the way cigar smoke does. heavy, thick, intrusive.
Ā Ā Ā Ā Ā arthur blinks once, twice, shifting in his seat on the third. he had an inkling about how hope might've felt about this whole thing - he ain't like dutch, but arthur's come to know miss hope baxter a little by now. knows when she's being truthful & when she's trying to spare his feelings. when she's genuine or teasing.
Ā Ā Ā Ā Ā ā so you don't wanna marry this guy, ā arthur says bluntly. reinforcing what she just admitted by mistake. not allowing it to be shuffled under the rug in a way hope will want to do.
Ā Ā Ā Ā Ā he spins the whiskey in his glass, mouth tight & jaw set. a small temptation rises in arthur's gut to point out that, CONTRARY to her question about doing anything else with his life, he ain't the one being pushed into a marriage. he had the freedom to marry for love, if love ever found him.
Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā ( it did. long ago. & it was these same damn expectations that kept her from him. )
Ā Ā Ā Ā Ā arthur lets out a long, IMPATIENT sigh. ā if you don't wanna get married, then don't ! what - daddy won't be happy ? seems to me you should put 'urself first. ā
āĀ --Ā noĀ !Ā āĀ hopeĀ letsĀ outĀ aĀ smallĀ half-heartedĀ laughĀ compulsivelyĀ ,Ā toĀ matchĀ hisĀ energyĀ moreĀ thanĀ anythingĀ elseĀ .Ā sheĀ continuesĀ ,Ā āĀ iĀ meanĀ ,Ā notĀ unlessĀ youĀ wantedĀ toĀ beĀ somethin'Ā šššššĀ .Ā āĀ sheĀ tiltsĀ herĀ headĀ toĀ theĀ sideĀ inĀ evaluationĀ ofĀ hisĀ reactionĀ ,Ā browsĀ furrowingĀ togetherĀ .Ā itĀ surprisesĀ herĀ howĀ quicklyĀ heĀ dismissesĀ theĀ ideaĀ thatĀ heĀ mightĀ everĀ haveĀ beenĀ anythingĀ elseĀ inĀ lifeĀ .Ā he'sĀ smartĀ ,Ā muchĀ smarterĀ thanĀ heĀ givesĀ himselfĀ anyĀ creditĀ forĀ anywayĀ .Ā he'sĀ gotĀ plentyĀ ofĀ skillsĀ applicableĀ toĀ careersĀ outsideĀ ofĀ gunslingingĀ &Ā playingĀ muscleĀ forĀ theĀ vanĀ derĀ lindeĀ gangĀ .Ā she'sĀ seenĀ itĀ .Ā .Ā .Ā butĀ heĀ reallyĀ doesn'tĀ ,Ā doesĀ heĀ ?Ā thatĀ thoughtĀ weighsĀ downĀ herĀ sweetĀ smileĀ -Ā noticeablyĀ droopingĀ intoĀ aĀ poutĀ .
asĀ heĀ surveysĀ theĀ roomĀ ,Ā hopeĀ takesĀ theĀ opportunityĀ toĀ brieflyĀ studyĀ hisĀ featuresĀ -Ā sheĀ notesĀ hisĀ scarsĀ ,Ā theĀ linesĀ aroundĀ hisĀ eyesĀ ,Ā theirĀ colorĀ .Ā sheĀ wondersĀ whatĀ thoseĀ eyesĀ haveĀ seenĀ ;Ā sheĀ wondersĀ howĀ theyĀ seeĀ šÆš¬š¹Ā .
asĀ arthurĀ refocusesĀ ,Ā leaningĀ inĀ thatĀ littleĀ bitĀ closerĀ ,Ā sheĀ drawsĀ inĀ aĀ quickĀ sharpĀ breathĀ -Ā gazeĀ flickeringĀ towardĀ hisĀ lipsĀ forĀ aĀ singleĀ beatĀ .Ā whileĀ sheĀ triesĀ toĀ keepĀ herĀ expressionĀ neutralĀ ,Ā kickingĀ herselfĀ internallyĀ forĀ beingĀ soĀ easilyĀ ššššššššš Ā -Ā sheĀ can'tĀ hideĀ theĀ flushĀ thatĀ bloomsĀ acrossĀ herĀ frecklesĀ likeĀ wildflowersĀ .
herĀ attentionĀ successfullyĀ capturedĀ ,Ā sheĀ listensĀ toĀ whatĀ heĀ saysĀ intentlyĀ -Ā heartĀ droppingĀ toĀ &Ā shatteringĀ onĀ theĀ filthyĀ floorĀ .Ā itĀ takesĀ herĀ aĀ momentĀ toĀ processĀ itĀ allĀ ,Ā firstĀ theĀ brieflyĀ flippantĀ descriptionĀ ofĀ hisĀ parentsĀ ,Ā thenĀ .Ā .Ā .Ā 'evenĀ worseĀ manĀ thanĀ meĀ .Ā .Ā .'Ā thatĀ admissionĀ aloneĀ floorsĀ herĀ intoĀ momentaryĀ silenceĀ ,Ā aĀ rarityĀ forĀ herĀ &Ā anĀ š°š“š·š¹š¬šŗšŗš°š½š¬Ā featĀ onĀ arthur'sĀ part.
beforeĀ sheĀ canĀ comeĀ upĀ withĀ somethingĀ šššššššššššššĀ apologeticĀ toĀ sayĀ ,Ā heĀ hasĀ alreadyĀ movedĀ ontoĀ hisĀ questionĀ -Ā furtherĀ throwingĀ herĀ offĀ .
āĀ iĀ .Ā .Ā .Ā meĀ ?Ā āĀ sheĀ blinksĀ upĀ atĀ himĀ ,Ā stillĀ recalibratingĀ fromĀ theĀ sheerĀ mentalĀ whiplashĀ .Ā herĀ sufficientlyĀ inebriatedĀ mindĀ strugglingĀ toĀ keepĀ upĀ .Ā āĀ uhĀ .Ā .Ā .Ā hmĀ ,āĀ sheĀ scramblesĀ blindlyĀ forĀ somethingĀ ,Ā šØšµšš»šÆš°šµš®Ā toĀ say -Ā &Ā soĀ theĀ truthĀ spillsĀ outĀ with an incredulous giggle .Ā āĀ wellĀ iĀ wouldn'tĀ beĀ gettingĀ marriedĀ ,Ā that'sĀ forĀ sureĀ .Ā .Ā .Ā āĀ theĀ momentĀ sheĀ hearsĀ herselfĀ azureĀ eyesĀ blowĀ wideĀ ,Ā lipsĀ flattingĀ intoĀ aĀ thinĀ lineĀ ,Ā fingersĀ pressingĀ looselyĀ toĀ herĀ lipsĀ inĀ shockĀ .
āĀ -Ā iĀ don'tĀ knowĀ whyĀ iĀ saidĀ thatĀ ,Ā āĀ maybeĀ theĀ drinksĀ wereĀ aĀ ššš Ā šš ššĀ afterĀ allĀ .Ā .Ā .
ā” this post if you want to plot with any of my muses.
not sure where to start ? check out my wishlist for an idea. i'm open to anything on there, as well as any ideas you or i might have.
most active muses - arthur morgan - joel miller
muses i'd like to develop - stanley pines - kaidan alenko - will riker
WISHLIST
below are plots & dynamics i'd like to explore with my muses. if you're interested in any of them, please DM me on tumblr or discord.
all plots are not set in stone - they can be tweaked & changed to suit your muse or the setting. these are simply jumping off points.
JONATHAN ARCHER :
plots - your muse is captain of their own ship (starfleet or otherwise) . it's damaged and the enterprise rescues them.
dynamics - your muse and jon are old friends from starfleet academy before their lives took them in separate directions. whatever that may mean. - your muse and jon are old rivals from starfleet academy. there is still tension, especially after jon was given command of the enterprise. ā” tentative love. your muse is under jon's command, yet they grow feelings for each other.
BARRETT TORBON :
plots - even though barrett is trying to lay low, he ends up saving your muse in his bear form. - your muse is a hunter ( monster or regular ) & crosses paths with barrett.
dynamics - a younger / recently-changed shifter / werewolf is taken under barrett's wing. ā” despite always keeping others at a distance, barrett finds himself falling in love with your muse & doesn't know how to go about it.
ARTHUR MORGAN :
plots - your muse is a bounty hunter / rival gang member & crosses paths with arthur. - your muse is an outlaw who ends up working with arthur to run from the law.
dynamics - your muse joins the gang - arthur doesn't really trust them yet. ā” arthur & your muse have grown quite close. it's enough for arthur to start wondering how life would be away from the gang.
WILLIAM RIKER :
plots - when the enterprise hosts an event, your muse & will strike up conversation in ten forward.
dynamics - your muse is an unruly officer & will is their commanding officer. they butt heads often. - literally anything where will gets into a competitive rivalry.
JACK DANIELS :
plots - your muse is another statesman spy & is put on assignment with jack. - your muse is jack's target. he's trying to get as close as possible.
dynamics - jack knows he's one of statesman's best. he doesn't like the idea of sharing that title with anyone else. ā” your muse knows very little about jack's true work. he tries to keep your muse away from his work as much as possible.
VIRA'TER :
plots - your muse visits the station & attracts young vira's fascination. he just loves to learn about others.
dynamics - vira has grown up very sheltered so far. he might benefit from someone showing him how to bend the rules once in a while.
KAIDAN ALENKO :
plots - your muse & kaidan are on a mission. he gets one of his migraines. it's an all-around bad time for everyone.
dynamics ā” your muse & kaidan somehow find love amidst the destruction of their galaxy.
STANLEY PINES :
plots - stan hasn't changed in all these years, as evident from a black eye & a messed-up hand. he insists the fight was worth it.
dynamics - your muse is some "snot-nosed kid" - & painfully reminds stan of how he was at their age. ā” after feeling alone for so many years, stan finally finds someone who really understands him. he doesn't have to be the bad twin - just stan.
BAYEK :
plots - your muse asks bayek for a favor. he's kind & loyal - he'll do it. but your muse is coming along.
dynamics - your muse & bayek have both lost so much. few people can understand their dark, deep craving for revenge. ā” your muse & bayek have both lost so much. but it's possible they can find something new.
JOEL MILLER :
plots - your muse & joel end up in some trouble. joel doesn't miss a chance to throw it in your muse's face. - your muse is new to jackson & goes to joel for help, hearing that he's a handyman.
dynamics - joel had to put down someone important to your muse. there's a lot of guilt & anger between them. ā” with ellie safe in jackson, it's easier for joel to start moving forward in his life. of course, it starts falling in love.
QUASTARI // indie private multifandom multimuse
featuring BARRETT TORBON ; a fandomless bear-shifter original character