"Oh You Had A Plague? Come Back To Us When You Had A World War, Brand New Unconventional Weapons, And

Robin: Being gay is a constant battle between "I wish to sit on a window bench with my lover, our legs tangling as we listen to the birds" and "Hey, let's go throw rocks at fascists" and I think that's very sexy of us.

Eddie: If the window's open and you time it right, you can do both.

I fully endorse this message

rian johnson i am begging you to reconsider the knives out x muppet crossover

Tumblr Holidays:

• March 14th: Pi Day

• March 15th: Ides of March

• April 1st: April Fools Day and Mishapocalypse Memorial Day

• April 13th: Homestuck Day

• April 20th: Weed Day

• September 8th: Queen Elizabeth Killed By Sans Undertale Day

• November 5th: Destiel Canon Day

Day 0 - 0/100 hours | Sun 30.07.2023

Hey everyone! I'm going to be doing a 100-hour challenge of German language learning starting from scratch at an A0 level. These are the resources and the study plan I intend to use, it might be adjusted over time to meet my goals.

💡 Resources

Goethe institut A1 online content

Nico’s Weg A1 online content

Quizlet and Anki decks

Chatgpt for quizzes

Duolingo

Netflix language learning chrome extension

YouTube and Spotify

💡 Study Plan

Inspired by Zoe.languages video

💡 Revision

Keep a Duolingo streak to keep in the loop

Spaced repetition with Anki Flashcards

Daily 10 min review through chatgpt designed quizzes about grammar, vocabulary and skill practice.

Talk with a penpal at least once a week about an specific topic.

I think this challenge will be a good way to document progress, stay accountable, and share resources. If you're interested, you're welcome to join me.

This just makes me happy man idk anymore

we dont know anything about Benoit Blanc's husband except that hes called Philip but i want him to be a retired jewel thief who Benoit met during a case after he was hired to locate some stolen diamonds and Philip was posing as a gardener and Benoit kept asking him increasingly complicated questions about gardening so Philip thought he was onto him but really Benoit just thought he was hot and asked Philip out but the entire time Philip was like this is some kind of gambit so kept getting weirder and weirder until Benoit was like what is up with you so Philip confessed the whole thing and Benoit was like oh shit. but the guy he robbed was a total asshole so Benoit was like whatever it's fine so they started dating and the diamonds ended up paying for their apartment

BENOIT BLANC in GLASS ONION + Text Posts

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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