Wizard Man Take Me By The Hand

I hate being a person who loves bugs, I can't say anything without the person I'm talking to reacting with disgust. Today I had to literally beg a coworker for the life of a spider, and then after I put it in a nook outside she thought it'd be funny to show me a video she took of her killing one. Like idk man. Birds scare the shit out of me but I still get why people love them. They come in pretty colors and they sound nice and they're interesting to observe. I don't understand why people don't feel the same about bugs. The rich amber color of a cockroach, the iridescent glow of a fly, the intricate hydraulics that power their little legs, the chirp of a beetle, the art of the spider's web... It's all so beautiful. Why is it the habit of so many to destroy?

PLEASE tell me your takes on the Photographer I adore them and desire the content. Thankyou.

Ah, alright! So, here:

My take on the Photographer.

I like to think that the animal bots in the area, kind of like with fishbot and lonely wizbot, are cyborg beings that were once flesh. In the wasted world (haha) of Botopia, there's no place for flesh and blood creatures. Very little safety or care is given to ensure they even have land. Much of the once wooded island is even just.. a muddy, rocky expanse.

So wouldn't the person documenting and actively collecting proof life existed want to preserve it?

I designed him based on that purpose! Those fins allow it to work almost like a sonar, sensing around the area. The horns are like the antennae on a radio, allowing the Photographer deposit photos into a drive within Botopia. Not to mention pincers along his body that work like spider mandibles, that can trap and contain prey, but seem almost incomplete.

This is because it ran out of parts eventually. That's a large reason why there's so, so little of anything left near the cabin. It used up its resources. So he could only use bits of his body to complete that work. Of course, the fellow sees no issue with that. It can still complete its work by having strung itself up inside of its darkroom alongside the vines and moss, sending out a small drone to do the work they had once done.

The Photographer could certainly make synthetic skin and allow itself to become a beast-like being.. but it values the purity of life. It trusts and loves so dearly in the flesh and blood beings it once only preserved in photos.

I really hate that so many people can't tell a difference between "lost media" and "commercially unavailable media".

Like there's a TV tropes article that calls the SNES Lion King game "lost media".

No? We have ROMs and there's carts on ebay?

But it's no available in the Nintendo Switch store, so it's "lost media".

Like, don't get me wrong, the fact that there's so many games (especially Nintendo console games!) that you cannot legally purchase right now is definitely a problem, but it's a mostly separate problem from lost media, which is where there's no archived versions anywhere, and it's potentially completely lost.

Lots of Megarhyssa spp. ovipositing on dying beech! M. atrata and M. macrurus or greenei. I always enjoy seeing these Ichneumonids! Ottawa, Ontario, Canada.

we are looking 👀 to ➡️ tha moon 🌚 w this one ‼️‼️🔥🔥

hivewing design, now with approximately 400% more bug

been playing rain world and thinking about saint again recently

full rain world spoilers below

I hate the "saint is the triple affirmative" interpretation. hate even more how it appears to have become the accepted truth in the fandom

first off, my dislike for this interpretation is not logical. it isn't something I can be convinced out of using canon evidence, because my reason for not interpreting the story this way is not evidence-based, it's because I don't find it to be a satisfying conclusion to the entire story of rain world.

but here's some rambling about logical reasons why it doesn't make sense anyway

if saint was created as the triple affirmative by sliver, that makes them extremely old - they came into existence LONG before spearmaster's campaign even started. if they came into existence with the purpose of ascending iterators, they sure took a long time to ascend any iterators - like okay, travel time and whatever, but you'd think they'd get at least one or two more before all the iterator comms break down entirely post-spearmaster. SM and hunter managed to get from SRS and NSH to the pebbs/moon area pretty quickly.

they also have fur, which seems to be an adaptation for the cold judging by the lizards in the campaign, despite the world not being cold at the point at which they were created. this could be easily explained by sliver just being very forward-thinking, but...

if sliver created saint, their entire triple affirmative thing comes across as incredibly thoughtless, which imo contrasts with sliver being forward-thinking enough to make saint immune to cold. like they finally created the magical rat that will ascend them all but didn't even think to send out a message beforehand like "hey guys I'm trying something new if I send out the triple affirmative and die right after this it worked and you should be visited by a flying green dude with an ascension beam at some point in the future"

there's also the thing of... wait so how does this whole iterator ascension work again? cause saint's timeline loops. after they ascend, they end up back in sky islands, with the iterators back where they were. this could be explained by "later playthrough loops aren't canon and pebbs and moon are ascended if you got em" but there's literally a specific gameplay mechanic - carrying stuff in your stomach between campaigns - meant to make it clear that the campaign is a loop.

anyway. the real reason I hate the theory isn't related to any of this - it's that it absolutely destroys pebbles and moon's story, thematically speaking.

sliver of straw's triple affirmative/death is a random event that could mean basically anything. the futility pebbles felt around trying to solve the great problem caused him to assign meaning to sliver's death that wasn't necessarily there - they found the solution, and it was self-destruction. that's what they were trying to tell everyone. it wasn't a random event, the triple affirmative was real. one of the bugs in the maze found the way out, and he's going to prove it to everyone by following them and escaping.

and that's what leads to the events of the main story. this random event - this horrible tragedy, the death of someone who seemed to mean so much to so many people - was assigned meaning by someone desperate to prove that his entire existence, and the existences of everyone around him, are not futile. the ancients created the iterators without knowing whether the answer to the great problem could ever be found, and this is the result of that.

a nihilistic, hopeless person, abandoned by his creators to work forever on an unsolvable problem, assigns meaning to a random tragedy, and tunnel visions on what he has to believe is what he's been looking for - because it is an unimaginable understatement to say that the alternative would be worse than death. and then, in his self-destructive desperation, he kills his sibling* and dooms himself to the slowest, most painful death imaginable. this is the legacy of the ancients' dead society, the result of all of their stupid ideals and obsession with karmic perfection. (*as far as he knows)

but saint being the triple affirmative undermines all of that. not only does it make sliver's death less of a tragedy and more of a noble sacrifice - like yeah, sure, they were loved, but solving the great problem was far more important - but it also makes pebbles look less desperate and more just kinda stupid. like you thought that the solution was self-destruction? nah, it's a magical flying rat. in this version of the story, pebbles wasn't striving for something that didn't exist, he was just not smart enough to figure out the real solution.

even outside of canon evidence, that sucks. it causes pebbles' story to go from being about how you should value the people around you over the impossible striving that life always seems to expect from you or you're gonna end up hurting them and yourself to how you should just be smarter to find the right solution to all of your problems.

anyway as for my own interpretation of saint, I think that the campaign is just a representation of what it's like to be an echo. reliving the moments that led up to your failed ascension over and over, reaching maximum karma and gaining superpowers because you're just that karmically pure - you are a saint, after all - and then letting your ego consume you at the crucial moment of ascension, over and over again, cycling into infinity. (I don't think they actually had superpowers prior to ascending, I just think that they kinda thought of themselves so highly that they thought they should have those powers.) then contrast this with the world as the age of the iterators and the rain finally ends, and you have an unchanging echo reliving the same few cycles over and over contrasted with a world that is, at last, changing and moving on.

yeah it doesn't make sense with the joint iterator dialogue in rubicon (at least, the final line doesn't make sense). I don't care. it's what makes me happy as an interpretation. you can pry my morally dubious hypocritical ego-driven saint from my cold dead hands

Yes you get a whole fishstick doodle page, I love drawing the scugs interacting... This was supposed to be for pride month but sadly I was extremely busy so it only got finished now, but hey, better late than never huh?

silly

i'm so happy when i see him <33333

big family yep LTTM and FP seem to really like playing dominoes