Anna Maria Maiolino, Piccole Note, (ink On Paper), 1984 [MoMA, New York, NY. © Anna Maria Maiolino]

@pursimuove

Chris Drury Covered Cairn, 1993 TICKON (Tranekær International Centre for Art and Nature), Langeland, Denmark. This was commissioned as a temporary piece and comprises a cairn of glacial boulders enclosed by a dome of woven sticks

Josef Sudek, the Wind, 1918-22

Andrei Tarkovsky, “Nostalghia”. 1983.

inola gurgulia - “when I die, my dear, become a tombstone covering my grave”

I fidanzati (Ermanno Olmi, 1963)

Girls in the garden at “Orphan City,” an enormous orphan refugee camp of more than 30,000 children managed by Near East Relief in Alexandropol (modern Gyumri, formerly Leninakan), Armenia, circa 1920.

zoleikha with her handmaidens after her second dream of yousef / yousef and zoleikha united after potiphar's death, 16th c., iran

‘Concrete Mirrors’

Concrete Mirrors deals with the iconography of space conquest during the 60s, back to a climate of suspicion and paranoia linked to the cold war. Presented as a fake photograph-documentary, this project puts together three corpus of images of different nature and status, combining types of reality, these are documents, and virtuality, those are places.

David de Beyter Photography

The Cow//Gaav گاو‎  (1969) directed by Dariush Mehrjui