Rereading Trash Of The Count’s Family Has Really Given Me Insight Into The Perspectives Of The People

While it's...cute? in fanart to see Kris go up and hug Susie, in canon, when Kris is moving on their own to sit next to her, they always give her space.

(Measuring tape for social distancing added for emphasis)

And the one time Kris (jokingly?) asked her for a hug/to share her jacket, they asked, they didn't glomp her.

They immediately smile at her ribbing a moment later, showing that they're not bothered by the refusal.

In fact, any time they've gotten physically close, it's because Susie approached Kris.

Which Kris seems to be perfectly alright with; she's their best friend and Kris does seem to want to be close to her, since they ask her for a hug after the Spamton fight.

My point is, Kris deliberately gives her space when it's up to them how close to get to her. Not only are they respectful of her boundaries, Kris seems to want Susie to bridge that physical gap herself.

If they hug, Susie's probably going to be the one to do it first.

hi, so... um... who is "megabird"? I was going trough your blog and saw it mentioned a lot of times. At first I thought that it was just a meme, but apparently it's not??? I'm new to the fandom, so sorry for dumb questions, and sorry if this has been answered before...

please don’t worry it isn’t a dumb question! megabird is only mentioned by name in tom zhao’s concept art, but long story short, she’s basically a divine entity of the flame and the creator of sky kids. (putting a read more in case this gets long, and of course, game spoilers ahead)

so she’s a god in charge of the reincarnation cycle of light creatures, including sky kids. her presence isn’t restricted to the concept art, of course; we see the megabird in the wind vanes in the prairie bird’s nest as well as the prairie temple entrance, and a popular speculation is that megabird is the one narrating at the beginning of sky (the whole fall of the stars and “if only they had listened” spiel describing the destruction of the sky kingdom).

in the concept art above, the holy site refers to the eye of eden, so it’s pretty safe to say we fly into megabird during the orbit sequence.

probably the most important bits of megabird lore come from the concept art timeline, though. it’s a bit hard to read because of the low quality, and i might put a transcription in the next ask for anyone curious, but i’ll just take the bits related to megabird and type them below:

Fire Era

- All souls are part of the Megabird. Each soul cycles through the Human and the Sky. World gathers experience before returning to Megabird. We are all one and one is us all.

- Megabird grants flame to Prince and Creatures.

- Megabird is at her strongest and all life is connected by light.

- Both Ancients and Creatures worship the fire, migrating to the holy land to die and be reborn.

Dark Stone Era

- The Ancients enter a golden age and the Prince is crowned King. However, dark matter begins to corrupt the Prince and Ancestors.

- Ancients become indifferent and disconnected from the Megabird. The Ferryman Ancestor (Isle Elder) retires with no new souls to shepherd.

Post Storm Era (after the Sky Kingdom is destroyed)

- In dismay, Megabird blesses the sky Kingdom with a new Descendant race (sky kids) in the hope that they will reconnect all souls.

it’s important to note that lore stated in concept art is not necessarily canon, but there are plenty of safe assumptions we can make based on what’s in game that are basically accepted as fanon. megabird is indeed meme’d though. if you ever hop into the official sky discord’s lore channel, you might see her get called megan or described as a bunch of noodles because of her appearance. i also personally like joking that any mysterious source of light in the sky (such as the sun) is megabird. hope this helped :]

I got the 'written animatic' idea from one of @blueteller 's stories so thank you for that-

This is pretty short btw

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You are my sunshine

A close up shot of Raon in Cale's arms. You're unable to see Cale's face, only the bottom half. Raon is looking up at Cale as Cale sings to him.

My only sunshine

The background is light gold colors, everything is just the slightest bit fuzzy. It seems as though they're in Cale's bed. Raon feels warm.

You make me happy

Cale begins to pet Raon softly on his head.

When skies are gray

Raon snuggles into Cale's arms just a bit more

You'll never know, dear

As Raon is closing his eyes, we see Cale's mouth begin to shake a little.

How much I love you

Cale brings Raon into his arms in an embrace, the point of view gets closer to them and we see Cale's shoulders begin to shake

Please don't take

As the point of view backs away, the warm and gold background slowly fades into a battlefield.

My sunshine away

We see Cale hunched over Raon, the indestructible shield covering them, they're in the middle of a battlefield with some of their comrades fallen next to them. Some fighting is still going on in the background as the screen fades to black

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Inspiration really does come to me in the weirdest of places-

I wrote this pretty quickly, please do keep in mind-

Got to love that the first thing Alberu decided to do after he realised that Cale wasn't joking about being a Slacker is to threaten him into doing things for him by using government positions and titles.

This man is the only one aside from Ron and the children that are actually able to get Cale to do things that he would normally protest against. Doesn't mean that he's going to make it enjoyable for his Hyung-nim, but still, he's figured out the secret to Cale's obedience very quickly.

Don’t GOAT Breaking my Heart: an Anti-Hate Meta for Toriel AND Asgore

I’ve seen a lot of hate going around regarding the situation these two are in. Sometimes, in defense of one goat someone viciously bashes the other. It doesn’t have to be like that, though.

                                                       TORIEL

It seems like a lot of people are condemning her dislike of Asgore in their defense of him. But…I think we should try to understand her point of view too.

                              Why is she so mad at Asgore?

It is heavily implied the children he killed were her children, in the same way Frisk is. Maybe for years.

It’s safe to say Toriel didn’t just nab these kids’ shoes and send them on their way. Some or most of them stayed long enough to need to new shoes and grow out of their old ones (or they’d still be wearing them when they left the Ruins) - a process that takes months or years depending on their age. Their old ones were put in the bin. They left, and died in their new ones. Rinse and repeat.

Added to this is the photo frame in the children’s room. This frame is empty; if it were meant for her old family in New Home, it would still have them in it or not be there at all. It’s empty because the children, the humans who occupied the room before, in the picture died.

They were not just children that were murdered; they were her children. The same way Frisk is.

This isn’t just two exes disagreeing over policy; from her point of view, he killed six of her children (only one way into the underground, and that’s the hole in the ruins; Chara fell there too) and was starting on a seventh. It’s understandable that she can’t forgive him.

                           But did he kill the other 6 humans?

Unfortunately, yes.

The humans made it to Asgore, but they didn’t make it past him.

It seems the other childrens’ items were lost along the way, and scattered over decades, not markers of the childrens’ graves; it’s mentioned that the “faded ribbon” was dropped down a hole. The other items likely met a similar fate; however, all the humans made it Asgore at the end. They did not make it past him.

                        Why did she take Chara when she left?

She didn’t do it out of spite, but believed that they deserved a proper burial.

          Why didn’t she leave the barrier, and kill six people herself?

Toriel never wanted that plan to go through.

Toriel never wanted humans to be killed to break the barrier, even to free her kingdom. She would never have killed anyone to make it happen.

She didn’t call him out because she thought he should have left the barrier to kill more humans, she called him out because he gave everyone false hope and killed people; if four humans died and no others arrived then monsters would still be trapped forever, but the humans would still be dead.

Even when she’s facing down someone who killed her children, she cannot allow someone to take his life. She didn’t just come here to save Frisk; she came to save Asgore. No lives could be taken to exit the barrier. The value of life was absolute.

                                                     ASGORE

…and I think we should try to understand Asgore’s plight as well.

                     He declared war in a moment of devastation.

When Asgore declared war on humanity, he had just lost two children. He watched his son die from the wounds the humans inflicted on him, when he didn’t raise a finger to harm them. Humans who locked them in a hole to rot for thousands of years.

                          …and then couldn’t take it back.

The kingdom was in despair too; they had lost their prince, they lost their hope for reconciliation with the humans with Chara. He promised his entire kingdom he’d take the humans’ souls and free them.

He saved his kingdom from despair, and by the time his own grief had settled it was too late to take his promise back. He couldn’t take away their hopes and dreams.

He had a duty far beyond six souls of the humans - who doomed them to their situation and murdered his own son after he cared for one of their children - to the thousands of people in his own kingdom. It would have been justified for him to leave the barrier and kill six more humans after he got the first soul, right?

    Even after everything the humans did, he still valued their lives.

This is why he didn’t leave the barrier after getting the first soul.

He couldn’t state outright that he didn’t want to kill them to the kingdom, and plunge them back into the horror of being trapped in the dark forever. But he still hoped to never kill another one, even after they kept coming. Even after the sixth. If he could avoid killing even one, he would. To this end, he even instructed his scientists to find any other way to break the barrier, without a single other person having to die.

For the record, here’s how he looks at Frisk when he sees the very last soul he needs to free his people from millennia of imprisonment that they never deserved:

He takes two steps back and stares at Frisk in utter horror. There’s a long silence. He actually panicked when he saw Frisk.

            And how many times does he try to to spare your life?

Translation: Please don’t come into the next room.

“If not, I understand. I am not ready either.”

Translation: Please turn back.

There’s still time.

And when he finally does fight you…

He holds himself way, way back. He has the ability to one-shot you. He has the potential to not get a scratch on him from Frisk’s tiny LV 1 self. What’s going on here?

Because they are made of magic, monsters’ bodies are attuned to their SOUL. If a monster doesn’t want to fight, its defenses will weaken. And the crueler the intentions of our enemies, the more their attacks will hurt us.

This is how much he doesn’t want to fight you. Along with holding back his last attack, so you can only ever die if you’re already at 1 HP.

                       So why’d he destroy the mercy button?

He doesn’t really want to win either. And in the event he loses, he doesn’t want mercy. If Flowey doesn’t show up…

He dismisses his idea of living with Frisk peacefully as a fantasy, says Frisk and his other human child “have the same look of hope in your eyes”, thinks Frisk could be the Angel of the delta rune prophecy, and believes they can free everyone from outside the barrier. He then takes his own life.

                   He was not wrong to want to spare the humans.

Despite their souls being necessary to free everyone, It’s important to understand the stakes here. With each successive soul, he is not just looking down at the possibility of taking another child’s life when they show up. If he gets 7, he will no longer have an excuse to stay below ground. He will have to break it. He will then have to destroy the lives of billions to let his people on the surface.

                                        but if one shows up….

If a human shows up in his castle, it is because they want to leave. The confrontation is then inevitable, because they have to take his soul to do that. He never hunts them down. But if it comes to fight, he has a duty to fight and try to take their soul, for the entire kingdom. Their hopes are riding on him. So he killed them.

…and the barrier really couldn’t have been be broken without 6 of them, and the souls of every monster underground except Napstablook.

I think it’s possible to appreciate the agonizing position Asgore was put in, as a person so gentle he couldn’t even painlessly take the lives of humans, who killed his son and trapped them underground, with the hopes of the entire kingdom, and the destruction of an entire species, resting on his shoulders to do it.

I think it’s also possible to appreciate the position of Toriel, who has lost several of her children to his hands, and can’t forget it or forgive it, but still believes he deserves mercy.

It’s no competition. Please love both of the goat parents. Neither are bad people and they’ve been through too much.

Bonus: Are they ever ever getting back together?

 They are not ever ever getting back together.

…but he’s still smiling in the end, isn’t he?

Susie was not in a good place at the beginning of Ch 1.

I think we should try taking a closer look at where she came from to understand what her state of mind was back then.

Susie isn’t from Hometown.

Wherever she was from, she was not treated well.

And, upon coming to Hometown…things weren’t much better.

In Hometown, Susie is

Chronically underfed

Likely homeless

Hated by most of her classmates

Close to being expelled and losing her last tether to a normal life

Susie was at the very, very end of her rope at the beginning of Chapter 1.

Keep reading

Catch me crying in a dark ally way, I guess. A confession that is far more heavy than a climactic romantic one at this point. An admission to fear, although the cause of the fear unknown, out in the open and laid bare to tend to. Kanna's talk with Yuder before this about her own fears and the move Enon made to reveal himself to Kishiar couldn't have been utilized more beautifully.

Kishiar had suspected it for so long, and even after hearing it out loud himself he doesn't move in any way that Yuder doesn't approve of first. That embrace, though. He wants to reassure him so badly.

Is it actually possible for people to respect the idea that I’m just not personally impressed with Berdly as a person right now?

I’m not a fan of how he interrupts Noelle constantly, how he spent most of chapter 2 putting Kris and Susie down and call them stupid to their faces, just to turn around and relationship-zone Susie after she turns out to be cool, trying to get her alone constantly and then trick her into giving him a kiss.

He’s going to have to treat Kris, Noelle, and Susie with some actual, non-crush-related respect, as people, before I’m going to consider liking him. That doesn’t mean I want him dead or don’t acknowledge that he values Noelle.

This is not a character everyone has to like or it’s immoral somehow or you get to call them stupid for not liking him. Stop sending me fanboy asks trying to covert me Green Eggs and Ham style.

What part of “there’s nothing wrong with him, he’s just annoying” makes people think harassing them into liking him is okay?

How to Write an Ironic Story: 10 Types of Irony to Consider

Ironic moments in life can make us change our perspectives, laugh, or discover something we didn’t know before. When you’re trying to make them happen in a story, it can be more difficult than you first realized.

Here’s a quick guide to writing irony in your next story so you can think of those moments as a strategic writer.

What Is Irony?

“What? That’s so ironic.”

We’ve all said a similar line when reacting to something before. Do you remember what it was? Can you point out why it was ironic?

Definition 1: Irony is when something happens or someone says something other than what you expect.

Let’s imagine your protagonist walking outside. They’re in a good mood, but quickly realize it’s pouring rain. They were supposed to go on a walk, but they look up at the clouds and say, “What a beautiful day!”

As a reader, you’d expect that character to be frustrated that the rain ruined their plans to go walking. It’s ironic that they actually find the weather beautiful. It might even make your reader laugh in surprise.

Definition 2: Irony is when something happens or someone says something other than what you expect but in a sardonic way.

This might be the definition of irony that you naturally think of. It’s when something unexpected happens and you have a bitter laugh about it. Deep down, you likely suspected the truth all along. The reveal is negative in nature.

Imagine a politician pushing a bill to outlaw the color blue. They make speeches and go on news networks saying how the color blue is a danger to everyone, so it must be outlawed immediately. While pushing this narrative, a journalist discovers leaked photos of the politician’s interior decorating—their home is entirely blue. Additionally, news comes out that the politician had recently received a significant reelection donation from the We Hate the Color Blue corporation.

The reveal means that the politician didn’t believe what they were saying. They were only passing the law because they received money to do so, even though the color blue wasn’t harming anyone or causing a problem.

If you lived in this world, you’d likely read the headlines and roll your eyes. It’s a frustrating irony that isn’t altogether unexpected, but still a reveal.

Ironic Plot Devices

There are a few ways to use irony as a plot device. You can use them to reveal things to your characters, change your plot’s direction, or cause character growth. Check out a few examples to see how.

1. An Unforeseen Blessing

Definition: Something good happens by something bad happening.

A character is in desperate need of a new car. They don’t have the money to buy one and their current vehicle is so old, they won’t get more than a couple hundred dollars to trade it in.

One day while driving it, the car shuts down. The engine melts into the pavement while your character tries scooping it up with an old milkshake cup from their backseat.

Someone records the entire thing from a distance and posts it online. The video goes viral, prompting the milkshake restaurant chain to give the character a brand new car for free.

The loss of their old car and potential public embarrassment is terrible, but your character gets the car they need. Some would say the melting engine was a blessing in disguise. Others would call it irony.

2. Accidental Harm

Definition: Someone attends to hurt someone, but the wrong person gets hurt instead.

There are a few ways this irony could play out. Your protagonist could set a bucket of water over a doorframe, hoping it pours onto their little brother when he gets home from school. However, the protagonist gets distracted during the day and walks through the door themselves. They get soaked and become the target of accidental harm.

Their grandfather could come home before their brother too. When the grandfather gets soaked by the bucket prank, they’re the victim of accidental harm. The irony in both situations is that the actual target—the brother—never has the chance to fall for the prank.

3. Good Actions Have Opposite Effects

Definition: Someone attempts to do something the right way, but it doesn’t work out in their favor.

Your protagonist studies through the night for a high school exam. They pour all of their efforts into staying up and retaining as much information as possible because they realize they need better grades to go to their dream college.

After taking the test and getting it back, your protagonist gets a perfect score. However, the teacher announces they graded everyone on a curve due to an issue with their previous lesson plan. Everyone gets an A and the protagonist gets frustrated because they lost sleep over studying that didn’t ultimately matter.

4. Selfish Actions That Backfire

Definition: Someone does something exclusively for their own benefit and anyone or anything else benefits instead.

A character decides to run in a community race to win the prize money for a vacation. Halfway through the race, they realize they’re out of shape and there’s a shortcut up ahead. They take the shortcut and win, but the judges quickly realize they cheated to reach the finish line.

Their prize money automatically goes to the second runner-up, which happens to be the character’s worst enemy. They watch their worst enemy spend the money on lottery tickets that don’t result in any winnings. 

5. Accidental Self-Harm (Physical or Non-Physical)

Definition: Someone attempts to hurt another person, but it hurts them instead.

When you picture this irony, imagine Road Runner and Wile E. Coyote. The coyote always wants to capture or hurt Road Runner, but ends up running into his own traps instead.

Sometimes this irony can be a physical harm from a prank gone wrong or it might be an assassination that doesn’t work out. It could also be a character spreading a rumor to hurt another person, but the rumor affects their own reputation instead.

6. A Sacrifice Without Reward

Definition: Someone makes a major sacrifice that ultimately is meaningless.

Characters experiencing this irony give up something they care about and get nothing to show for it. It might be lighter in nature, like a sister giving up her spot as captain of the soccer team so her equally-talented sister can have the role. Ultimately, the coach cuts them both from the team for not jumping at the leadership role fast enough.

It can also carry a heavier theme. A character could sacrifice to keep their loved one from getting hurt, but they die and their loved one gets hurt in the process anyway. There are multiple ways for irony to serve your plot. You just have to give it a purpose in connection with your theme or message.

7. Great Things Happening to Terrible People

Definition: Someone looks forward to achieving a rare thing they want very badly, but it goes to the worst person they can think of instead.

Your protagonist’s character works hard to put themselves through school, buy a house, and even start a family. One day, they get a letter that a grandparent they never knew recently passed away and wants to give them a million-dollar inheritance. It would free them of their student loan and mortgage debt, but the cruel parental figure that shares your character’s name gets the money instead.

8. An Unwanted Achieved Goal

Definition: Someone finally achieves their long-term goal, but they realize it isn’t what they wanted.

Sometimes the idea of something is better than getting it. Your protagonist may finally move to the mountainside cabin of their dreams, but realize they hate living in an area that gets heavy snow after the first winter storm hits. It’s ironic and a bit depressing, but it shifts your character toward new goals that drive the plot in a fresh direction.

9. Trivial Events Undo a Character’s Work

Definition: Someone’s hard work or life’s work gets ruined by a tiny detail they didn’t see coming.

When someone’s ultimate goal gets undone by something minor, it’s devastating. It’s also something readers connect with because it happens in real life.

Your protagonist might work really hard to earn their pilot’s license, only to get up in their first test flight and realize they have an innate fear of heights. Their future career as a flight operator for a private space exploration company depended on getting that license, so they have to rethink everything.

10. Success Without Meaning

Definition: Someone achieves something at long last, but can’t enjoy it for whatever reason.

Your protagonist decides to become CEO of a major tech company so they can pay off their parent’s debt and provide for them forever. When they finally get that job after a lifetime of earning a college degree and climbing the company’s ladder, their parent doesn’t want their money. Now they’re stuck in a job they might not want for themselves because the purpose behind it will never exist.

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You can write an ironic story with any of these tricks and reach your readers’ hearts. Consider which storytelling tools serve your story’s theme or message to match your plot with the best plot device.