I like blogging my Fixations and Analysis ----- An Amateur Writer
145 posts
Recently reread the scene where we see Yoo Joonghyuk's interaction with Jang Hayoung for the first time and?? Holy shit?? Like, there's literally no other explanation. This man is jealous Kim Dokja made friends and plans with someone who wasn't him.
Like yes, Jang Hayoung pissed him off with her way of speaking immediately, but there have been ruder people. Why was it on sight for her? Why is he so sour over them just chatting? Kim Dokja is like "Hey look! Isn't this guy super useful (for us)?" and Yoo Joonghyuk is like "I'm better than this jerk." Jesus christ.
Recently reread the scene where we see Yoo Joonghyuk's interaction with Jang Hayoung for the first time and?? Holy shit?? Like, there's literally no other explanation. This man is jealous Kim Dokja made friends and plans with someone who wasn't him.
Like yes, Jang Hayoung pissed him off with her way of speaking immediately, but there have been ruder people. Why was it on sight for her? Why is he so sour over them just chatting? Kim Dokja is like "Hey look! Isn't this guy super useful (for us)?" and Yoo Joonghyuk is like "I'm better than this jerk." Jesus christ.
There's an actual moment in the novel in which we have Yuder literally burying two guys 6ft under because they, during a fight, accidentally broke two (2) candies Kishiar gave him.
I'm so glad he didn't overreact.
I don’t know if anyone has ever done this before but, here ya go… The Different Types of Fanfiction!
I probably left a few out, but these are the most common, compared to their base fiction’s canon plot. Enjoy! XD
Why didn't you just tell me that in the beginning?
I was afraid it would scare you off.
Are you interested in Found Family tropes? How about time travel fiasco and everything in between that's happening to badass main characters? Want to get involved and seeing the battle between corrupted monarchy and royalty? Last but not the least, feel the thrill of seeing OP characters kicking bastardized enemies from behind and giving them their own medicine? If so, Turning/TCF should be the perfect novel for you!
I wanted to point out the similarities and differences of what makes Turning on par with TCF's themes! Keep in mind I haven't reached halfway of Part 2 of TCF yet, so my knowledge might not align with TCF's current timeline. With that out of the way, here are the common themes of why you should read TCF/TURNING:
It's what hooked me into TCF in the first place—everyone's relationship with Cale, a tight knit that wouldn't seemingly unknot no matter how hard you try to separate them. In TCF, we have Cale as the center of the wave, our beloved Commander who had experienced many fights of his own that shaped his world view, and consequently, how other people spanning a whole continent see him as well. Meanwhile Yuder, in his current 2nd timeline, had not only learned to cherish and paid attention to those around him but also communicate and connect to a deeper level he previously failed to achieve in the 1st timeline. You could argue that Yuder's title as Commander's Assistant is almost the exact same as Cale's position as the Young Master. In a way, they have their main support, but it doesn't mean it's only their means of support. What's funny is that they're both picking up strays left and right on the street and giving those said stray a place they could comfortably and confidently call home, and it never fails to make me smile every time they have a new recruit.
Yuder is more active at involving himself with the other Calvary members, it's because of his unique disposition as Commander's Assistant and also a former Commander gave him the power and ability to patiently train people. Not to mention, he is considered as Instructor From Hell for his absolute 0 nonsense and merciless style of train that makes people pass out after training, grow exponentially and come back for more.
If you're wondering if the side character that you just read and loved instantly would disappear, worry not! Kuyu and Yoo Ryeo Han treat their characters carefully and equally, and more often than not, they will reappear in the story! Whether unintentionally or intentionally is the biggest question.
They both prefer to be the forefront and lead the fight—often clashing with the enemies head on. They even have more or less similar fighting styles, in which they wouldn't want to draw out fights unnecessarily, have an incredible mountain of patience in dealing with pests and would wholeheartedly throw hands at anyone who insults their loved ones. Not to mention, they're both sacrificial bastards™. They're both generous, in a way they would teach other people how to fight and fend for themselves, thanks to their commanding experience that spanned for a decade.
Their previous lives are a topic of sensitivity—and I can't help but see how they were distant and cold in their previous life after losing the people that were important to them. Similar to being cursed with a series of bad luck (ahem). Cale became closed off, harder to approach yet still providing help and assistance in his own way as the team leader despite that, he had the strong will to live on. The Calvary members' impression on Yuder were negative at the start, thanks to his stoic expression and unwillingness to approach or connect to anyone, leading to a series of accumulated misunderstandings and bad reputation, but despite that, he was their unmoving fortress and cave that shielded everyone until his death. Both gave off the impression of being respected and feared, with nobody that they feel connected to.
In a way, you could conclude their 1st timeline as nothing more than horrible strings of bad luck since you can't exactly fault anybody. And that's exactly the beauty of this tragedy. Their past lives were their own experiences, and not exactly a direct result from a single person.
As a transmigrator, Cale was given a second chance to live his own life through a novel he read. He used his knowledge to manipulate the original timeline and twisted it to his favor, and suddenly, he has a god tier level good luck. Unknowing that he had literally and metaphorically picked up people with him and became a living legend for generations to come.
As a regressor, Yuder woke up after his execution thanks to the hypocrisy of nobles and false accusations. Virtually having nobody to believe him only to wake up in 11 years from the past and became determined to protect the important person that died in his timeline: Kishiar La Orr and stop the tragedies that happened in his past life.
It made me realize they weren't so different in circumstances, after all.
We can't forget the hilarious reactions that people often harbor for these two protags! My main source of POV prime entertainment would honestly be Clopeh from TCF and Kiolle from Turning. They have their own interpretation and often hilarious thoughts for the MC, but they respected and feared them the same.
It is through these interactions that we had the glimpse of how people in the novel interacted and perceived them, and let me tell you, it gets hilarious from there. With Cale, and his absolute 0 self-awareness and refusal to explain his actions any further unless necessary vs Yuder, who would shoot down any misunderstanding and still be misunderstood in a silly way.
Misunderstanding is a common theme in TCF but don't let it stop you since it only plays on how other people perceive Cale with no dramas attached. It serves as a pace of narration and even comedic undertones. Turning in particular, is like a breath of fresh air. Fixing the misunderstanding is a theme in Turning, and I couldn't be more happy to indulge in both tropes.
Ah, yes, secret organizations are a common denominator in both novels, but of course—there's more. Monsters in particular, are present in both novels. It almost led me to believe that if we combine these two novels, they wouldn't be out of place. Gods, mages, priests, sword masters, guardians—you name it, are shared by them like a ping pong ball.
The powerful antagonists don't disappear from taking a hit from one blow, and we see it both in TCF and Turning time and time again about how they're running on time. The conflict in TCF that should be minor became much bigger than anticipated, and I could say the same for Turning.
The fights in these novels have lessons ingrained in them—and that's what I cherish the most. The protagonists grow with the people they surround themselves with, and how those people would repay the favor later on.
What sets them apart is the existence of plates and ancient powers in TCF and omegaverse in Turning.
I didn't consider Awakener as the main difference because, if you think about it, the Ability Users in TCF could be considered as "awakeners" in Turning's world building system. Which is why I wanted to read or see a crossover of them, if possible.
How nostalgic, this was the og's in TCF! Cale is never the same without the talking ancient powers he conversed with in his head. As much as I wanted to push how it led to funny interactions and nothing more, it was also the reason why Cale was such a badass despite being dubbed as having a small and weak plate! He mercilessly trumps over his enemies with his ancient powers despite not wielding any weapons: Wood/Shield, Healing, Wind, Fire and Earth. I'm aware he has more than that but I don't want a long list of their attributes AND names yet. What we do know is that Cale would overcome that weakness and grow to be more powerful as the chapters goes on, and that same goes for his people as well.
As for Turning, Yuder is an awakener that could wield all natural elements, namely: Fire, Water, Air and Earth. Although his abilities are at a disadvantage when facing monsters, his dexterity and efficiency in different kinds of weapons and experience makes up for his weakness. Similar to being an Ability User, being an Awakener grants the person their unique set of powers after encountering a battle of will with themselves. So the power varies from character to character. I love learning a new character's ability, and what role they would play in the Calvary!
Cale wants to live peacefully and achieve a slacker life while Yuder wants to save the world and prevent the disasters happening again in the 1st game (timeline).
If you think that Cale doesn't have the same goal as Yuder, you're wrong. Cale and Yuder are similar in so many ways, that both ultimately wanted to save people and grant world peace if possible. They both made the impossible possible and hilariously enough, in their way to becoming a legend. They both don't see their own actions as praiseworthy and get confused whenever other people praise them. Their own failures and shortcomings are the reason for their self doubt. It shows that despite everything, they're still human.
Cale has creative liberties and more headache inducing than Yuder, but they made everyone worry about them in equal measure. Being confined and forcing a vacation for them makes everyone feel relieved, haha!
Expecting a romance in TCF is virtually little to none, unless you include side character romances, it isn't the center of the novel. I firmly believe that Cale wouldn't entangle with any romance subplots, but of course, as a reader, we have the power of fanfiction in our side and making our imagination a reality. Although there's no romance, the interaction between Cale and his Found Family is a reward in itself.
Turning, however, has the greenest of green relationship regarding our MC and ML! Yuder and Kishiar's dynamic is my go to read whenever i'm in dire need of fluff. Sometimes, they're so sweet that it gives me so much tooth rotting fluff! I can't even stand it sometimes, I need a relationship like them in my life! The relationship between their 1st game and 2nd game are so stark you could hardly believe they're the same person as they once were due to the bad luck set by their first connection to the point it sent you to tears.
And that's exactly the charm. In Turning, love is both painful and beautiful. In a way, Kishiar and Yuder accept each other's flaws and shortcomings without compromising anything, with no misunderstandings and toxic relationships. It's a step up after reading toxic BLs, and frankly, I can't go back there after reading this masterpiece.
if you dislike omegaverse, fortunately for you, it isn't centered to just that and it's relatively new in their current era that makes you forget about it until it reappears due to the minority of people that falls under the category of alpha/omega. It's a refreshing take on the trope we readers knew so well and read how characters adapt to these changes, as well as suffer the consequences. It wasn't until 300+ chapters in the novel that suppressants became a thing, and there isn't even a power imbalance between an omega and alpha. Their second gender doesn't affect their social status and they're treated as normal people because of being a relatively new phenomena.
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Okay, by now you've nailed down how you want your plot, characters, and worldbuilding to be. If you haven't by now, it's a good time to format your document into manuscript format if you plan to move forward to publish in any form.
When it comes to structure, what you're really focusing on is readability. If the format of your book is a slog to get through, if your paragraphs are too long or your sentences are all the same. This will lose readers otherwise in love with your plot.
Dialogue heavy scenes are very fun to write, but pages of dialogue with no action can also be exhausting. Break up your dialogue heavy scenes with actions and descriptions. How does the character's body language reflect their feelings on the discussion? Can you give them a task (picking a lock, chopping onions) that allow you to add to the scene (fumbling when frustrated, dicing harder when angry)?
One mistake (that I've made plenty of times) is to have characters doing things for the sake of doing them. But this is an opportunity to add details that add to your plot (the normally awful cafeteria green beans are delicious, a clue to solving the murder!), character (an alien crewmember is trying to copy human expressions to seem more personable, but his many teeth just freak people out), and world-building and setting (Laura is ranting about her ex, but Tara is distracted by how soulless her rich mother's house seems).
Are your scenes running too long? Do they start in the wrong place? (Two paragraphs on making coffee instead of "She was making coffee when George burst in.") Tightening up your scenes will do a great deal to make your book better.
This is easy advice to give and harder to picture doing, I've found. Everything often feels essential to a scene. Try to tackle scenes with the following questions:
What is the point of the scene? (George tells Susan his wife left him for Keanu Reeves.)
Where does the action start? (When George burst through the door without knocking.)
What is the goal of the scene? (Susan starts to suspect George of murdering his wife.)
Where does the action end? (George leaves.)
Where should the scene end? - This answer depends entirely on what you need to happen next. Maybe you have another page and a half of Susan musing about her suspicions right there in the kitchen. But maybe this will be more impactful in the next scene, where Susan is snooping in the garden and happens to find something George's wife would never leave behind.
Pull back and look at your pages. Are all the paragraphs the same length? Do you fall into using the same pattern of sentences over and over? (Guilty) Have you used the same word four times in a single paragraph to describe something? (Double guilty) Break those chunks up, what for those repeat words, and vary your sentences. This is going to help so much with issues you weren't aware of.
There are many ways to do chapters, but you want to keep an eye out for chapters that are going too long (giving your reader a visual break of a chapter ending can help shift the setting and tone) or too short (have you accomplished everything you need?) This is not a knock on either structure done on purpose - this is to catch something you may have overlooked.
When it comes to word count, industry standards are always a good baseline to go with. Your audience often approaches a genre with certain expectations, and while you can make a doorstopper of a romance, you will find more readers by sticking to the 80-100k range.
Pacing Through Sentence Length in Writing
You ever notice how a scene can feel like it’s dragging or speeding up based solely on the length of the sentences? Sentence length isn't just a technical detail—it’s a pacing tool. When used right, it can control the speed and tension of your story. Here’s how:
Short Sentences = Speed, Tension, Impact
Short, snappy sentences are like quick breaths, instantly pulling the reader’s attention. They mimic fast action, nervous energy, or urgent thoughts. They create momentum. Think of action scenes or emotional moments—often, less is more.
Example: The door slammed shut. His heart raced. She was gone.
In just three sentences, you feel the urgency, the chaos, and the emotional weight of the moment. It’s all about breaking up the narrative with these quick hits to keep the reader on edge.
Long Sentences = Build-up, Reflection, Depth
On the flip side, long sentences slow things down, adding complexity, reflection, or tension. They’re great for moments of introspection, world-building, or setting a scene in rich detail. These sentences create a flow, pulling the reader into the character’s headspace or the atmosphere of the moment.
Example: The wind howled through the narrow alley, carrying the distant sounds of a city that never seemed to sleep, never seemed to rest, and in that eternal hum, he wondered, not for the first time, if he would ever find peace here or if, like everyone else who tried to escape the shadows, he would simply become another part of the city’s endless noise.
Here, the length of the sentence mimics the complexity of the thoughts—heavy, reflective, almost hypnotic. It builds tension not with action but with an overwhelming feeling of being stuck or trapped in thought.
Combining Both = Dynamic Flow
The real magic happens when you mix short and long sentences. This creates a rhythm—suddenly, a break in the flow, a quick shock, and then back to a longer, more drawn-out moment. It reflects real life: quick bursts of action or emotion followed by moments of pause or thought.
Example: He reached for the door. It was locked. His heart pounded, each beat a reminder of how badly he needed this. There were no other options. There was no way out. The key could be anywhere. And he could not afford to wait any longer.
Long sentences = build tension, create depth, set mood. Short sentences = ramp up urgency, show action, make an impact. Mastering this flow is a game-changer for pacing!
The Power of Silence in Dialogue
We often think of dialogue as something that’s just about what characters say, but let’s talk about what they don’t say. Silence can be one of the most powerful tools in your writing toolbox. Here’s why:
When characters leave things unsaid, it adds layers to their interactions. Silence can create a tension that’s so thick you could cut it with a knife. It shows things are happening beneath the surface—the real conversation is happening in what’s left unspoken.
“So, you’re leaving, huh?” He didn’t look up from the table, his fingers tracing the rim of his glass, slow and deliberate. “Yeah.” “Guess I should’ve expected this.” (Silence.) “You’re not mad?” “I’m not mad,” she said, but the way her voice broke was louder than anything she'd said all night.
Sometimes silence can heighten the drama, creating a pause where the reader feels like something big is about to happen. You don’t always need words to convey that sense of dread or anticipation.
They stood there, side by side, staring at the door that had just closed behind him. “You should’ve stopped him.” She didn’t answer. “You should’ve said something.” The room felt colder. “I couldn’t.” (Silence.)
Sometimes, saying nothing can have the biggest emotional punch. Silence gives the reader a chance to interpret the scene, to sit with the feelings that aren’t being voiced.
He opened the letter and read it. And then, without saying a word, he folded it back up and placed it in the drawer. His fingers lingered on the wood for a long time before he closed it slowly, too slowly. “Are you okay?” He didn’t answer.
Silence isn’t just a pause between dialogue—it’s a powerful tool for deepening emotional tension, building anticipation, and revealing character. Next time you write a scene, ask yourself: what isn’t being said? And how can that silence say more than the words ever could?
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy
Catch me crying in a dark ally way, I guess. A confession that is far more heavy than a climactic romantic one at this point. An admission to fear, although the cause of the fear unknown, out in the open and laid bare to tend to. Kanna's talk with Yuder before this about her own fears and the move Enon made to reveal himself to Kishiar couldn't have been utilized more beautifully.
Kishiar had suspected it for so long, and even after hearing it out loud himself he doesn't move in any way that Yuder doesn't approve of first. That embrace, though. He wants to reassure him so badly.
Reaction fics are a beloved trope of LOTCF fanfiction, but let me pose a challenge to the concept. Rather than a god deciding to show the audience Cales life as a punishment/gift for the future/to help them in some way, what if it was instead just a godly whim?
The reason they are there is incomprehensible. It doesn't make sense. The god either won't explain, or doesn't care to. The scenes they're shown are helpful in some ways, but not in others. Why are they here? How do they get out?
I'd like to see a reaction fic where the goal of the audience is to leave. They neither want nor need to see the deep, dark depths of their leader. And they will never, ever accept something without knowing the intentions behind it.
This is better if there's another driving force behind why they are desperate to leave. Someone is missing (Cale?), something is happening on the outside (something important), or they're getting signs- hints- figurative or literal writing on the walls from the previous participants in this game that don't spell a happy ending for what comes after this. Something is behind this, and that something doesn't truly care about them.
No one to assure them, "if you just watch his life, everything will be fine." Or when it is assured, the audience fights back. The god assured them, again, they just have to watch. Watch and understand. But they find ways to get out- they have to be dragged back, one by one, into that theater room. It should be fun to watch them analyze the manners of their leader or his backwards thinking, except it isn't. They keep fighting against it. Why are they fighting? Something that isn't human could never understand.
It's an idea I had based off our own manipulation. We write reaction fics for our own amusement. We want to force these characters into a box and make them react to Cale. We are a god that does this- not to help them, not to give a gift to them- it is for our amusement. It's fun to watch them react.
But isn't it out of character for them to not fight back? With biting words and violent actions? These characters don't simply allow themselves to be beaten into submission. Coerced into bowing their heads. We'd have to tie them to their chairs and make them sit and watch. And that's something I see in a lot of reaction fics too.
Usually the best way to keep these characters in place is via the Cale Method. Cale is injured and has to heal, it's a price he has to pay, he's being threatened, etc. It'd be cool if there was something else forcing them down like muzzled dogs. Just my thoughts though.
*anyone is free to run with the ideas from this or any idea built off of this (with no credit)
**but I'd love to be sent anything like it
This compilation lists all real-life events related to the Korean novel, 백작가의 망나니가 되었다 (Lout of Count’s Family), in chronological order, but limited to the Korean and English-reading audiences.
==========
The novel was first released as a free-to-read series on Munpia, a Korean web novel platform, under the title, 백작가의 망나니가 되었다 (I Became the Trash of the Count’s Family) by the author, Yoo Ryeo Han, under the Korean publisher, Chungeoram. It had a Mon-Sat release schedule of 6 chapters per week.
The novel became a pay-to-read series, owing to its popularity, as announced by the author on May 25. Its first cover illustration featured Cale and Raon.
Image 1. The first cover illustration of the novel.
The novel won both the Grand Prize and the Popularity Award at the 4th Korean Web Novel Contest co-hosted by Munpia and the Korean Popular Literature Writers Association. The author received a total of 105 million KRW (~$76,000), a plaque, and other special benefits.
Image 2. Yoo Ryeo Han (right) posing for the Grand Prize winner photo. The old woman in the left is either the author's relative or a contest holder representative.
“When I first started writing, it was a very difficult time for me, both physically and mentally, so when I heard about this contest, I decided to participate,” said Yoo Ryeo Han, the author of “I Became the Trash of the Count’s Family”, the grand prize-winning story, ”I won a great prize through this contest and it was a turning point in my life. I am grateful to Munpia for providing such a great opportunity.” Source: Munpia. (2018, July 31). Munpia Holds the 4th South Korean Web Novel Contest Award Ceremony. NewsWire.co.kr.https://www.newswire.co.kr/newsRead.php?no=873212
The novel was serialized on Naver Series, a Korean web novel platform.
WuxiaWorld, an English web novel translation publisher, began an English fan translation of the novel under the title “Trash of the Count’s Family” with MiracleRifle as the translator.
The novel was serialized on RIDI, a Korean web novel and ebook publisher.
The novel was serialized on KakaoPage, a Korean web novel platform.
The author announced a temporary hiatus because her mother had an accident, so she had to take care of her mother who would be undergoing surgery.
The novel was serialized on Joara, a Korean web novel platform.
The author announced a temporary change of the release schedule from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri) for 3 weeks. This was because she wanted to devote more time to taking care of her mother whose surgery went well. She also thanked her readers who left well wishes for her and her mother.
The author announced a 1-day hiatus because she had to take care of her mother’s hospital paperwork and stuff.
The author announced a 1-day hiatus because she caught a cold. She also wished her fans a Happy New Year.
The author announced a temporary change of the release schedule from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri) for the next 2-3 months. She stated it was because of a temporary change in her work environment.
The author posted a brief character profile on Munpia.
Link: https://novel.munpia.com/113612/page/1/neSrl/2290020
The author announced that she would maintain the 5 chapters per week release schedule. She said that her mother’s full recovery and rehabilitation kept getting delayed, and there were also some personal matters, so she needed 2 days off a week.
The author announced a 1-day hiatus because of health reasons.
The author announced a 5-day hiatus because of headache and fever. She went to the hospital to get herself checked, and was diagnosed with meningitis.
The release schedule was permanently changed from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri). The author said that she wanted to improve her health as the previous release schedule tired her out.
The author announced a 1-day hiatus because of health reasons.
The author announced a 4-day hiatus because of health reasons.
The author announced a 3-day hiatus because of personal reasons and body aches.
The 2nd cover illustration of the novel was released, featuring Cale, Choi Han, Raon, Ohn, and Hong.
Image 3. The second cover illustration of the novel.
The author greeted her readers a happy new year, and also joked about her wrong estimation of the novel ending soon in 500 chapters.
The author posted a note in celebration of the novel’s 500th chapter. She answered a few fan questions, and insisted that her dream was not to be a slacker.
The author announced a 1-day hiatus because of a stomach ache. She also greeted her readers who recently celebrated the Lunar New Year holiday.
The author announced a 1-day hiatus because of health reasons.
The author announced a 1-day hiatus because of difficulty in writing. She said that she was suffering from pain in her lower back, wrist, and fingers, making it hard for her to type on her right hand.
The author announced a 5-day hiatus because of health reasons.
The author announced a month-long hiatus because of family circumstances, which left her in not a good mood for writing.
The author announced a 1-month hiatus because of family circumstances. She stated that one of her family members was sick, and this was a very long-term battle, so she wanted to stay by their side until they had fully recovered.
The release schedule was permanently changed from 5 chapters per week (Mon-Fri) to 3 chapters per week (MWF). This was in relation to her sick family member’s situation last June 29.
Copin Comics, a Korean webtoon publisher and studio, first announced its webtoon adaptation of the novel.
Season 1 of the webtoon adaptation of the novel was released on KakaoPage and Copin Comics’s own website, with PAN4 as the artist.
The official English title, “Lout of Count’s Family”, made its first appearance in the event prizes given by RIDI. These prizes were stickers and cell phone ring holders featuring Raon, Ohn, and Hong. One needed to purchase 30,000 KRW worth of chapters to qualify for the event.
Image 4. The stickers and cell phone ring holders given in the event.
WuxiaWorld announced that it would cease its fan translations of the novel because the author herself turned down their offer to officially translate the novel in English, despite the fact that WuxiaWorld and Chungeoram were in the middle of negotiations.
Eat Apple Pies, a fan translation site, continued the English fan translation of the novel, with permission from MiracleRifle to host in their site the already-translated chapters that were in WuxiaWorld.
Adar Terra, a personal blog, began posting English chapter summaries of the novel starting from Part 1 Chapter 630.
Copin Comics released the official English translation of the webtoon adaptation under the title, “Lout of Count’s Family” on its English website.
The author announced a 1-day hiatus because of personal reasons.
The novel won 2nd place in the 2020 Best Awards of Munpia.
Link: https://www.munpia.com/page/bestawards2020f
The author announced a month-long hiatus because of family, health, and personal reasons.
TappyToon, an English webtoon publisher, also released the official English translation of the webtoon adaptation on their website.
The author announced a 1-day hiatus because of personal reasons.
The author announced a 1-day hiatus because of personal reasons.
The 3rd cover illustration was released for the novel, featuring Cale and Kim Rok Soo.
Image 5. The third cover illustration of the novel.
Season 1 of the webtoon adaptation of the novel ended.
The author posted a note in celebration of the novel’s 700th chapter. She also hinted that she was working on a paperback version of the novel.
COWON started a crowdfunding event on Tumblbug, a Korean crowdfunding platform, for a Korean mobile game adaptation of the novel, with the game title of “Plop”. Various official merchandise could also be obtained, depending on which item set the sponsor would purchase. Merchandise included in-game coupons and items, stickers, postcards, and acrylic stands.
Image 6. Preview of the mobile game adaptation.
Image 7. Acrylic stands of Alberu, Cale, and Choi Han given to sponsors who sponsored more than 65,000 KRW ($47.10).
Link: https://tumblbug.com/plop_story
The author announced a 3-day hiatus because of health reasons.
The crowdfunding event ended with 376 sponsors, raising 33,763,000 KRW (~$25,500) and surpassing its funding goal of 20,000,000 KRW.
Season 2 of the webtoon adaptation of the novel began.
The author announced a 4-day hiatus because she lost her laptop while outside and spent her time looking for it. Fortunately, she recovered her laptop back.
The Korean mobile game “Plop” was released by COWON. It followed a Visual Novel (VN) approach with dating simulation elements. Players could select different stories to play with, and these stories were mobile game adaptations of popular Korean novels. Lout of Count’s Family was one of the stories a player could select. Plop could only be downloaded on QooApp, and was Korean-only.
Part 1 of the novel ended at Chapter 776. It was also announced that 7 side stories would be released at the end of every month, and Part 2 of the novel would begin on July 1, 2022.
The 1st of 7 side stories of the novel was released.
The novel won the Grand Prize in the Fantasy Web Novel category at the 2021 RIDI Web Novel Awards. Link: https://ridibooks.com/event/37133
An English version of the mobile game “Plop” was released under the title, “IFyou:episodes-love stories”, by PIER Corporation. The English mobile game adaptation of the novel could be played if one selected the “Lout of Count’s Family” story.
Image 8. Promotional image of the game showing the multiple stories one could play with.
Pocket Comics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.
Bilibili Comics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.
A special side story was released to celebrate the 4th anniversary of the novel’s serialization.
Chungeoram announced a crowdfunding event for the Korean hardcover books of the novel, beginning on June 13 and covering Part 1 Chapters 1-200 in 5 volumes.
Link: https://blog.naver.com/chungeoram_book/222726296248
The crowdfunding event began on Tumblbug. Various official merchandise could also be obtained, depending on which item set the sponsor would purchase. Merchandise included posters, postcards, washi tapes, etc.
Image 9. Preview of the hardcover versions of the novel, and two posters featuring Cale and Choi Han.
Link: https://tumblbug.com/henituse
Part 2 of the novel began.
The crowdfunding event ended with 4,785 sponsors, raising 788,666,000 KRW (~$596,000) and surpassing its funding goal of 15,000,000 KRW.
Copin Comics renamed itself as Terapin Studios. Their English branch continued to be called Copin Comics.
Season 2 of the webtoon adaptation of the novel ended.
Sponsors of the crowdfunding event began to receive their hardcover books and official merchandise.
Copin Comics, the English branch of Terapin Studios, announced that it would be shut down by November 30. The official English translation of the webtoon adaptation would be continued by TappyToons.
Copin Comics officially shut down. Terapin Studios continued its service as the Korean webtoon publisher and studio for the webtoon adaptation of the novel.
The author announced a week-long hiatus because of health reasons.
Plop, the Korean mobile game adaptation of the novel, was terminated.
LaLatoon, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.
The author announced an almost 2-weeks long hiatus because of personal reasons.
IFyou:episodes-love stories, the English mobile game adaptation of the novel, was terminated. PIER Corporation stated that it was because they could no longer afford to pay server maintenance and labor costs.
Adar Terra announced that it would discontinue posting summaries for the novel after receiving a DMCA notice from RIDI who asserted that writing summaries itself was illegal.
The author announced a week-long hiatus because of personal reasons.
Season 3 of the webtoon adaptation of the novel began.
RIDI announced that it would release a Korean ebook adaptation of the novel on August 21. They also held a RIDI-exclusive event on July 31 to August 2 where fans could ask the author their questions.
Link: https://ridibooks.com/event/57453
RIDI released Volumes 1-5 of the Korean ebook adaptation, covering chapters 1-117 of Part 1. They also had a limited-time event where those who purchased Volumes 1-5 as a set would get discounts plus an Author Q&A as exclusive content. The Author Q&A had 26 questions answered by the author, and was based on the fan questions they gathered in their past event on July 31.
Image 10. Cover of the Author Q&A released as a RIDI-only exclusive content.
The author announced a 1-day hiatus because she caught COVID-19.
Tapas, an English webtoon publisher, released their official English translation of the webtoon adaptation on their website.
RIDI released Volumes 6-9 of the Korean ebook adaptation, covering chapters 118-200 of Part 1. They also had a limited-time event where those who purchased Volumes 6-9 as a set would get discounts.
The author posted a note in celebration of the novel’s 1000th chapter. She thanked her readers and also joked about the novel reaching 2000 chapters.
The Korean ebook adaptation of the novel won the Grand Prize in the Fantasy ebook category at the 2023 RIDI Awards.
Bilibili Comics announced that it would be shut down by February 29.
Bilibili Comics officially shut down. The official English translation of the webtoon adaptation remained on the other webtoon publishers.
DAYcomics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.
Lezhin, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.
RIDI released Volumes 10-18 of the Korean ebook adaptation, covering chapters 201-398 of Part 1. They also had a limited-time event where those who purchased Volumes 10-18 as a set would get discounts plus an LCF Modern AU Character Checklist as exclusive content. The checklist had 39 situations that described which character would likely be fit or do something in that situation, but in a modern alternate universe (AU) setting. Two new cover illustrations for the ebook adaptation were also included.
Images 11 and 12. On the left is the new cover illustration for ebook volumes 1-9, featuring Cale alone. On the right is the cover illustration for ebook volumes 10-18, featuring Cale and Raon.
Seven Seas Entertainment, an English novel publisher, announced that it had acquired the license to officially translate the novel in English, under the title, “Lout of Count’s Family”. It would be released in September of 2024 in paperback and ebook versions.
Season 3 of the webtoon adaptation of the novel ended.
Seven Seas Entertainment announced that it would release an English audiobook version of the official English translation of the novel. No release date had been given.
Seven Seas Entertainment released volume 1 of the novel's official English translation in paperback and ebook versions. It was also revealed that Seven Seas bought MiracleRifle’s fan translation to use in their official translation, and credited MiracleRifle in their print details.
Image 13. Cover illustration for volume 1 of the English adaptation of the novel.
==========
Seven Seas Entertainment will release the official English audiobook of the novel's volume 1 on this date. It will be narrated by Nick Martineau and produced by John Marshall Media.
Volume 2 of the official English novel translation will be released on this date.
Volume 3 of the official English novel translation would be released on this date.
==========
Creating this list was quite a huge task for me. It also made me appreciate the author's hard work, given that she had to write the novel while having family and health problems.
This list was limited to the Korean and English-speaking audiences because finding information about official translations of the novel or webtoon adaptation in other languages was difficult, especially researching the exact dates.
Some personal bias was also involved in the creation of this list. Adar Terra should actually not be included here because it was a fandom thing and not an official one. Unless you count me getting the DMCA notice from the official publisher as an "official" thing. 😂
And that's it. This list will continue to be updated as more official events happen. If you know of other official events related to the novel that I missed, please share it in the comments! Thank you! 🥰
these don't include every stream (not just cause they're wips) since some don't have a date. meaning those could not be added in these month playlists, but they are in these two. for some others i could try and guess
if you know the right dates, let me know
2020
april
may
june
july - [LORE]
august - [LORE]
september - [LORE]
october - [LORE]
november - [LORE]
december - [LORE]
2021
january - [LORE]
february - [LORE]
march - [LORE]
april - [LORE]
may - [LORE]
june - [LORE]
july - [LORE] (lore playlist doesn't exist yet)
august - [LORE]
september - [LORE]
october - [LORE] (no lore playlist yet)
november - [LORE]
december - [LORE]
2022
january - [LORE]
february - [LORE]
march - [LORE]
april - [LORE]
may - [LORE] (no playlists yet)
june - [LORE]
july - [LORE] (no playlists yet)
august - [LORE]
september - [LORE]
october - [LORE]
november - [LORE]
december - [LORE]
post finale
any stream from the month after the last lore stream, meaning the Syndicate finale in december 2022
right now, the title says 2023, but i know Eret and Sam have briefly joined the server in 2024. the title will change to fit the years, but i have to find them first
and that's it! if you use these playlists or send them to others, can i ask for a reblog so i know people are finding them useful?👉👈
I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!
Look by @writers-potion
Voices by @saraswritingtipps
Show, Don't Tell by @lyralit
5 Tips for Creating Intimidating Antagonists by @writingwithfolklore
How To (Realistically) Make a Habit of Writing by @byoldervine
Let's Talk About Misdirection by @deception-united
Tips to Improve Character Voice by @tanaor
Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool
Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling
Questions I Ask My Beta Readers by @burntoutdaydreamer
Skip Google for Research by @s-n-arly
Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes
International Clothing
Too Ashamed of Writing To Write by @writingquestionsanswered
"Said" is Beautiful by @blue-eyed-author
hi, so... um... who is "megabird"? I was going trough your blog and saw it mentioned a lot of times. At first I thought that it was just a meme, but apparently it's not??? I'm new to the fandom, so sorry for dumb questions, and sorry if this has been answered before...
please don’t worry it isn’t a dumb question! megabird is only mentioned by name in tom zhao’s concept art, but long story short, she’s basically a divine entity of the flame and the creator of sky kids. (putting a read more in case this gets long, and of course, game spoilers ahead)
so she’s a god in charge of the reincarnation cycle of light creatures, including sky kids. her presence isn’t restricted to the concept art, of course; we see the megabird in the wind vanes in the prairie bird’s nest as well as the prairie temple entrance, and a popular speculation is that megabird is the one narrating at the beginning of sky (the whole fall of the stars and “if only they had listened” spiel describing the destruction of the sky kingdom).
in the concept art above, the holy site refers to the eye of eden, so it’s pretty safe to say we fly into megabird during the orbit sequence.
probably the most important bits of megabird lore come from the concept art timeline, though. it’s a bit hard to read because of the low quality, and i might put a transcription in the next ask for anyone curious, but i’ll just take the bits related to megabird and type them below:
Fire Era
- All souls are part of the Megabird. Each soul cycles through the Human and the Sky. World gathers experience before returning to Megabird. We are all one and one is us all.
- Megabird grants flame to Prince and Creatures.
- Megabird is at her strongest and all life is connected by light.
- Both Ancients and Creatures worship the fire, migrating to the holy land to die and be reborn.
Dark Stone Era
- The Ancients enter a golden age and the Prince is crowned King. However, dark matter begins to corrupt the Prince and Ancestors.
- Ancients become indifferent and disconnected from the Megabird. The Ferryman Ancestor (Isle Elder) retires with no new souls to shepherd.
Post Storm Era (after the Sky Kingdom is destroyed)
- In dismay, Megabird blesses the sky Kingdom with a new Descendant race (sky kids) in the hope that they will reconnect all souls.
it’s important to note that lore stated in concept art is not necessarily canon, but there are plenty of safe assumptions we can make based on what’s in game that are basically accepted as fanon. megabird is indeed meme’d though. if you ever hop into the official sky discord’s lore channel, you might see her get called megan or described as a bunch of noodles because of her appearance. i also personally like joking that any mysterious source of light in the sky (such as the sun) is megabird. hope this helped :]
struggle to catch their breath
grab onto whatever’s close enough to ground themselves in reality
become nauseous / vomit
shake uncontrollably
sweat buckets
get a headache
sleep near other people so they can hear the idle sounds of them completing tasks
move to a different sleeping spot than where they had the nightmare
leave tvs / radios / phones on with noise
just not sleep (if you want to go the insomnia route)
sleep during the day in bright rooms
first, obviously, their ability to remember things and their coordination will go out the window
its likely they’ll become irritable or overly emotional
their body will start to ache, shake, and weaken
hallucinate if it’s been long enough
it becomes incredibly easy for them to get sick (and they probably will)
add your own in reblogs/comments!
1 - [ https://www.yourdictionary.com ] I use this site for the thesaurus, It helps to find synonyms for words so you don't repeat "said" a thousand times in your book.
2 - [ https://milanote.com ] This one is very helpful for organising your ideas with story boards, though it's partially free it has a paid version where you can get even more features. I use the free version.
3 - [ https://inkarnate.com ] This site is very popular to create maps, and for good reason. It's free version gives you all the features necessary to create maps, but the paid version gives you extra features. I use the free version.
4 - [ https://www.behindthename.com ] I use this one for names. It has a database of endless names alongside their country of origin and meaning. Very useful, though I use it to make sure the names I come up with don't end the wrong way.
5 - [ https://www.pinterest.com ] Do I even need to explain? Ideas? Here. Visualisation? Here. Everything you'll ever need? Here.
6 - [ https://quillbot.com ] Heard of it from a beloved friend. This site is useful for tone checks, grammar checks, and more. I only use it to edit.
7 - [ Google Docs ] I only use this one for writing, its free and perfectly usable.
8 - [ https://www.artbreeder.com ] This one is essential for character creation. It has many features that allows you to visualise and create portraits for your characters.
Bonus:
I use [ https://tabletopaudio.com ] for background noise while writing, because i cant focus in silence.
That's all, I hope this proves useful :)
A concept in my head that been rolling around a lot:
Hanahaki, but instead of it being triggered by unrequited love, it's triggered because all the love you have for a person turns inwards because you're too afraid to show it.
So it kills you, not because someone doesn't love you back, but because you don't let it out and all that love you have stored, that could grow into something beautiful, turns on you and turns your insides beautiful.
Love is growth, and without any place for it to grow outside, it grows in. If you confess, reciprocated or not, the disease goes away because it's no longer trapped. It gives self-destruction a new meaning.
perfectionism - never being satisfied
honesty - coming off as rude and insensitive
devotion - can turn into obsession
generosity - being taken advantage of
loyalty - can make them blind for character faults in others
being dependable - always depending on them
ambitiousness - coming off as ruthless
optimism - not being realistic
diligence - not able to bend strict rules
protectiveness - being overprotective
cautiousness - never risking anything
being determined - too focussed on one thing
persuasiveness - coming off as manipulative
tidiness - can become an obsession
being realistic - being seen as pessimistic
assertiveness - coming off as bossy
pride - not accepting help from others
innocence - being seen as naive
selflessness - not thinking about themself enough
being forgiving - not holding others accountable
curiosity - asking too much questions
persistence - being seen as annoying
being charming - can seem manipulative
modesty - not reaching for more
confidence - coming off as arrogant
wit/humor - not taking things serious
patience - being left hanging
strategic - coming off as calculated
being caring - being overbearing
tolerance - being expected to tolerate a lot
eagerness - coming off as impatient
being observant - being seen as nosy
independence - not accepting help
being considerate - forgetting about themself
fearlessness - ignoring real danger
politeness - not telling what they really think
reliability - being taken advantage of
empathy - getting overwhelmed with feeling too much for other people
Your stories deserve to exist in incredible worlds. Build yours from scratch with this quick guide that simplifies the sometimes intimidating process.
Read my guide here!
Here’s the simplest way to break down the building blocks of a negative character arc in your novel!
Here’s the A-Z on negative character arcs
It’s totally possible to pull off a negative character development, for ANY person in your story, whether that’s a side-character, villain, or the protagonist.
Here’s something no one tells you, but it’s actually fundamentally simple.
You can do this with a very easy formula. Typically, a positive arc means that you set out with one main character flaw/issue, which that character overcomes by the end of the story.
a flaw your character NEEDS to overcome
a goal they WANT to achieve
For a positive arc, they’d succeed at their NEED. Then maybe their WANT as well. For a negative, they simply never fulfil their NEED.
This means they never overcome the flaw they are supposed to face. In fact, they ignore it so confidently, it becomes a PROBLEM. They will never truthfully own up to their mistakes.
This is where you can let it get worse, let it develop into fatal flaw, and let more issues arise from it. As for their WANT? They’ll usually put their external goal above everything else, and dig themselves even deeper into personal disarray, where they won’t recognize themselves any longer.
If you need a hand getting started on your novel, we have 3 coaches at The Plottery who can work with you intensively for 4 month to skill up your writing and help you finish your first draft.
Apply through the [link here] or below!
Are you new to the world of writing? Here are some pointers to consider when starting out your journey!
A super important first step for any writer is to ask themselves why they are actually writing. What sort of message do you want to put out into the world, what types of stories are you going to tell? Do you want to make people cry, laugh, do you want to inspire them, do you want to shine a torch on important issues, do you want to thrill them or make them feel good?
Before plot, there is character! Character arcs are a great way to get yourself started on your writing journey. Learn about internal conflict, misbelief, positive and negative arcs, backstories... Once you know this, the plotting side of things clicks into place much easier.
You do not need to be a plot-genius to write a good book. As long as you have a good grasp on your character arcs, and a basic understand of how a story is structured, you’re good to go! It’s great to read about 3-act, 5-act, hero’s journey, and other structures on examples of books you’ve read or films you’ve seen.
Cannot stress this enough! Every writer should be a reader. It’s so important to read within and outside of your genre, because reading is the best way to learn and grow and improve.
All writers get stuck into certain parts of their writing, and we all become victims of perfectionism or procrastination one way or another. Don’t let this be a thing to discourage you. What’s important to know about writing is that the more you do it, the more you will improve. So even if you’re writing something for fun, or you’re not entirely happy with the quality, know that actually writing it will help you more than avoiding it.
Did you know I have a free novel plan to get you started on your writing journey?
You can grab it through the [link here] or below!
This was forwarded to me by a former colleague who attended a course on how to publish/edit a book. You probably already know most of these tips, but there might be something you’ll find helpful, who knows…
QUESTIONS TO ASK DURING FIRST PHASE OF EDITING
GENERAL STRUCTURE OF THE BOOK (what the story is and how it is being told):
What is the book about? What is the driving force behind the narrative?
Who is the audience for this book?
Is it based on real experience?
Does the story work? Are there any parts that feel unconvincing or where the narrative drags?
Are there any parts I don’t understand?
What is the trajectory or the shape of the story?
Does the story start in the right place?
How quickly do I become immersed in the book?
Are there any points where my immersion in the story is broken, or I lose interest?
Do I believe in what I’m reading?
How satisfying is the ending? Does it feel inevitable?
Does it feel like anything is missing?
Is there anything extraneous (characters, detail, unnecessary plot points)?
What is the narrative point of view (first person, second person, third person)? Does it change? Is it consistent? Does it work? What might be lost or gained if the story were told another way?
Is the tense consistent? If it changes, is it necessary?
Does coincidence feature as a plot device? If so, is there another way to engineer the same events?
Keep reading
Denial and Disbelief: Initially, a character may struggle to accept the reality of their loss. They might refuse to believe that their loved one is gone, clinging to hope or desperately searching for any signs of their presence.
Emotional Turmoil: Grief often brings intense emotional upheaval. Characters may experience profound sadness, despair, anger, guilt, or a mix of conflicting emotions. Their moods may fluctuate drastically, leading to outbursts of tears, frustration, or numbness.
Withdrawal and Isolation: Some characters might withdraw from social interactions, seeking solitude to process their grief. They may isolate themselves from others, finding solace in their own thoughts and memories.
- Physical Symptoms: Grief can manifest in physical symptoms such as loss of appetite, insomnia, fatigue, headaches, or other psychosomatic manifestations. These physical reactions can reflect the toll that grief takes on the character's overall well-being.
Immersion in Memories: Characters may immerse themselves in memories of the person they've lost. They might seek comfort in looking at old photographs, listening to recordings, or visiting significant places that remind them of their loved one.
Guilt and Regret: Characters may grapple with guilt and regret over things left unsaid or unresolved issues with the deceased. They may blame themselves for not being able to prevent the loss or feel remorse for any negative actions or words in the past.
Seeking Closure: Characters might actively seek closure by investigating the circumstances surrounding the loss or searching for answers. This could involve conducting their own inquiries, talking to people connected to the situation, or even pursuing spiritual or metaphysical avenues.
Attempting to Fill the Void: Some characters may try to fill the void left by their loss by immersing themselves in work, hobbies, or other distractions. This can be a way to cope with the pain or to create a sense of purpose in the absence of their loved one.
Rediscovering Meaning: Over time, characters may go through a process of reevaluating their own life's purpose and finding new meaning or direction. This can involve pursuing new interests, engaging in charitable acts, or dedicating themselves to causes that honor the memory of the person they've lost.
Healing and Acceptance: Eventually, characters may find a sense of healing and acceptance. While the pain of the loss never fully disappears, they learn to live with their grief and carry the memory of their loved one with them. This can lead to a renewed sense of purpose or a deepened appreciation for life.
Some resources for those writing medieval-type stories:
list of medieval jobs
more medieval jobs
lords of the manor
ladies of the manor
medieval ladies
medieval weapons
medieval names
more medieval names
guide to medieval terms
more medieval terms
how to write sword-fight scenes
armor