Here’s the simplest way to break down the building blocks of a negative character arc in your novel!
Here’s the A-Z on negative character arcs
It’s totally possible to pull off a negative character development, for ANY person in your story, whether that’s a side-character, villain, or the protagonist.
Here’s something no one tells you, but it’s actually fundamentally simple.
You can do this with a very easy formula. Typically, a positive arc means that you set out with one main character flaw/issue, which that character overcomes by the end of the story.
a flaw your character NEEDS to overcome
a goal they WANT to achieve
For a positive arc, they’d succeed at their NEED. Then maybe their WANT as well. For a negative, they simply never fulfil their NEED.
This means they never overcome the flaw they are supposed to face. In fact, they ignore it so confidently, it becomes a PROBLEM. They will never truthfully own up to their mistakes.
This is where you can let it get worse, let it develop into fatal flaw, and let more issues arise from it. As for their WANT? They’ll usually put their external goal above everything else, and dig themselves even deeper into personal disarray, where they won’t recognize themselves any longer.
If you need a hand getting started on your novel, we have 3 coaches at The Plottery who can work with you intensively for 4 month to skill up your writing and help you finish your first draft.
Apply through the [link here] or below!
People have a very consistent habit of completely forgetting Ralsei's existence.
Maybe he even forgets it himself sometimes.
Queen often outright ignores him...
Noelle doesn't usually acknowledge him, though she's usually very polite and friendly...
And it's not like she can't see him - she sees him get into the teacup with Susie and Kris...
...and realizes he's standing in front of her at one point.
She even wonders who he is...
...but, strangely, never asks him his name or talks to him when she gets the chance.
Even Susie, who is generally very good about remembering him...
...sometimes just forgets he's there.
(even squashing Ralsei and walking over him on her way to ask Kris if they missed her)
Strangely, Ralsei doesn't seem to mind this.
But there is one exception: when he finally puts his foot down to stop the Roaring.
Suddenly he's got everyone's attention:
Susie gives him a concerned look, Noelle notices him, and he completely cows Berdly, which might be a first for the whole cast.
Even Queen reels from what he says.
This leads me to believe that the reason people ignore Ralsei isn't from some sinister magic thing.
It's because he usually doesn't take a stand for his own existence.
He's so wrapped up in his "purpose" that he doesn't allow himself to have an identity.
Even to Ralsei, "Ralsei" barely exists.
And although people don't intend to, sometimes that means he winds up forgotten when he's standing right next to them.
I don’t know if anyone has ever done this before but, here ya go… The Different Types of Fanfiction!
I probably left a few out, but these are the most common, compared to their base fiction’s canon plot. Enjoy! XD
I want everyone’s best one liner writing advise!
Mine is that you have to know the ending of your story before you start it.
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my gumroad store if you want to!)
Denial and Disbelief: Initially, a character may struggle to accept the reality of their loss. They might refuse to believe that their loved one is gone, clinging to hope or desperately searching for any signs of their presence.
Emotional Turmoil: Grief often brings intense emotional upheaval. Characters may experience profound sadness, despair, anger, guilt, or a mix of conflicting emotions. Their moods may fluctuate drastically, leading to outbursts of tears, frustration, or numbness.
Withdrawal and Isolation: Some characters might withdraw from social interactions, seeking solitude to process their grief. They may isolate themselves from others, finding solace in their own thoughts and memories.
- Physical Symptoms: Grief can manifest in physical symptoms such as loss of appetite, insomnia, fatigue, headaches, or other psychosomatic manifestations. These physical reactions can reflect the toll that grief takes on the character's overall well-being.
Immersion in Memories: Characters may immerse themselves in memories of the person they've lost. They might seek comfort in looking at old photographs, listening to recordings, or visiting significant places that remind them of their loved one.
Guilt and Regret: Characters may grapple with guilt and regret over things left unsaid or unresolved issues with the deceased. They may blame themselves for not being able to prevent the loss or feel remorse for any negative actions or words in the past.
Seeking Closure: Characters might actively seek closure by investigating the circumstances surrounding the loss or searching for answers. This could involve conducting their own inquiries, talking to people connected to the situation, or even pursuing spiritual or metaphysical avenues.
Attempting to Fill the Void: Some characters may try to fill the void left by their loss by immersing themselves in work, hobbies, or other distractions. This can be a way to cope with the pain or to create a sense of purpose in the absence of their loved one.
Rediscovering Meaning: Over time, characters may go through a process of reevaluating their own life's purpose and finding new meaning or direction. This can involve pursuing new interests, engaging in charitable acts, or dedicating themselves to causes that honor the memory of the person they've lost.
Healing and Acceptance: Eventually, characters may find a sense of healing and acceptance. While the pain of the loss never fully disappears, they learn to live with their grief and carry the memory of their loved one with them. This can lead to a renewed sense of purpose or a deepened appreciation for life.
You are an anonymous professional assassin with a perfect reputation. You lead an ordinary life outside of your work. You’ve just been hired to kill yourself.
Recently reread the scene where we see Yoo Joonghyuk's interaction with Jang Hayoung for the first time and?? Holy shit?? Like, there's literally no other explanation. This man is jealous Kim Dokja made friends and plans with someone who wasn't him.
Like yes, Jang Hayoung pissed him off with her way of speaking immediately, but there have been ruder people. Why was it on sight for her? Why is he so sour over them just chatting? Kim Dokja is like "Hey look! Isn't this guy super useful (for us)?" and Yoo Joonghyuk is like "I'm better than this jerk." Jesus christ.
Part 1
Cale sits on Alberu’s bed.
This… feeling, of his memories and feelings all contradicting. It’s a little disorienting.
His hands are dirty, but he knows they’re clean. He could lay down and roll around on the princes bed, but his memories show a blatant disregard for what the prince thinks about what he does, yet he knows that he has respected and cared about the prince for a long time-
So what is it? Does Cale secretly respect him? Is his disregard an act? No, it’s not. Disrespect is… a way to show respect? To hide his respect?
Cale develops a headache. There’s a lot of new information in his mind, rolling around like a thunderstorm, and it’s really starting to hurt.
His hand caresses the side of his head, and he aims his face into his lap, a frown forming. It… hurts.
It hurts.
Hopelessness drags on his new and good emotions. It hurts. He- he hates pain. His hands tremble.
Alberu watches Cale, unsure what could’ve happened to cause him to start crying. With a shaky mind, Alberu walks over to the frozen child sitting on his bed, making extra sure that his footsteps create noise. God, scaring a child? Scaring Cale? That would be a nightmare. He wouldn’t know how to handle it at all.
Despite Alberu’s desperate wishes, Cale is deep in his subconscious, overwhelmed by a self-induced headache.
So when Alberu reaches over for the boys shoulder (like how Cale would comfort everyone), Cale flinches. Hard. He throws his body to the side of the bed and pulls his arms up to his chest, staring up at Alberu’s figure.
Now, the Prince isn’t stupid. He knows what a flinch means, what it implies. Then why- he fumes- why is Cale of all people showing these responses? How bad did he have it in Korea?
So, while Cale lies on the bed and stares, Alberu decides that he’s too tired to deal with this. This is incredibly annoying. This is- fucking depressing. He hasn’t slept for two days and suddenly being forced into babysitting duty is grating on his nerves.
He walks away to order the nearest servant to deliver cookies to his room, while he starts to brew tea. When the boy on the bed has a clear head and Alberu has some more strength, he’ll consider asking what’s wrong.
Bringing the tea over to the bed, Cale stares at the cups.
“Dongsaeng?” Alberu sits on the bed next to Cale, who stops laying down. “Do you like sweet tea still, even when you’re like this?”
Cale pinches his lips together. Forgoing a verbal response, he nods his head to the question and starts to reach out.
‘Dirty’
‘Careless’
‘Irresponsible’
His hand freezes, and goes through a dozen calculations. Should he ask to grab the cup? He wouldn’t normally do that, no. Should he act more like an ignorant child, not as mature as he feels? Should he ask what he should do?-
Alberu watches the emotions that flit across the young face. They are all incredibly subtle, as if he’s used to being so insecure but hiding it underneath a layer of confidence. Alberu relates to it on an uncomfortable level.
He almost expects the kid to ask if he should take the cup, but Cale firms up his face and decides to disrespect the Crown Prince anyway by grabbing the cup and taking a big sip of it.
Good, Cale reasons, looking at Alberu’s face. He’s not mad, like he predicted. He’s learning the limits of the people he trusts because, while he’s in this different body and has this smaller mind, people will react unpredictably. Anticipate violence, prepare for rejection, and accept whatever he can get his hands on. His old lessons from when he was a kid float into his mind, and they provide a comfort that none of his older memories have given him yet.
They sit in silence, sipping on tea and observing each other. The other children are disturbingly quiet, but they aren’t crying or angry. They’re just… watching. Raon seems to be the most restless, while On and Hong wait from a distance.
Those three children recognize the signs of abuse the most. Ever since he opened his eyes, they could see it all. The hesitation. The fake confidence. The awkward tense-relax-tense game that Cale is playing in his mind. Like he’s trying to convince himself that he’s in a safe place, but it’s so hard to believe that he instinctively goes back to base one whenever he succeeds.
They’re going to launch their ‘attack’ in a few minutes, but only after cookies. A servant quietly brings in a tray, keeping her eyes very specifically on the desk she needs to leave it on. Raon still turns him and the kittens invisible for the brief time she’s there, but she looked so focused that she probably wouldn’t have seen them had they been sitting right next to the crown Prince. On applauds her in her mind.
Cale keeps his mouth shut. The last thing he should do right now is talk. He knows when he isn’t welcome, and while the (fond?) exasperation from the prince is not quite the same as Cale is used to, it’s close enough. He plans to stay quiet and do nothing. It’s dangerous to think about anything else.
What if he ruins his companionship with Alberu forever? That would be- bad. For when he’s able to be big again, of course. It would be… what’s the word?
Inconvenient.
Cale doesn’t feel 7 years old anymore. His mind has been growing, in a weird way. Like he’s subconsciously fighting against the curse by maturing his mind at a faster rate. He can think a little more clearly, analyze a little more precisely.
He finishes his tea and puts it down. He’s tired.
‘Dirty’
‘Disgusting’
‘Filthy’
He looks down at his hands. He turns his palm over, examining it. He sighs in relief. Clean. He’s clean right now.
He’s startled by a red ball of fur pressing its face into his open palm.
“Hong?” His voice is soft, open just like his palm.
Hong purrs, and Cale falls for the distraction. He sets out to pet the kitten who is so innocently asking for them.
All of a sudden he hears Alberu shout from his side and a flash of black streaks across his vision. He looks up, but then On has transformed into her human form and the 12 year old body is stronger than it should be, with how easily she grabs the 7 year old and throws him by the pillows.
Cale barely finishes bouncing from being thrown when he gets crushed by Raon.
“Human!”
Cale opens his eyes and looks up at the blue eyes peering down into his soul. “Raon…”
Raon cuts him off, resting part of his weight on Cale.
“We’re having naptime! Majority vote! You have to sleep, human!”
Cale frowned. He hadn’t had any cookies yet.
Raon interprets him wrong, and suddenly Cale is being thrust into Alberu’s arms. “Adults are always the best at cuddling! We’re leaving you to our most experienced member so you get the full package! Alberu, don’t let Cale go.” His words leave a chill in Cale’s body, and he resists the urge to shudder.
Then he realizes that Alberu’s arms had really tightened around him. Cale squirms, because, what? Why can’t he just cuddle with the kids?
The answer becomes abruptly clear. Cale, smooshed against Alberu’s chest, surrounded by two human cats and a dragon who insisted that he lay on top of the pile- discovers that, while Raon could use magic to restrain him, the human with long arms is just more effective at restraining people comfortably.
Cale pouts. He didn’t get any cookies.
Ron, Beacrox, and Choi Han arrive at the princes room. Ron was worried about him, while Choi Han was concerned that he wasn’t adjusting well. Does he feel safe? Has he eaten? Is the fact that they aren’t in Korea making it difficult? Meanwhile, Beacrox is just angry at a lot of things right now.
They found the demonic worshipper, but after torturing information out of him, they realized that Cale is in the Demonic God’s hands now. Killing the demonic worshipper doesn’t even break the curse.
They had run into Bud and Glenn while investigating, naturally. The merchant king had offered all of his resources to track down the culprit, which helped somewhat in finding him. Glenn offered them a quick teleport back to the palace, and they accepted.
“Young master-“
“Cale-nim!-“
“My friend! Sob!- um?”
Ron, Choi Han, and Bud speak all at the same time. They all pause however, at the sight of Raon glaring at them intensely. A transparent black shield covers a lump of bodies, and Glenn recognizes it as a soundproofing spell. He gets goosebumps at the mana swirling around the rest of the room dangerously.
Choi Han felt stunned. It has been a long while since Raon pointed his wrath at anyone in their family. What happened?
Ron then smiles, a chill covering the room instantly. “What are you covering, little dragon?”
Raon uncharacteristically stays silent. He looks like a real dragon at this moment, all cold glares while he drapes himself over his hoard.
Then Choi Han puts the dots together. The Crown Prince is missing, documents unfinished. The kittens can be vaguely seen on the side of the pile that Raon is laying on, and if he’s correct-
Cale is in the center.
Choi Han’s eyes sparkle at the opportunity in front of him. Bud takes a careful step away from him, but he’s not paying attention to that.
Choi Han loves small cute things. What’s more cute than a bunch of his favorite, small cute people (minus Alberu, who isn’t small, that he suspects is in the back) in a big cuddly pile?
Cale murmurs in his sleep, feeling an icy chill on the back of his neck. Someone’s plotting against him.
He becomes unsettled, pushing lightly against Alberu’s arms in protest to the sensation. Alberu, who has fallen into an incredibly deep sleep, just tightens his arms. Cale decides to ignore the feeling, after getting that slight ‘scolding.’
His mind, which had become around 9-10 in the short time that he had been thinking intensely, quiets. He allows himself to be comforted, and doesn’t notice the way his mind falls into that of a 8 year old during this nap.
He breathes softly, falls deeper into his sleep, and can’t feel the curse settle over his mind.
Choi Han fails in his attempts to sway the dragon to let him see. Raon, smarter than your average 6 year old, understands what Choi Han wants and what Cale wants, and that Cale should get what he wants right now. Privacy. Raon becomes even more determined to protect Cale while he’s in this younger state.
He’s vulnerable.
The dragon in him growls at this. Everyone in this pile has been abused. He doesn’t know much about Alberu, but he saw the understanding glint in his eyes, so Raon determines that the Crown Prince is also under his protection.
Do the people outside their bubble understand that? Do they think that his human just happened to land in the middle of the pile, blocked from the world’s eye?
Raon huffs at Choi Han’s antics, ignores Ron’s vague threat, and summons a second shield over the soundproof one, this one solid and not transparent.
The human told Raon that it’s okay to be selfish. He wants to hold their little group closer right now, and he doesn’t want to share.
Cale flinches in his new, deep sleep. Raon lays his head back down on the pile, using magic to keep his human the perfect napping temperature.
He curses that he can’t do more right now.
school dance au! everything’s the same except there’s a school dance! also ralsei’s there lol
I’ve seen a lot of hate going around regarding the situation these two are in. Sometimes, in defense of one goat someone viciously bashes the other. It doesn’t have to be like that, though.
It seems like a lot of people are condemning her dislike of Asgore in their defense of him. But…I think we should try to understand her point of view too.
Why is she so mad at Asgore?
It is heavily implied the children he killed were her children, in the same way Frisk is. Maybe for years.
It’s safe to say Toriel didn’t just nab these kids’ shoes and send them on their way. Some or most of them stayed long enough to need to new shoes and grow out of their old ones (or they’d still be wearing them when they left the Ruins) - a process that takes months or years depending on their age. Their old ones were put in the bin. They left, and died in their new ones. Rinse and repeat.
Added to this is the photo frame in the children’s room. This frame is empty; if it were meant for her old family in New Home, it would still have them in it or not be there at all. It’s empty because the children, the humans who occupied the room before, in the picture died.
They were not just children that were murdered; they were her children. The same way Frisk is.
This isn’t just two exes disagreeing over policy; from her point of view, he killed six of her children (only one way into the underground, and that’s the hole in the ruins; Chara fell there too) and was starting on a seventh. It’s understandable that she can’t forgive him.
But did he kill the other 6 humans?
Unfortunately, yes.
The humans made it to Asgore, but they didn’t make it past him.
It seems the other childrens’ items were lost along the way, and scattered over decades, not markers of the childrens’ graves; it’s mentioned that the “faded ribbon” was dropped down a hole. The other items likely met a similar fate; however, all the humans made it Asgore at the end. They did not make it past him.
Why did she take Chara when she left?
She didn’t do it out of spite, but believed that they deserved a proper burial.
Why didn’t she leave the barrier, and kill six people herself?
Toriel never wanted that plan to go through.
Toriel never wanted humans to be killed to break the barrier, even to free her kingdom. She would never have killed anyone to make it happen.
She didn’t call him out because she thought he should have left the barrier to kill more humans, she called him out because he gave everyone false hope and killed people; if four humans died and no others arrived then monsters would still be trapped forever, but the humans would still be dead.
Even when she’s facing down someone who killed her children, she cannot allow someone to take his life. She didn’t just come here to save Frisk; she came to save Asgore. No lives could be taken to exit the barrier. The value of life was absolute.
…and I think we should try to understand Asgore’s plight as well.
He declared war in a moment of devastation.
When Asgore declared war on humanity, he had just lost two children. He watched his son die from the wounds the humans inflicted on him, when he didn’t raise a finger to harm them. Humans who locked them in a hole to rot for thousands of years.
…and then couldn’t take it back.
The kingdom was in despair too; they had lost their prince, they lost their hope for reconciliation with the humans with Chara. He promised his entire kingdom he’d take the humans’ souls and free them.
He saved his kingdom from despair, and by the time his own grief had settled it was too late to take his promise back. He couldn’t take away their hopes and dreams.
He had a duty far beyond six souls of the humans - who doomed them to their situation and murdered his own son after he cared for one of their children - to the thousands of people in his own kingdom. It would have been justified for him to leave the barrier and kill six more humans after he got the first soul, right?
Even after everything the humans did, he still valued their lives.
This is why he didn’t leave the barrier after getting the first soul.
He couldn’t state outright that he didn’t want to kill them to the kingdom, and plunge them back into the horror of being trapped in the dark forever. But he still hoped to never kill another one, even after they kept coming. Even after the sixth. If he could avoid killing even one, he would. To this end, he even instructed his scientists to find any other way to break the barrier, without a single other person having to die.
For the record, here’s how he looks at Frisk when he sees the very last soul he needs to free his people from millennia of imprisonment that they never deserved:
He takes two steps back and stares at Frisk in utter horror. There’s a long silence. He actually panicked when he saw Frisk.
And how many times does he try to to spare your life?
Translation: Please don’t come into the next room.
“If not, I understand. I am not ready either.”
Translation: Please turn back.
There’s still time.
And when he finally does fight you…
He holds himself way, way back. He has the ability to one-shot you. He has the potential to not get a scratch on him from Frisk’s tiny LV 1 self. What’s going on here?
Because they are made of magic, monsters’ bodies are attuned to their SOUL. If a monster doesn’t want to fight, its defenses will weaken. And the crueler the intentions of our enemies, the more their attacks will hurt us.
This is how much he doesn’t want to fight you. Along with holding back his last attack, so you can only ever die if you’re already at 1 HP.
So why’d he destroy the mercy button?
He doesn’t really want to win either. And in the event he loses, he doesn’t want mercy. If Flowey doesn’t show up…
He dismisses his idea of living with Frisk peacefully as a fantasy, says Frisk and his other human child “have the same look of hope in your eyes”, thinks Frisk could be the Angel of the delta rune prophecy, and believes they can free everyone from outside the barrier. He then takes his own life.
He was not wrong to want to spare the humans.
Despite their souls being necessary to free everyone, It’s important to understand the stakes here. With each successive soul, he is not just looking down at the possibility of taking another child’s life when they show up. If he gets 7, he will no longer have an excuse to stay below ground. He will have to break it. He will then have to destroy the lives of billions to let his people on the surface.
but if one shows up….
If a human shows up in his castle, it is because they want to leave. The confrontation is then inevitable, because they have to take his soul to do that. He never hunts them down. But if it comes to fight, he has a duty to fight and try to take their soul, for the entire kingdom. Their hopes are riding on him. So he killed them.
…and the barrier really couldn’t have been be broken without 6 of them, and the souls of every monster underground except Napstablook.
I think it’s possible to appreciate the agonizing position Asgore was put in, as a person so gentle he couldn’t even painlessly take the lives of humans, who killed his son and trapped them underground, with the hopes of the entire kingdom, and the destruction of an entire species, resting on his shoulders to do it.
I think it’s also possible to appreciate the position of Toriel, who has lost several of her children to his hands, and can’t forget it or forgive it, but still believes he deserves mercy.
It’s no competition. Please love both of the goat parents. Neither are bad people and they’ve been through too much.
Bonus: Are they ever ever getting back together?
They are not ever ever getting back together.
…but he’s still smiling in the end, isn’t he?