E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my gumroad store if you want to!)
Twice now, Ralsei pulls Kris aside and asks them to think about what Susie’s doing.
People have theorized this is to “get alone time away from the Player”, but I think he actually does this because he’s trying to communicate something about Susie to Kris.
“Astral Projection”?
Both Kris and Ralsei act like they’re viewing/have viewed Susie’s scenes.
In Chapter 2, Ralsei is alright with Kris not viewing Susie’s scene if they’re not interested.
If doing the Snowgrave route, Kris will skip Susie’s scene by themself, and Ralsei, after initially being flustered, will say, “As long as Susie’s happy”.
So that’s why - what?
Keep reading
Yes. And I’d argue they know Kris better than we do.
What little we know about Kris often comes because one of their friends makes an observation about what they’re doing or saying.
Susie, Ralsei, and Noelle can see every face Kris makes and hear every word they say. We can’t. We only know when one of them points it out.
Keep reading
Your stories deserve to exist in incredible worlds. Build yours from scratch with this quick guide that simplifies the sometimes intimidating process.
Read my guide here!
I like how alberu knows how cale operates. Like everybody seems to be assuming that cale is righteous and his morale compass is definetely "good", but alberu knows thats not the case. Its not so bad that everyone thinks so, i feel like it will be the running gag throrough the whole series, but i was hoping for at least someone to have an idea that cale is always strategizing and his intentions are not purely good.
Cale is kind, yes. But he is not righteous
I REALLY hope alberu does not change his view of cale, from someone who always has ulterior motives to a lawful good person
tcf spoilers (ch 333+)
re-reading White Star's debut in 333 and what came after, and i am once again reminded of how terrifying he was as an antagonist before he became the fandom's silly little meme
some other bits and foreshadowing i forgot/missed and find interesting
WS is proficient enough as a mage to be able to send messages telepathically
...and he used that skill to pester Cale with one-way messages lmao
WS and Cale both felt a sense of kinship the moment they locked eyes, which they both chalked up to their similarities in abilities and appearance (but it's probably more because of KRS' soul recognizing its original body)
Eruhaben says WS looks 20 (and 200+ chapters later Cale himself says he looks to be in his early 20s. If og!Cale is older than KRS, does that mean it took KRS a few years before he got kicked out of his body by WS and settled into Earth 1? Or is it the time difference between the two worlds?)
WS just affectionately addressing Cale while spouting terrible things
Have you guys ever noticed that all of Kim Rok Soo’s abilities that are revealed are related to time?
Record: Allows KRS to have perfect recollection of the past
Instant: Being able to move beyond human limitations in the present
I wonder if his other abilities are also related to time. Maybe he has one that is related to the future.
Rereading Trash of the Count’s Family has really given me insight into the perspectives of the people around him. The first time is like walking in blind, because Cale describes their expressions and actions- but the narrative doesn’t dive into their emotions or past, so we’re left in the dark for why their expressions and actions are significant.
Very happy about finally understanding the depth of these characters, and the hidden meaning to Cales actions and how it affects them.
Me to the shadow in the living room at 4:57 AM: No you do not understand the perfection of White Star’s death being so quick and unimpactful. He is someone who lives for the attention. His god complex is so empowered that he hates when something doesn’t go his way or he’s not the center of attention drives him insane. The whole fated rival bullshittery with Cale was just that, making it all about himself again. He needs to be important! So Yoo Ryeo Han making his death so quick and completely forgotten in a span of paragraphs is literally the finest torture for that man’s nonexistent never resting soul. It’s not that Cale didn’t struggle to kill him. We didn’t really get to see what Cale was feeling using Instant like the time he broke the statues, we only saw what everyone else was seeing. Cale was probably struggling a lot going towards White Star. But that doesn’t matter! He will never know that and he died with the thought that he was killed in the span of 2 sec without even a fight. THAT’S PATHETIC FOR HIM! A man who lived for the drama, died i. The most uneventful way possible for him and that’s the HELL for him and I LOVE IT! It’s similar to Locke’s death in QON where he died off screen and barely given a paragraph to describe his death. Literally the biggest FU to these bastards is not caring about their deaths. It’s what they would have wanted and we ain’t giving them that. So what I’m trying to say is that Yoo Ryeo Han is literally a genius when writing their character and especially scenarios depending on their personalities and how they would react in those situatio—
The shadow demon: *crying in a fetus position*
Oh no! They're gonna die if they keep this up, please stop removing us, Kris! This is for your own good!
Funky whatevee