Me to the shadow in the living room at 4:57 AM: No you do not understand the perfection of White Star’s death being so quick and unimpactful. He is someone who lives for the attention. His god complex is so empowered that he hates when something doesn’t go his way or he’s not the center of attention drives him insane. The whole fated rival bullshittery with Cale was just that, making it all about himself again. He needs to be important! So Yoo Ryeo Han making his death so quick and completely forgotten in a span of paragraphs is literally the finest torture for that man’s nonexistent never resting soul. It’s not that Cale didn’t struggle to kill him. We didn’t really get to see what Cale was feeling using Instant like the time he broke the statues, we only saw what everyone else was seeing. Cale was probably struggling a lot going towards White Star. But that doesn’t matter! He will never know that and he died with the thought that he was killed in the span of 2 sec without even a fight. THAT’S PATHETIC FOR HIM! A man who lived for the drama, died i. The most uneventful way possible for him and that’s the HELL for him and I LOVE IT! It’s similar to Locke’s death in QON where he died off screen and barely given a paragraph to describe his death. Literally the biggest FU to these bastards is not caring about their deaths. It’s what they would have wanted and we ain’t giving them that. So what I’m trying to say is that Yoo Ryeo Han is literally a genius when writing their character and especially scenarios depending on their personalities and how they would react in those situatio—
The shadow demon: *crying in a fetus position*
Got to love that the first thing Alberu decided to do after he realised that Cale wasn't joking about being a Slacker is to threaten him into doing things for him by using government positions and titles.
This man is the only one aside from Ron and the children that are actually able to get Cale to do things that he would normally protest against. Doesn't mean that he's going to make it enjoyable for his Hyung-nim, but still, he's figured out the secret to Cale's obedience very quickly.
Tutorial - my cat wanted to share with you some tips and tricks. ———————————————– Originally from my Patreon, where there’s a little more to this. (Patrons get extra stuff and early releases)
I have likely not added many that I've reblogged to this list. Please feel free to roam my blog and/or ask/message me to add something you'd like to see on this list!
Look by @writers-potion
Voices by @saraswritingtipps
Show, Don't Tell by @lyralit
5 Tips for Creating Intimidating Antagonists by @writingwithfolklore
How To (Realistically) Make a Habit of Writing by @byoldervine
Let's Talk About Misdirection by @deception-united
Tips to Improve Character Voice by @tanaor
Stephen King's Top 20 Rules for Writers posted by @toocoolformedschool
Fun Things to Add to a Fight Scene (Hand to Hand Edition) by @illarian-rambling
Questions I Ask My Beta Readers by @burntoutdaydreamer
Skip Google for Research by @s-n-arly
Breaking Writing Rules Right: Don't Write Direct Dialogue by @septemberercfawkes
International Clothing
Too Ashamed of Writing To Write by @writingquestionsanswered
"Said" is Beautiful by @blue-eyed-author
Reference: https://5lovelanguages.com/learn
For me, og!Cale’s love language is Acts of Service. The website defines this as: For these people, actions speak louder than words. I think it fits Og!cale very well since we all know he pretended to be trash without even saying anything to anyone. He also hid his hurts and isolated himself because he foolishly thinks it was for the best while swallowing his issues thinking that he was being selfish. Of course, he also swallowed his further hurts when the Molan duo decided to follow Choi Han. I think for people like og!Cale (and like me) with this type of love language, what was needed the most is Quality Time (def: This language is all about giving the other person your undivided attention.) and Words of Affirmation (def: this language uses words to affirm other people.) from people who claim to care and love him. I think Quality Time with Deruth suffered ever since his mom died because Deruth and og!Cale was in two different places. Deruth was having a new leash of happiness and og!Cale (I’m assuming) is still grieving and also has to contend with the fact that Deruth has a new family. Plus, Deruth has to blend his family and I’m not sure he did a good job at that.
Anyway. Words of Affirmation are a bit tricky since (for me) that would be like enabling his ‘trash’ person but I would have expected some one-on-one talks with his father (and initiated by Deruth like yo, be a parent) would not be too much to ask/expect. (I don’t know if that happened in canon so let me know if I'm talking out of my rear). I definitely won't mind an intervention because I’m a believer in either solving the problem or they all go no contact since everyone isn’t on the same page. Either stop the misunderstanding right there or suffer the effects of misunderstanding together. Misery does love company even in families.
I am sure that Deruth and Violan have tried, but the only thing that gives me a good picture of that effort is to support Og!cale while he is being purposely self-destructive (I don’t know if this is a good idea) and throw money at him (something that I am way too much familiar with). Again, if there is any info I missed, I would love to be corrected.
So, what do think of og!Cale's love language? Do you think he would have been better if he has a different one aside from Acts of Service?
Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.
Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.
Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.
You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:
Friends to lovers
Enemies to lovers
First love
The love triangle
Stuck together
Forbidden love
Multiple chance love
Fake lovers turned soulmates
There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.
You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.
The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them.
You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:
Being in a throuple
Being in a polyamorous relationship
Being the only one in love (the other person never finds out or doesn’t feel it back, ever)
There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.
Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.
What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories.
Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.
It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.
If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.
No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.
Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break.
People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other.
When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.
You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.
Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.
Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?
And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell.
Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world.
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Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
How refreshing was it for Alberu, who lived his life being disrespected and ignored, to writhe in the fake-politeness of scammers, living beneath his third and second brothers, to fight so hard for respect-
To have his life then be manhandled into a position of power and have a guaranteed spot as the next in line for king, by a man who talks disrespectfully and becomes petulant at the slightest inconvenience
He’s not disrespectful because of Alberu’s political standing and he’s not whiny because he’s incompetent. He’s honest.
He’s disrespectful because- well, he’s just that way with everyone he’s comfortable with. If he acts respectful, it’s probably because he’s pretending in order to get something he wants.
He’s petulant, but only when it’s something that can be fixed. Oh your highness, can you pay my travel expenses? Oh your highness, can I have a gold plaque for my hard work?
The man wants money!
He’s not greedy for fame nor power, he doesn’t want a spot right next to the Crown Prince when he becomes king. He wants money, he wants to fix the problems that disturb his life, and he wants to be a slacker. The Crown Prince has all the resources to do those things! That’s his job. To create a peaceful kingdom that can still survive in war and chaos.
Cale just keeps dumping a bunch of resources on his head in order to do that.
Incessantly.
Like, he really doesn’t stop giving him information and allies.
Hah, but seriously.
He doesn’t stop.
He still hasn’t stopped.
Cale and Alberu are tools for each other. That’s their relationship. They use each other because what one person lacks, the other does not. Cale has information and connections, Alberu has influence and money.
It’s a ✨symbiotic relationship✨
subtle ways to include foreshadowing
one character knowing something offhandedly that they shouldn't, isn't addressed until later
the crow rhyme
colours!! esp if like, blue is evil in your world and the mc's best friend is always noted to wear blue...betrayal?
write with the ending in mind
use patterns from tragic past events to warn of the future
keep the characters distracted! run it in the background until the grand reveal
WEATHER.
do some research into Chekhov's gun
mention something that the mc dismisses over and over
KEEP TRACK OF WHAT YOU PUT. don't leave things hanging.
unreliable characters giving information that turn out to be true
flowers and names with meanings
anything with meanings actually
metaphors. if one character describes another as "a real demon" and the other turns out to be the bad guy, you're kind of like...ohhh yeahhh
anyways add anything else in the tags
Krs!cale came from a world where food was scarce and you'd probably die if you're picky...
Imagine everyone just shouting in shock when he drops a cookie and immediately squats down, looks at it for 2 seconds, and then pops it into his mouth.
After that??? They watch him like hawks because he's basically a toddler putting random things into his mouth... Like you can't tell me his old habits wouldn't kick in sometimes and he wouldn't dig up some random wild carrot or smth and just smack some dirt off before taking a bite. Ron would literally have to take it away.. and you know the little kid thing where the parents dust the dirt off the kids hands and stuff?? That.
Cale: I don't get why you guys are so against leaving me alone??? I'm grown .
Also Cale: (eating random bread off the ground)
Beacrox just , having a mental break down over how dirty it is and how many germs Cale must've ingested ...
I wanna write this fkdkfkdlg
Kris...?
Without eye highlights...