Have you guys ever noticed that all of Kim Rok Soo’s abilities that are revealed are related to time?
Record: Allows KRS to have perfect recollection of the past
Instant: Being able to move beyond human limitations in the present
I wonder if his other abilities are also related to time. Maybe he has one that is related to the future.
I was gonna post this as a reply for this post by @he4d-banger but it got too long so I’m making it a separate post.
I have talked about this before but I’ll talk again because I love talking about Cale’s complex emotional state.
More than pushing them away, Cale completely ignored his grief which has made him completely emotional constipated. This has lead to many side affects which get glossed over most of the time since we read the novel from Cale’s pov.
Some that I can remember from the top of my head right now are: dissociation, selective memory, depression, anxiety, stress and tons of physical problems like eating disorder, etc. which I’ll get into more another time. His self destructive tendencies based on the decisions he makes are all because of his emotional constipation.
Cale’s denial over his own symptoms has become chronic over the years even tho it’s fairly visible from other peoples perspective. Some instances I can remember where we see Cale’s condition from other peoples pov are: moments when Alberu tells him he’ll definitely get his slacker life, everyone’s reaction to him smiling after crying, Choi Han meeting younger Cale, the villains’ reaction when Cale gets angry, everyone telling him he’s too weak and skinny, Ron and Choi Han’s pov during side story 7 after Cale dreamed about CJS and LSH first death anniversary, etc. Everyone can recognize that he’s not well.
And about the venting on destroying stuff, that’s exactly correct. Many times when we see the fight from the other pov of the villain, most of the dialogue is about how angry and terrifying Cale looks. Of course part of that could be due to the effect of Dominating Aura, but they specifically mention Cale’s expression and the look in his eyes a lot. That’s what truly terrifies them. Cale doesn’t recognize this but he’s really expressive, everyone says that he’s very expressive and lets his emotions slip through his face.
Another case when he couldn’t control his emotions anymore was when he cried. An interesting fact is that people who aren’t used to crying and/or hold themselves back from crying, once they do actually cry they can’t stop the flow of tears and are motionless and/or rather calm and quiet. It’s that silent unstoppable crying that Cale displayed. His grief finally exploded after meeting LSH and he couldn’t understand the sadness he was feeling at that moment because the meeting ended with consolidation and relief. All the pain over the deaths of his best friends finally released.
That is a complete contrast to his reaction in side story 7 after the first anniversary of his team’s death. When he arrived home he just collapsed on the floor expressionless. Not once did he cry. But the way he collapsed at that moment said a lot about his state at the time. All the stress accumulated in his body from holding back his emotions all day today affected his physical health to total exhaustion
Actually in my opinion SS7 is one of the best chapters about examining Cale’s emotional state. There are multiple visible of him suppressing his emotions like: keeping a neutral expression all day around, refusing to mention what day it was tomorrow even though everyone knew, not closing his eyes in front of the grave because the memories would resurface, the small panic attack shown by his shortage of breath, background silence and feeling of heaviness, and you can see how burned out emotionally and physically he feels. The only way he wouldn’t feel these things was by working, as it is noted multiple times throughout the story that he never took days off.
And my favorite moment was when we see Cale waking up from the dream and very clearly experiencing signs of ptsd and a panic attack. He was feeling cold despite the entire house being heated with magic, cold sweat running down his face, shortage of breath as soon as he woke up and a distressed expression as shown from Ron and Choi Han’s pov He also felt the need to hear noises and pet the kids to make him feel a sense of attachment with reality since the silence in his memories made him feel suffocated. Tho Cale himself couldn’t recognize these symptoms.
That side story also shows how he has grown emotionally throughout the novel now becoming more emotionally open with others.
I can also go on about his selective memory, anxiety, get more into his self destructive lifestyle and about his obvious signs of depression during his team leader days and early part of the novel while touching on his childhood trauma, but this post is already long enough so I’ll leave those for another day.
Cale is so ready to take on everything.
I’m rereading the heart scene and, just- his life as Kim Rok Soo had such an impact on how he handles pressure, it’s actually sad. When he was KRS, people relied on him. Heavily. As the team leader, people saw him as a life line.
He never took breaks, he put himself in danger and sacrificed his well-being by using his abilities (for example, Instant), and as we hear later on- he had a 0% mortality rate. When people around him were weak, he became strong in order to overcome it. Nobody died when he became the Team Leader.
And in the world they lived in- yes! I’m not surprised at all that people latched onto him. No matter how much they care about him, they couldn’t help but allow him to save them. Over and over again.
So Cale had this expectation for himself too! When others give up -> he does not. In front of impossible tasks, he rises up, because that’s how it should be. How could someone who had so little as a child- no parents, no friends, no stability or safety or reliability- how could he possibly give up what he’s managed to attain? How could he let his friends get hurt when he knows that he could be hurting instead?
And then he becomes Cale, and he relaxes. His new companions are strong, and he’s not going to be with them for very long anyway. He will slack off, chill out, and take his hands off the wheel.
But he can’t- he just can’t stop helping them. Like an addiction, he helps Choi Han get a connection to Ron and Beacrox. Then he saves Raon. He helps Lock, Amiru, Mary, Alberu, Queen Litana. It’s fucking impulsive. It’s for his own benefit but he tangles himself into the story because tampering with Fate is a fucking side hobby for him.
Then he develops relationships and friends- and when he sees danger approaching he stands up against it like a solid wall. Over and over again.
And, what? He naturally expects the people behind him to stay behind that wall. To listen to him and help, but to stay safe in the long run. He expects them back off when something looks impossible. Because- well, he’s right here isn’t he? Overcoming the impossible is second nature for him!
But the people around him… aren’t standing by passively, like they did when he was KRS. When he was KRS they let him protect them for 15 years. Then he’s Cale Henituse and they don’t. They learn from him. They learn to stand up against the unpredictable and the indomitable. They see him and learn.
They aren’t happy about his sacrifices, but he tells them to be full and content and to eat well… so they listen. For a while. They understand wisdom and they take his words and learn their limitations.
Right until he stabs himself in the heart. What the fuck?! Biggest hypocrite in history right??! Can’t trust this guy to not bleed and sacrifice himself for shit!!!
So they angrily push aside his worry and their limits and they decide that it’s THEIR turn to protect him. Even against a GOD, Cale has shown them that nothing is impossible so they’re going to turn the tables and THEY’RE going to be the ones to cough blood!!
This scene is so heart wrenching, but it’s Cales disbelief that hurts the most. He’s fucking stunned. He’s someone who can’t even imagine the lengths that a person would go for him. He’s a person who protects without ever expecting to receive that same effort.
Sure, he knows he’ll be protected. He’s not naive. But he puts 200% and expects 50-100%. He goes above and beyond, but prepares for average. Prepares for lackluster.
So when everyone tries to push him aside to protect him? He- he doesn’t even notice their efforts! It’s like looking for a leaf in a forest, but he’s supposed to be looking at the entire forest. Why would he think that they would give him a forest’s worth of leaves? He’s oblivious. So he looks for a single leaf.
Then they really do push him back and protect him- they defend against the orb that’s exploding and it’s like they’re screaming “It’s the forest! It’s always been the forest!”
And he’s lost. Absolutely, utterly lost. It’s heartbreaking, how distressed he is that his friends are hurting and they won’t let him handle it for them. He’s not even hurt, after all! He hasn’t fainted, he’s still useful! He’s ready! What he’s done so far hasn’t even been too difficult! Why won’t they let go and give it to him?
Everyone is so angry at him, or busy pitying him, that he’s left alone with this. While reading this scene I’m filled with a strong disconnect. He is surrounded by his friends but everyone is far away from him. Their goals have never been farther apart than this moment.
He’s always been one step ahead.
He’s always been ready. He’s always waiting.
And then he stabbed himself in the heart, and everyone but him felt the shift in the stars.
And then the next scenes are his friends trying to wrestle the responsibility out of his white-knuckles hands. They fight for it! Yet all the way until the orb’s time to explode, he holds onto it with an iron grip. I don’t even think he realized they were trying to take it out of his hands.
He kills the White Star, he Embraces the Ancient Powers, and he even manages to Embrace the Sealed God into the book and take over the temple in one move. We get to see everyone’s reactions to his stubbornness too.
So they become twice as stubborn. They cough up blood, they faint, they do 200% of what they’re naturally capable of. Why?
Because they saw Cale do it first. Because they refuse to let him do it again.
And Cale?
He can’t say anything.
I'm late, but Happy 4 years of LCF!! 🥳
To celebrate, I redrew one of the first pieces I've ever made for this fandom! Both the novel and I have come a long way TvTb
We’ve all heard the old line of encouragement—reading makes you a better writer.
But how exactly does that work?
These are a few skills you’ll gain from reading with the viewpoint of a writer, not just a reader.
Reading made up events and imaginary people might not seem like critical thinking, but you’ll use your brain in more ways than one. While you’re sifting through a book, you’re also:
Observing cause and effect correlation
Analyzing how actions and events affect characters or the plot
Recognizing things like bias (narrative or otherwise)
Problem-solving to get ahead of the problem (Who’s the murder? The thief? The villain?)
Remember what you read before (simple, but takes practice!)
All of these skills are part of the drafting and writing process too. Grab a book or two—you’ll need these abilities to bring your stories to life.
Whether you feel a secret thrill at finding a typo in a published novel or second-hand embarrassment for the people who made it happen, you automatically practice your grammar skills by spotting them.
You’re also reading words over and over again, which makes them easier to recall when you’re trying to spell them.
You might also find that some writers vary their sentence structures in ways you like or dislike. The long, stretching sentences within a historical fantasy novel could draw you for the long haul. Maybe you prefer the short, conversational sentences that weave between longer ones in a comedic book.
Word choice is also a significant factor in enjoying a writer’s voice/style. Some writers will challenge you to keep a dictionary nearby at all times. Others will use modern slang or colloquialisms that might take you out of the story—or make it feel more real to you.
As you get used to the styles you prefer, your writing may naturally shadow those styles when you’re writing a story after putting the book down. That’s okay! Experimenting with style or tone isn’t plagiarism and doesn’t make you a bad writer. It’s another step in the journey of defining who you are as a creative wordsmith.
Imagine two writers describing a character walking across the street. One writer might focus on how the character feels, what they’re thinking, or what that moment in time means to them by writing in first-person POV. The other could write about the weather, the city, the cars passing by, or what another person thinks of the protagonist through third-person omniscient POV.
It’s always good to challenge how you might write a scene by reading how others do it. You’ll return to your work or start a story with a new perspective on standby.
When you fall in love with a novel, it’s natural to think about the plot even after you finish the book. You’re likely reminiscing about the great plot points like two future best friends meeting at a pizza shop after stepping forward for the same order—they shared first and last names! Maybe you loved how each minor conflict built into a war between nations or how a character slowly lost their mind and sought revenge.
You’ll know what works and what doesn’t work about the plot structure based on how a novel grips you or not. Your brain will take note about the many things you feel and store it for instinct later. While you’re plotting that traditional mountain-shaped plot line, your creative side will find inspiration to drop conflict or positive moments that enrich your story.
We’ve all written a good character and we’ve all written a bad one. Do you remember the first time you read a morally gray character? It likely blew your mind and made you want to write one too.
Falling in love with characters is like practice for writers. You won’t want to make the exact same character in all of your future stories (unless you only want to write fan fiction, and if that’s the case—enjoy every moment of it!), so you’ll use them as inspiration just like people in real life.
Not to sound like a cliche, but social media companies literally create their apps to monetize the brain’s ability to crave stimulation. Scrolling and swiping has likely had an effect on how long you can concentrate. I know it has for mine!
Even if you’re not on social media, things like the pressure to multitask and juggling responsibilities can wear on your focus too. If you miss those moments in your childhood or teenage years when you would spend an entire afternoon or weekend with a book, you don’t have to be sad for long.
Reading any length of a book can improve your concentration. Set a timer and read for five minutes. Next time, read for six. Slowly expand your time for reading (while there aren’t other distractions around, like notifications on your Kindle or your phone screen lighting up nearby).
As you read in longer stretches, you’ll write in longer stretches too. Your brain will feel more at rest with the one quiet activity you choose to do. Did I mention that makes editing way easier too?
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The next time you feel guilty for reading something instead of writing, remember that you’re also sharpening these skills! Reading is an invaluable way to get better at writing. All you have to do is pick up a book.
Some doodles as well!!
I was reading abralhugres ' "one last death" and "I'll save you when you're weak"
Twice now, Ralsei pulls Kris aside and asks them to think about what Susie’s doing.
People have theorized this is to “get alone time away from the Player”, but I think he actually does this because he’s trying to communicate something about Susie to Kris.
“Astral Projection”?
Both Kris and Ralsei act like they’re viewing/have viewed Susie’s scenes.
In Chapter 2, Ralsei is alright with Kris not viewing Susie’s scene if they’re not interested.
If doing the Snowgrave route, Kris will skip Susie’s scene by themself, and Ralsei, after initially being flustered, will say, “As long as Susie’s happy”.
So that’s why - what?
Keep reading
I want everyone’s best one liner writing advise!
Mine is that you have to know the ending of your story before you start it.
Reference: https://5lovelanguages.com/learn
For me, og!Cale’s love language is Acts of Service. The website defines this as: For these people, actions speak louder than words. I think it fits Og!cale very well since we all know he pretended to be trash without even saying anything to anyone. He also hid his hurts and isolated himself because he foolishly thinks it was for the best while swallowing his issues thinking that he was being selfish. Of course, he also swallowed his further hurts when the Molan duo decided to follow Choi Han. I think for people like og!Cale (and like me) with this type of love language, what was needed the most is Quality Time (def: This language is all about giving the other person your undivided attention.) and Words of Affirmation (def: this language uses words to affirm other people.) from people who claim to care and love him. I think Quality Time with Deruth suffered ever since his mom died because Deruth and og!Cale was in two different places. Deruth was having a new leash of happiness and og!Cale (I’m assuming) is still grieving and also has to contend with the fact that Deruth has a new family. Plus, Deruth has to blend his family and I’m not sure he did a good job at that.
Anyway. Words of Affirmation are a bit tricky since (for me) that would be like enabling his ‘trash’ person but I would have expected some one-on-one talks with his father (and initiated by Deruth like yo, be a parent) would not be too much to ask/expect. (I don’t know if that happened in canon so let me know if I'm talking out of my rear). I definitely won't mind an intervention because I’m a believer in either solving the problem or they all go no contact since everyone isn’t on the same page. Either stop the misunderstanding right there or suffer the effects of misunderstanding together. Misery does love company even in families.
I am sure that Deruth and Violan have tried, but the only thing that gives me a good picture of that effort is to support Og!cale while he is being purposely self-destructive (I don’t know if this is a good idea) and throw money at him (something that I am way too much familiar with). Again, if there is any info I missed, I would love to be corrected.
So, what do think of og!Cale's love language? Do you think he would have been better if he has a different one aside from Acts of Service?
BIG SPOILERS FOR LCF PT2 CHAPTER 102!!!!!!
The Soos are so fucking stupid I hate them so much..... THE RECENT CHAPTER????? hellooo????
Cale coughing up more blood than he ever has. Ever. Then proceeding to get hit with. the worst feeling of hunger he has ever been through and proceeding to shovel an apple pie in his mouth as quickly as he can.
THEN CJS BREAKING THROUGH THE ROOF. WHILE FIGHTING THE MURDER DEMON???????????????? Sui just being so goddamn done with him..... CJS just smiling and greeting Cale as if he hasn't seen him since HE DIED IN FRONT OF HIM (same thing happened with Sui these little shits...) and as if Cale isn't covered head to toe in his own blood and stuffing his face, as if he isn't fighting one of the most powerful people IN THIS WORLD??????
Let's be honest in this whole transmigrating situation, the one who got the shortest end of the deal isn't krs! Cale. Like, sure, he was forced into a series of sucky things, but he still gets something out of it.
You know who's the one that doesn't benefit whatsoever from Kim Rok Soo's deal?
The original, unknowing, 18-year-old, Cale Henituse.
Did the now Kim Rok Soo realize he had killed an innocent 18-year-old boy the moment he regressed?
I'm writing a reaction fic with an alive tboah!Cale, but tboah!Cale is not the original Cale, and sometimes I can't help but think about the truest victim that everybody has forgotten: Cale Henituse, the boy whose entire existence was erased the moment 40-year-old Cale regressed.
Can you imagine? One day, you went to bed like normal, and then your body suddenly ceased to be yours.
Apparently, your depressed "older self" - who had already lived his life but was now stealing yours - not only decided to kill you in the name of the "Greater Good", he was also too much of a coward to stay.
Your "older self" (and your murderer) had made a deal with a God and would be fucking off to another world very soon.
You were left to come to terms with 3 things:
A stranger will be taking over your body in your stead (and you know they don't have a choice in this either, but still, you hate-)
You will die. No, more like you will get deleted (and no one will even remember that you had once lived)
You do not get any say in any of this. (You never did, and now, you never will.)
(And to think that in another world, you would have grown up to become him.)
(In the end, Cale Henituse dies hating himself.)
It keeps me up at night sometimes.