I like how alberu knows how cale operates. Like everybody seems to be assuming that cale is righteous and his morale compass is definetely "good", but alberu knows thats not the case. Its not so bad that everyone thinks so, i feel like it will be the running gag throrough the whole series, but i was hoping for at least someone to have an idea that cale is always strategizing and his intentions are not purely good.
Cale is kind, yes. But he is not righteous
I REALLY hope alberu does not change his view of cale, from someone who always has ulterior motives to a lawful good person
I don’t know if anyone has ever done this before but, here ya go… The Different Types of Fanfiction!
I probably left a few out, but these are the most common, compared to their base fiction’s canon plot. Enjoy! XD
I want everyone’s best one liner writing advise!
Mine is that you have to know the ending of your story before you start it.
I updated my taglist with links to the more noteworthy theories.*
*…that doesn’t necessarily mean they’re good. they just got a lot of notes.
Here’s are the links for mobile users:
Undertale:
A CHARActer Analysis (bring snacks)
Don’t GOAT Breaking My Heart
The Soul in the Machine
Where is Frisk Post-Pacifist?
Deltarune:
Meta
Kris, Frisk, and Chara are Nonbinary (and why it matters)
Weak Points
On Susie’s Very Cool Gender
Frisk-Kris Parallels
Ralsei Parallels
Deltarune’s message isn’t that escapism is a bad thing
Taking a Closer Look at “Tea Theory”
Deeplore:
A More Compassionate View: The Red Soul is Here to Help
Deltarune’s Timeline May Have Been Reset Before
Two Characters Control the Save/Load Screen
The Red Soul Turned Yellow and Saved Kris on its Own
Who is the Narrator Talking to When They Say “You”?
Things that Support Chara being the Narrator in Deltarune
Super Forbidden Acid Lake Dialogue I Intend to be Annoying About
How to Hack the Susie Plush Into Your Game (pre-bug fix)
Why There May Be More Types of Boss Monsters
Kris Has a Trusting Nature (And May Trust Us)
Let’s Talk about Papyrus!
We Don’t Know Where Asriel Is
Susie May Be from a Human Community
Ralsei’s Astral Projection Habit - It’s Not About Us. It’s About Susie.
Things that indicate Noelle may return to the Dark Worlds
Ralsei’s Prophecy has ties to Gaster
Taking a Meandering Look at the New Green Room
Kris and Susie may have been friends in the past (and had a falling out)
What age was Kris adopted by the Dreemurrs?
Friendship Propaganda:
Kris and Susie
Kris Grew To Care About Susie (Chapter 1)
Kris Cares About Susie Outside of Our Influence (Chapter 2)
Kris May Have Considered Susie a Friend Before Chapter 1 (Halloween Pencil)
Kris Deliberately Gives Susie Space
Kris wasn’t afraid of Susie even before she joined the team
Kris wants to spend time with Susie
Susie is still a little insecure about her friendship with Kris
Susie might have wanted to be friends with Kris since before Chapter 1
Susie is putting a lot of effort into connecting with Kris
Kris and Susie are both choosing to be friends and there’s nothing we can do about it
Kris and Susie may have been friends in the past (and had a falling out)
Ralsei
Ralsei’s Not Afraid to Get Mad at Susie (which is good)
Susie’s friendship with Ralsei changed over Chapter 2
Kris Considers Ralsei a Friend
Noelle and Kris
Why Noelle values her friendship with Kris
Noelle is an incredible friend and reaches out to Kris constantly
Noelle has been saving Kris (on both routes)
Kris was likely sincere when they said they were friends with Noelle
Noelle and Kris are supportive of each other’s relationship with Susie
Both Kris and Noelle enjoy reconnecting
Susie and Noelle
Noelle is NOT “Unhealthily Obsessed” with Susie (A Cranky Post)
The Susie and Noelle Friendship Propaganda Post
Noelle is genuinely interested in Susie as a person
Yes, there is evidence Susie has a crush on Noelle
Misc Warm Fuzzies
Alphys Might Be Trying to Look Out for Susie.
Things that indicate Undyne might bond with Susie
The Reason Kris Refuses to Give Spamton the Soul
Susie Has the Biggest Heart on the Team
Recently reread the scene where we see Yoo Joonghyuk's interaction with Jang Hayoung for the first time and?? Holy shit?? Like, there's literally no other explanation. This man is jealous Kim Dokja made friends and plans with someone who wasn't him.
Like yes, Jang Hayoung pissed him off with her way of speaking immediately, but there have been ruder people. Why was it on sight for her? Why is he so sour over them just chatting? Kim Dokja is like "Hey look! Isn't this guy super useful (for us)?" and Yoo Joonghyuk is like "I'm better than this jerk." Jesus christ.
Tutorial - my cat wanted to share with you some tips and tricks. ———————————————– Originally from my Patreon, where there’s a little more to this. (Patrons get extra stuff and early releases)
Me and my friend 😂😂😂
I'm still in the process of bringing him to read it no fair!!😭
But atleast he's interested in my indofumps so far!
(I'm tempted to spoil him everything help 😭😭)
I'm trying to force my friend to read TCF
I got her into manga and anime (I started myself on a romance, and decided you know what? I'll start her off with Death Note :D)
Now I'm desperate to get her into manhwa and novels
Please, she's coming over tonight and trust me
I am making her read TCF
If she's making me watch Boku no Hero Academia (an ehhhh series for me)
Then she is reading TCF
I don't care
Girl, get over here
Incorporating the seasons into my stories is enjoyable. Not only are seasons a relatable life experience, but passage of time can be tricky to portray without them. The best part about adding the seasons to a story is that they have strong potential to aid the plot.
CLOTHING; if I walk this path in winter, I have to wear huge boots that can handle slick mud. If I walk it in summer, the dead grass scratches my bare legs because now I am wearing shorts.
EXTREME TEMPERATURE; whatever we do today it better be indoors and out of this heat wave/blizzard. If the battle/heist/romance/etc. takes place in this weather, there will be consequences!
CHARACTER MOOD; autumn is Character A's favorite time of year! they gain a positive, upbeat attitude as soon as they see signs of autumn. Character B feels dread and becomes easily agitated during autumn. The two of them clash more in autumn than any other season.
EVENTS; holidays aside, some seasons may be busier for one character than another. I had a weekend job during summers and was rarely available. Weddings are most common in spring. Community events that affect traffic, shops, or social atmosphere can occur at any time of year.
TRANSPORTATION; some parts of the world rely on different transport for different seasons. A bicycle when it is temperate, a bus or train when it is miserable. A car for dry weather is replaced with a car outfitted for inclement weather. A regular trip to the grocery store may even need to be cancelled completely. And don't forget air and water travel!
HISTORY/TRAUMA; certain seasons in your story may be marked by pain. This is the season the war took many lives. This is the month unforgettable tragedy occurred. The upcoming season marks the anniversary of a huge mistake we'd all like to forget. Social and personal customs will reflect this memorial.
FOOD; in the modern-day US we are used to most foods being available year-round. This is not the case globally or historically. Seasons can be marked by what foods are or aren't available. This can include meat, produce, and dairy, but it can also extend to dishes and meals.
RESOURCES; like food, weather and climate affect access to many things your characters may need. Washed out roads halt shipments, but heavy rain is good for crops. Intense heat can damage perishable supplies, but dries out firewood fast. Natural disasters halt production while simultaneously increasing demand. Even a weather event in another hemisphere can affect your character's resources.
Whenever you think "How do I portray the changing seasons?" pay attention to the changes you have to make each season. Places you go, your personal habits, the items you carry with you, the events you prepare for, and all of these real-life details affect YOUR "plot" every day. Consider which ones would affect your characters, and use them to both set the scene and move the story along.
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✩ This was written in response/addition to @writingquestionsanswered post Incorporating Seasons Into a Story. Please see their post for other important tips!
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+ Visit me on AO3 - Wattpad for my fanfiction, and Pinterest - Unsplash for photo inspiration.
People love reading about an underdog. There’s something within all of us that relates to persevering against the odds, even when they’re crushing. Anything becomes possible—but how do you write that kind of character successfully?
Here are a few tips to get you started.
Underdogs need to lose something or have one thing less than those they fight against. It might be something they hope to gain back or something they hope to gain at all.
Let’s use The Hunger Games as an example for this post. Katniss comes from District 12, but she’s already at a disadvantage when she volunteers as tribute. Restrictions on her district kept her from food security for most of her life. Without a lifetime of basic nutrition, her body is already at a disadvantage in the physically-demanding games.
District 12 is also one of the less appreciated districts in her country. She doesn’t think anyone will care about sponsoring her in the games, which makes survival much less likely.
But we still root for her! She volunteered to save her sister, which is heroic. There’s so much potential for more heroic growth that we keep turning the page, even though she’s not the most likely person to survive.
Getting excited to see a character grow might be something you feel as a creative writer, but the average reader also needs an underdog protagonist to be likable in some way. Katniss will do anything for her family, including hunting where and when she isn’t supposed to. Many people would feel the need to do the same for their families.
She also feels deep compassion for people, which she covers up with her gruff demeanor. We’ve all felt like we got hurt because our hearts opened too wide for someone. We can relate to her building defenses into her personality, which might make her likable to more readers.
Katniss also has the core value of loyalty. People always seek loyalty in new connections. It’s how we trust new friends. It’s also how readers trust characters.
This site has a few more tips on crafting likable characters. Part of that happens while you’re creating the characters during your planning process, but you can also do it while you’re writing. As your underdog becomes more of a real person in your mind, you’ll know which primary character traits make them most likable to readers.
Underdogs always reach a point where they feel they’re at their lowest. Even when they feel crushed or defeated, they choose to find strength and continue with their journey. It makes readers support them even more, but it’s also the defining moment of an underdog’s arc.
Your underdog’s rock-bottom moment will be the scene where they resist the temptation to give up, change their dream, or change who they are. It will be the choice that keeps them moving toward their end goal, instead of taking the easy road.
You could argue Katniss has a few rock-bottom moments. It might be when she hears her sister’s name called at the Reaping. It could be when Rue dies and she chooses to spearhead a revolution.
There could be multiple moments for your underdog too. It depends on the shape of your narrative arc and how many acts your story has.
It’s time for an important caveat—underdogs also fail. If they were perfect, they’d be god-like figures that readers couldn’t personally identify with.
Maybe your underdog achieves their ultimate goal, but they experience failure along the way. Their failure helps them grow or makes them pursue their goal with more conviction and determination.
Katniss begins her journey with a mindset of self-preservation. That makes her slightly selfish and automatically distrustful of people. She makes some choices readers would probably disagree with, but then she learns from them. By the end of the series, she’s as selfless as a human can get.
Characters don’t grow if they don’t make mistakes. Even underdogs should fail. However, that failure shouldn’t make them quit. It should either motivate them to keep going or give them a new perspective on how they can achieve their ultimate goal.
Underdogs start out as unlikely heroes because they don’t start with everything they need to succeed. That might be a societal problem, like coming from an economically disadvantaged family or a biased society. Maybe they don’t have the skills they need, like the ability to fight in hand-to-hand combat, outsmart their antagonist, or solve mysteries.
Usually, characters learn these things during their arcs. Your underdog will likely pick up what they need to succeed through the relationships they make and experiences they have.
Katniss already knows how to hunt when she volunteers for the games, but Haymitch mentors her to win over much-needed sponsors to survive. Peeta teaches her how to soften her heart and think outside the box. She wouldn’t have made it through the series without the people in her life. Other underdog characters can’t either.
Underdogs work hard and transform themselves to achieve their goals. At the end of the story, they often gain a tangible reward, power, knowledge, a new title or a new community. Your underdog should get what they set out to achieve, plus a few extra things they didn’t expect.
Katniss wins the Hunger Games. She gets her primary objective: to continue living. She also protects her sister. In addition to surviving, she has her (albeit rocky) relationship with Peeta, a new mentor in Haymitch, a comfortable living in the Victor’s Village, and an audience of fans who are another layer of protection against President Snow’s desire to kill her.
The extra rewards propel her through the remainder of her storyline. They also set her up for more success with the new lifepath she sees for herself: aiding the revolution to end the games for good.
A new goal is sometimes a reward in itself. It depends on if you want to continue writing about your character or if you want a one-off story.
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I hope this helps gives you a new perspective on future protagonists! Adding one of these factors into your character’s growth could remove your writer’s block too. They set up a path forward for your protagonist and help shape their journey.
You can also use these resources to learn more about the underdog archetype:
Character Archetypes: The Disruptor and the Underdog
Writing the Underdog: Effort Matters Most
7 Tips to Writing Underdog Heroes
(Non-authors, please RB to signal boost to your author friends!)
An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:
(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)
I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:
You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:
First, go to this form. You'll need to be signed into your Amazon account.
Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.
Enter the name of your story in the Name of Brand field.
In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.
In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:
I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.
In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.
Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.
Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!
NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!