"All The World’s A Stage, And All The Men And Women Merely Players; They Have Their Exits And Their

so the book of bill is pretty good

“A princess awaits you, and yet you stay waiting for a shooting star.”

so uh about that AU huh…..so @soni-dragon thank you for the AU hmmm I am kinda going crazy over here!!!!!!! cloud princess snorkmaiden!!!!!!! aaahhh!!!!!!!

Stobotnik week day #7 - Sleep/Napping

Average crab morning.

i think... this is flirting.

ok anyways. post this beast

I'm starting to accept the fact that I am destined to mainly draw trees and the occasional little Snufkin. So here's the next sketchs, after long hikes everyone needs a rest, even little Snufkin.

if I never get to see you again, if I never come and find you, my friend, then I'll tie you ever tightly, here beside me, never slowing

fanart for the Judas Iscariot animated film which is still live in kickstarter!! go support it!!!

>"nobody's gonna help you in the real world!!"

>go outside

>love and support in many places as long you have the courage to ask for it

shitpost tma version almost all of them were drawn in june when i was stressed about college and needed a way to relax, so I started drawing these silly things

The process of creating is the active, constant question of the self, to question the extent of my capacities to convey a message worth of people's respect and admiration. To me, Look Back is a tale of self-reafirmation for Tatsuki Fujimoto. I'm aware it came out in the gap between part 1 and part 2 of the author's best seller, Chainsaw man, which makes this oneshot such an intimate soul-shaking story after what may be the pinnacle of his career. This made me question, why would he write this kind of story after CSM (and Fire Punch) anyways?

Through Fujino and Kyomoto's journey (which funnily, their names convined are Fuji-moto) we are put in the shoes of the stirring yet self-doubting mind of the creator: "why do you draw manga? why do you create?" is the question the protagonist has to find the answer for. Fujino navigate her life for her passion and pride as a talented story-teller artist, while Kyomoto does so for her love for art itself in a more reserved and personal way. Combined, I think they are the rope that pushes Fujimoto back and forth in his mind, the fear of the creator to tell a story worth of people's respect (Fujino) while being faithful to oneself (Kyomoto). Fujimoto knows there always will be an expectation, a mark above his head everytime someone is aware a new story has his signature, so it's understandable for anxiety to take the worst of you, the fear to be openly judged by the masses. So why do you even bother to get through that unpleasant thing? will I ever surpass what I made in my past projects? why do I keep creating? is this all I will ever be? the entire process is tiresome, boring, a never-ending task, I enjoy art better as a consumer anyways, so why?

If there's only one person who my art made their day better, made them smile or excited for what is coming next, then it was worth every single second I spend working on it.

It's a reafirmation to keep going. That I was born to live into this world for this sake, and I'm worthy to connect and receive this love. This is my place.

I deeply respect you for it, Tatsuki Fujimoto.