Every lover’s got a little dagger in their hands…Communications and Media Scholar📚
154 posts
I want a named, holy thing to fuck my brains out, to turn my need to be filled up and spread out and hungry into some kind of Grace.
I want to cuss my lover’s name in ecstasy and have it be the prayer I always hoped it was
— Caroline Randall Williams, "Transubstantiate, Redux or, Sublimating Lucy Whilst at Church," Lucy Negro, Redux
lucy dacus, please stay
I hate that I still want male validation
Supernatural / Dean & Cas // Love Of The Wolf by Hélène Cixous
Happy birthday @deansmithfag!
“I want to infect you with the tremendous excitement of living, because I believe that you have the strength to bear it.”
— Tennessee Williams, The Selected Letters: 1920-1945
X
M. A. Thompson - I Won’t Write My Poem ‘Till I’m In My Right Mind X
Mary Oliver X
Richard Siken - road music
George Sand (Amantine Lucile Aurore Dupin) in her letter to Gustave Flaubert X
Ada Limón - The Carrying X
Nikki Giovanni - Mirrors X
When Jaun Elia wrote:
'کیا ستم ہے کہ اب تری صورت
غور کرنے پہ یاد آتی ہے'
And when Taylor Swift said:
'And though I can't recall your face
I still got love for you'
I realised that sometimes even if our brain wipes out some people from our memories...the love we have for them still remains intact in our hearts...
Edward Hopper
Drawings, 1920s
Vladimir Mayakovsky, Volodya: Selected Works; from ‘I love’, tr. George Reavey
Be who you are, even if it kills you.
It will. Over and over again, Even as you live.
Break my heart, why don’t you?
— Joy Harjo, from "Break My Heart," Weaving Sundown in a Scarlet Light
wheres that quote from a letter melville wrote to hawthrone that always manages to makes me insane
(Favourite female characters: Holly Golightly.)
Yes, I think that she was aromantic or at least in the aro spectrum. She was only with the man at the end of story, because it was 1959 and her character was kind of problematic itself. I love her so much. She is endearing and while a traumatised character, Holly was goofy and perceptive enough.
Grown men preying on young women:
‘If I was some paint did I splatter on a promising grown man? If I was a child did it matter that you got to wash your hands?’ - Taylor Swift, Would’ve Could’ve Should’ve
Alicent Hightower and Viserys Targaryen, House of the Dragon // Angela Carter, The Bloody Chamber // Sansa Stark and Petyr Baelish, Game of Thrones // Azar Nafisi, Reading Lolita in Tehran.
Inspired by this post.
Tell Me Something Good, Ocean Vuong
I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it.
I don’t know what I’m saying. I guess what I mean is that sometimes I don’t know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?
—Ocean Vuong, On Earth We’re Briefly Gorgeous
Too much joy, I swear, is lost in our desperation to keep it.
Ocean Vuong, On Earth We’re Briefly Gorgeous
Jonathan Safran Foer
Madeline Miller, Circe
Richard Siken, Crush
Edith Wharton
Slavoj Žižek
Richard Siken, Crush
this December i refuse to be sad this december i will wake up and read this rilke quote every morning because damn he’s right life has not forgotten me it holds me in its hand and will not let me fall
Again with the “can’t.”
Thomas Bernhard - Drei Tage(1970) dir. Ferry Radax
something else i've been thinking about lately is how much more alive houses are to people who experience domestic abuse. some things in the house are protectors - the door to your room that swings shut behind you without you pushing it, the stairs that always creak loud enough to let you know that someone's coming before they get there... whereas other things are alive with malice - the cabinets that slam and the dishes that break, the vacuum cleaner that always manages to sound angry and accusing. the whole house listens, and the whole house remembers, and everything takes sides.
Janelle Monáe in GLASS ONION: A KNIVES OUT MYSTERY, Dir. Rian Johnson
Comic-con portraits for TV Insider ↳ Photography by Maarten de Boer
a poster I made based on this quote by Fernando Pessoa
Cue It’s OK If You Forget Me by Astrid S 🤍
this anime wrecked my soul.
i miss gin, so fucking much.
I'm also redwingedboy
Amy Dunne // Nickie Zimov // Carol Lee, To Die For // Marie Alsing // Anne Sexton, A Self Portrait in Letters // As Tears Go By (1988) dir. Wong Kar Wai // Fyodor Dostoevsky in a letter to his wife Anna Dostoevsky, 28 August 1879 // Aron Wiesenfeld // Margaret Atwood, from “Thoughts From Underground”