When I learned that Neighborcon's own Travis Goodspeed encouraged attendees to counterfeit the con's Tennessee-shaped badges, I swore I'd make the best Tennessee-shaped badge ever and proudly display it at Neighborcon NYC in December 2009.
When I arrived I found out Travis meant the badge should be shaped like Tennessee the state, not Tennessee the playwright. How embarrassing.
Permanent marker on PVC.
We at The Media Show got wind of some dodgy claims by McCormick Spices extolling the supposed health benefits of that pinch of dried plant matter with which you might flavor your food. Weena fights hyperbole with Youtube Poop.
A rough Doctor Who sketch from 2000 or 2001, done to stave off the boredom of the retail job I had back then. I wasn't allowed to nap, so the Doctor got to instead.
I sketched this clandestinely behind the store's counter in black ballpoint. This scan is color-corrected to counteract the old cheap ink having gone a bit violet over the years. Around 9x6".
Hello! I've been painstakingly replicating the TARDIS Key as used by the Eighth and Seventh Doctors in the 1996 Doctor Who TV movie. Now you can buy a 3D print of it or, if you have access to the proper gear, download my file for free and print your own.
The key prop used in the film was an official TARDIS key replica available at the time from 800-Trekker, a now-long-defunct scifi memorabilia catalog, under license from the BBC in the early 1990s. The 800-Trekker key was a unique design largely based on TARDIS keys used on-screen by the Third and Fourth Doctors in the 1970s, but with many noticeable differences from those TV props. Rather than design a new TARDIS key for the 1996 film, the film's prop department just bought a supply of those keys from 800-Trekker and made them the canonical key design used by the Seventh and Eighth Doctors in their movie.
The newly-canonical 800-Trekker keys became very popular with fans, but had already been out of production and in limited supply by the film's release. They were also made of a very soft pewter which scratched and bent easily, so very few good copies of the Trekker key remain in circulation today. I happen to own one of the Trekker keys, ordered myself from the catalog around 20 years ago. Armed with calipers, 3D software, and a desire to replace my prop (which has begun to show noticeable wear, despite my best efforts to preserve it) with something more durable, I modelled this key based on it.
So, you can now order 3D prints of this key in a variety of metals and plastics right here on my Shapeways shop. (Shapeways, for those unfamiliar, 3D-prints users' designs in a variety of materials on industrial-grade printers.) What's more, if you have your own access to 3D-printing gear (or you'd just like the 3D source file to play with) I'm sharing that file freely here on Thingiverse so you can hack and print it yourself.
Add a wire loop and chain to wear your key in style, or just hide it in a cubbyhole above your TARDIS door.
Thanks for looking! Please feel free to ask any questions you may have.
WARNING: Spoilers for the Doctor Who episode "Day of the Moon" ahead.
I really liked the nanorecorders from the episode. I started wondering how cosplayers and such might emulate the special effect of the nanorecorder in a live setting, and thought of the UV-reactive invisible ink used in things like hand-stamps at concert venues and nightclubs. This is a quick-and-dirty sketch of how such an idea might be put to work.
If you manage to make this effect work, please let me know!
Five-minute doodle of Woodstock, from Charles Schulz’s Peanuts.
I always loved that comic as a kid, I used to trace it out of the newspaper, and Woodstock was my favorite.
I'm taking my Doctor Who Facts! project to a few new places. I'm doing cartoons like this for some of the facts; also, there's a @WHOFAX Tumblr now!
A fact from the @WHOFAX archives, illustrated.
I subtly altered a scene from the Blake's 7 episode "Bounty." I wonder if you can spot what I changed.
The Fifth of November, 1955
Remember, remember the Fifth of November, The scientist hanging a clock, Who knew on that date, That fortune and fate, Would reveal so much more to the Doc. Doc Brown, Doc Brown, he did invent Such objects of folly, with good intent, He tumbled and fell in his lavatory But soon after took to his lab'ratory For though he'd been woefully injur'ed A vision unfurled in his bruis'ed head Great Scott! Great Scott! From this disaster Great Scott! Great Scott! The Flux Capac'tor! And what did he do with it? Build it!
Archival ink on paper, 6x8". The original drawing is now owned by a private collector. I've also done a reading of this poem on YouTube.
Grace Hopper (December 9, 1906-January 1, 1992)
Rear Admiral Grace Hopper, USN, Ph.D., or "Amazing Grace" as she is often known to her admirers, was a computer scientist and programmer whose pioneering work on early computers as well as her amiably no-nonsense attitude when teaching continues to inspire.
She is known for distributing "nanoseconds," lengths of wire spanning the distance light travels in that amount of time, at her speaking engagements.
Acrylic on canvas, 7x5″. From my September 2015 set Luminaries of the Hacker World.
Gower-Bell Telephone 1880s-1890s
Having operated a Bell franchise in New England for a time, American entrepreneur Frederic Allan Gower set his sights on the original England. His redesigned telephone was quickly adopted as a standard and declared “the best and most reliable telephone in service” by the British Post Office in 1882, and spread throughout much of Europe within the decade.
The Gower-Bell telephone's distinctive receiver-tubes, which were held to the users' ears, were designed to avoid receiver patents held by Bell. Despite using Bell's name on his phone for the marketing value, Gower was not anxious to share the wealth with Bell.
Acrylic on canvas, 5x7″. From my series of paintings of historical telephones.
Hello there. I'm Rob. This used to be my art blog until I left Tumblr; here's why you won't see me around here anymore. This is my website, you can find the rest of what I do from there. Here's a bunch of social media I do still use. Here's how to contact me directly if you wish, please feel free. All my original artwork posted on this Tumblr is released under Creative Commons Attribution-ShareAlike license. Feel free to reuse, remix, etc. any of my stuff under the terms of this license.
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