I’m Sorry But Once Peggy Was So Established In The MCU, Sharon Should Never Have Left The Comics. Especially

This is so right I must reblog it.

Captain America has always been about doing the right thing, even if it runs counter to orders – about standing up, even if the whole world is telling you to move. He has always been about individual responsibility and morality, not institutional obedience. That is who Captain America is. 

But the Sokovia Accords wanted Cap instead to be a good little soldier. Wanted him to take orders, and not question them. Wanted him to surrender his autonomy, and be a tool, a weapon, without choice or agency or an individual moral compass. 

Those pushing through the Sokovia Accords didn’t want Steve Rogers to be Captain America anymore;  They wanted him to be their own personal Winter Soldier. 

Playlist

Middle of the Night: Joel Sunny (Violin version)

Middle of the Night: Joel Sunny (Power-Haus Violin version Epic)

Fallout: Unsecret × Neoni

Jedi Fallen Order Main Theme (Cover): Samuel Kim

Jedi Fallen Order, Cal Kestis Theme- Epic Trailer (Cover) Mikhail Lesogorov

War of Hearts: Joel Sunny (Violin version)

The One to Survive: Hidden Citizens

Legends: Tommee Profitt

Star Wars The Force Theme+ Main Title: Samuel Kim

Burying the Dead: Samuel Kim

Be Here For You: Sam Tinnesz

Carry You: Ruelle

Slow Dance in the Dark: Joel Sunny (Violin version)

**********************

Safe and Sound: Kurt Hugo Schneider

I'll Carry You: Tommee Profitt

I know this is alot of music but each song inspired a chapter or something in the story so they are important. I will also be adding music as I find other songs that inspire me as I go along.

THIS. So much. Thank you

Characters seen in the Captain America “trilogy”

Iron Man’s dad.

Black Panther’s dad.

Iron Man’s dad, again.

Iron Man’s mom.

Spider-Man’s aunt.

Never seen in said trilogy”:

Sarah Rogers

I’m not ready for this

Thank you to the best fans in the universe! Marvel Studios’ “Avengers: Infinity War” Trailer TOMORROW.

Friendly reminder that when Joe Simon and Jack Kirby, both Jewish, created Steve Rogers America had not yet joined the war. They created Steve as a form of protest for Hitler and what was going on in Europe.

Joe Simon quote:

“We both read the newspapers,” Simon said. “We knew what was going on over in Europe. World events gave us the perfect comic-book villain, Adolf Hitler, with his ranting, goose-stepping and ridiculous moustache. So we decided to create the perfect hero who would be his foil. I did that first sketch of Captain America, and Jack and I did the entire first issue before showing it to (publisher) Martin Goodman at Timely Comics. He loved it immediately.”

Friendly reminder that the first issue of Captain America, which featured art of Steve punching Hitler in the face, caused a lot of controversy among the Nazi sympathizers in New York, so much so that Simon and Kirby were constantly being threatened. At one point Timely (re:Marvel) received a call from someone in the lobby threatening bodily harm to Kirby if he showed his face. And Kirby, proving just where Steve got his spirit from… went on down there to fight the bastard.     

“…Jack took a call. A voice on the other end said, ‘There are three of us down here in the lobby. We want to see the guy who does this disgusting comic book and show him what real Nazis would do to his Captain America’. To the horror of others in the office, Kirby rolled up his sleeves and headed downstairs. The callers, however, were gone by the time he arrived.” Based on everything we know about Kirby, these Nazi crank-yankers got lucky.”

But the threats did not stop there…

“Years later, [Kirby] told an interviewer, ‘I once got a letter from a Nazi who told me to pick out any lamppost I wanted on Times Square, because when Hitler arrived, they’d hang me from it. It was typical of a genre of fans who have long since died out.”

Friendly reminder that when America did join the war, and despite the success they had with the Captain America comic, both Simon and Kirby joined the service. Kirby was drafted into the Army, Simon joined the Coast Guard. In fact Kirby was a successful scout for the army and during that time discovered and helped liberate a concentration camp. During his service he got severe frostbite and almost lost his legs. Afterwards he was awarded a Combat Infantryman Badge and a bronze battle star.

Friendly reminder that both Kirby and Simon were proud of Steve to their dying day. In fact, according to Joe Simon’s granddaughter, Megan Margulies, Joe’s apartment, right up until the day he died, was covered floor to ceiling in Captain America paraphernalia. 

…and this is the legacy that Nick Spencer is denigrating with this current story-line.

you know. sometimes i think. in the face of tony’s obvious trauma and ptsd. in the face of the more obvious pain that bucky has suffered. we forget that steve’s motivation in the film isn’t just his tendency to hold stubbornly fast to his ideals, to do what he feels is right and damn the rest. 

steve’s hurting too.

like. guys. we are so ready to give weight to tony’s emotional boiling over point at the end of the film, to say “this is why he tried to kill bucky, and it’s not right but it’s understandable.” we are so ready to acknowledge the fact that bucky was a victim and motivated to run by his fear of further persecution and hurt from nefarious forces. what about steve, though? when do we acknowledge that steve’s not just acting with righteous arrogance, but a deep anger, isolation, fear, loneliness, sadness, and hope?

steve died. like, his last memory before waking up seventy years in the future is a few days after watching his best friend fall from a train and he was unable to stop it he willingly flies a plane into the fucking Arctic, ostensibly to his death.

guys. guys. tony was fucked up for years because of untreated ptsd after falling from space and thinking he was dead. why is it so hard to remember that steve probably is fucked up, too? 

this dude, he wakes up seventy years in the future and he has to make his way without really anyone or anything familiar, and the only person who is familiar is suffering from memory loss, and he’s now operating under the thumb of shadowy organization that he’s not 100 percent does good things and that continuously lies to him. there’s no war to fight, but that’s all this body is good for. it’s all he knows. 

he doesn’t know what makes him happy. guys.

and so he goes through another trauma when he discovers this villain who is trying to kill him is in fact the dead best friend who—surprise!—was actually captured after falling and losing an arm and his brains were scrambled to turn him into a murder assassin. we know for a fact steve feels tremendous guilt over this. but imagine beyond guilt, the sorrow, the nightmarish possibilities, that are turning over in steve’s head. the idea of what his friend suffered. remember when rhodey fell from the sky and tony blasted sam in the chest? imagine the anger in steve’s heart at the idea of what bucky’s suffered and the unwillingness to let that go unchecked and unsaved.

oh, plus. that shadowy organization he’s been fighting for? the people he’s been taking orders from? the top dog in the neat little hierarchy that’s arranged his world? yeah. hydra. everything steve has known turns upside down. he can’t trust anything. imagine the paranoia. the suspicion. imagine the fear that must take seed at that betrayal.

and then! of course, then he begins fighting these battles with the avengers where the collateral damage is on such a bigger scale than it was at war. where there are aliens. aliens, you guys. and he’s tasked with leading this motley crew of superheroes in a world he’s still getting used to and people die, lots of people die, and we know that even if it doesnt visibly affect him like it affects tony (who always seems shocked when he’s confronted with loss, because it’s presented to him on a personal, individual level) it does affect him. that steve feels the guilt of lives lost. imagine that burden. imagine the weight of the shield, the mask, the responsibility. imagine the loneliness. the fear.

so then. then. in the space of a few days. steve deals with more guilt from the deaths in lagos. he shoulders that burden. then he deals with the moral quandary of signing the accords. he wrestles with that decision. peggy dies. he grieves, oh goodness does he grieve. vienna fuckin blows up and that elusive best friend is now the suspect. so steve is grieving, he is confused and conflicted, and now he feels doubly guilty—that’s the person he has been looking for, should he have already caught him? did he do it? he couldn’t have. does he bring him in? does he shoulder this responsibility too? what will they make him do when he catches up to bucky? what should he do? steve might act like he always knows what’s right, but a decision like this isn’t easy. it messes with a person. and when you’re dealing with all that mess in your head, sometimes you don’t think. sometimes…you act.

like when bucky is triggered, when steve stops a helicopter with his bare fucking hands, you can feel the desperation. that’s not ordinary heroics. that’s not steve just trying to stop bucky from escaping and possibly hurting others. it’s steve fighting for bucky. for this piece of his past. for the possibility of an end to loneliness. for the possibility of redemption for letting him fall. 

and when they go on the run, when they know they have to stop the supersoldiers, when they clash with tony’s team, can you imagine steve’s sheer frustration that no one gets what is at stake? that no one is willing to listen? and yes, he didn’t even try—but why is that, you think? is it possibly because steve is used to institutions and those in power ignoring what he thinks is right and causing disaster anyway?

when steve says, “pal, so are we.” when steve acknowledges to natasha that he’s 90 not dead, when he openly references the fact that he and bucky are 100, can you imagine knowing that? adjusting to that? being 20-something in body and memory but 100 in actuality? living in a body that people perceive as a weapon so strongly that you’ve become a weapon when you are still longing to rediscover the man you were? steve’s not just cap. steve’s steve, and he doesn’t know what makes him happy you guys. he’s a guy, he’s a human, and he’s dealing with A Lot.

i get that he makes some bad calls in the movie. so does tony. my beef is that while tony’s decisions are often supported by his very obvious trauma and emotional burden, we rarely seem to give enough weight to the very real and very similar turmoil that is going on inside of steve.

when tony is fighting him in siberia. when steve says, “he’s my friend,” so simply, so sadly, without any righteousness, just clean tired truth, that’s steve as steve. when he hid the truth from tony, that’s steve as steve. when he drops the shield, that’s steve reclaiming himself as steve. we expect cap all the time, because often, steve is cap. it’s easy to see him as the moral police that way, if reductionist.

but we forget to see steve as steve. that he is a kid, in some ways. and a grieving, lost, lonely kid with a lot of anger, sadness, confusion, and power boiling under the placid-seeming surface.

Steve Rogers in CA:CW + the values of Captain America

I saw a gifset about how Tony might be a better embodiment of Cap’s values in CA:CW than Steve is. I wanted to show how, at least for me, Steve still represents those values.

favorite Steve moment? (you can do top five if necessary)

Oh maaaaan. Argh. So many to choose from!

MCU!Steve:

1. Jumping on the grenade. Steve diving on the grenade is the moment where you see that he doesn’t even need the serum to be Captain America – this guy is 100% hero, pint-sized or not. He doesn’t want to be a soldier for glory, or out of bloodthirst. He genuinely believes he has a duty to lay down his own life to save others, and reacts accordingly without any hesitation. This is honestly the moment I fell in love with this goober.

2. On va voir. Not only does this moment tell us Steve speaks French – and I love to headcanon that he picked up a whole smattering of European languages while fighting, but the spiky sex hair and the glower and everything just…. unf. (Look, I had to have at least one gratuitous sexy!Steve item in here.)

3. The Triskelion Speech. This is such a poignant and quintessentially Steve scene. He believes every word, and genuinely believes people will step up, but he is also fully aware of what he’s asking them for and the cost. He doesn’t do it lightly. And it’s Cap’s strength that in believing the best of people, he’s able to inspire people to bravery and courage, and bring it out in others – even when situations are at their most dire. 

4. The elevator scene. The flipside of Steve believing in people so much, is that sometimes, they let him down. The moments leading up to this fight, when we see Steve assessing and realizing something isn’t right are great. We see how quick Steve is to detect the signs, put the pieces together, and realize what’s going on. His awareness and his ability to size up a situation are on display here – and then, it isn’t shock or rage on his face. It’s disappointment. But he grits his teeth and he deals with it and kicks ass – not because he enjoys it, but because that’s what he’s gotta do.

5. “I can do this all day.” The way it reiterates, over and over, kills me. Because if there’s one thing Steve does, it’s endure. Even when he’s getting his ass kicked, even when he’s down and out, even when his heart is breaking, Steve gets back up and keeps fighting. He always keeps fighting.

Honorary mention #1: Steve’s ridiculously extra fighting style, featuing, THROWING A FUCKING MOTORCYCLE, dropkicking the shield with a 6 foot high horizontal plank, pirouetting for days, JUMPING FROM GREAT HEIGHTS WITH NO PARACHUTE, STEVE, and generally doing shit that would give Evel Knievel a heart attack. Steve is so reserved and serious so often, that the sheer absurd extra-ness of his fighting style is absolutely hilarious to me.

Honorary mention #2: The friggin’ flagpole scene. STEVE IS A SMART LIL’ COOKIE. He thinks outside the box, problem solves, and isn’t dependent on his strength. Steve might have brawn, but he didn’t always, and he got by for most of his life on his wits alone.

And now, Comics!Steve:

1. You Always Stand Up. This might be a Sarah Rogers line, but it’s Steve’s ethos through and through, and such a heartbreaking moment that tells us everything we need to know about how Steve became the man he is.

2. “No, you move.” It’s iconic for a reason. This speech gives me chills and always will. Steve is accused of being stubborn, and he is, but not without reason. Steve isn’t stubborn for petulance or ego; Steve digs in his heels and squares off when it’s the important things – like the soul of a nation – on the line. 

3. Those pages from Loose Nuke. Specifically, the exchange Steve has, where he talks about how his own parents were immigrants. They are particularly relevant in today’s climate. Steve isn’t here for discrimination, and he isn’t here for warmongering. “Isn’t that why we became soldiers? To fight for a peaceful world?”

4. That time Steve found an entire family squatting in his apartment and was totally chill about it and not only didn’t call the cops – he let them stay and helped them out. (Please read this whole post! It’s magical.)

5. That time Steve punched Nationalism right the fuck out. I hate when people assume, because of the name and the colors, that Cap is some hyper-patriotic jingoistic blowhard. Because nothing could be further from who he actually is. Steve will put America’s people and ideals ahead of her government and iconography every time. 

Honorary mention: The newest issue of the Waid & Samnee run, because this is my Cap and he’s back:

I know this went way beyond one favorite, but… I just REALLY LOVE STEVE, YOU GUYS.