The Biggest Confidence Boost Is Knowing That Even My Shittiest Fanfic Will Be 10,000% Better Than Any

Girl when I tell you my life flashed before my eyes

They know how to deal with each other better

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

a comic about different types of storytellers

the muskification of twitter except it's lex luthor instead of elon lol

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Tim who is scarily good at the Hitman games.

Everyone is good with it mostly, excluding Cass who won’t play it, with everyone having completed the first few missions at least during a training exercise made by Jason who was hiding an injury and came up with the idea on the spot.

This is how they find out that not only does Tim already have all the games, he’s finished them all, got all the achievements and has over 2,000+ hours.

Turns out it’s what he plays when he feels his mind is running too rampant and needs reigning in. He knows all the secrets and has a spreadsheet made up of all the ways you can complete a mission per chapter. He has a strategy for each type of assassination from getting someone else to do it, killing everyone, making it look like an accident, ect. He’s even managed to kill every soldier in some chapters without getting caught and somehow managed to save Diana from being shot by 47?

It’s kind of scary watching him seamlessly navigate around any new map that comes out and complete all missions under a self imposed time limit.

(His record is 1 minute and 27 seconds)

Bruce is naturally worried and it isn’t helped when the response to these concerns is, “would you rather I do it in real life?”

Tim can do it in real life, came closest with Captain Boomerang, and he has at least thirty ideas of how to kill everyone in his life subconsciously. He doesn’t want to, nor will he ever act on it, but it’s sort of… fun.

It’s like puzzle solving but with higher stakes and Hitman is a good way to test his theories without actually killing anyone.

If playing Hitman made him test how sneakily he could drug people by putting sugar in peoples drinks at Galas when he was nine, that’s just childish curiosity. Plus, it made him put out a campaign when he was older to prevent drugging because he himself knows how easy it is, so win win.

At least he didn’t shave his head like he thought about, though that was only because a certain acrobat did it and made Tim realise how unstylish it was if it wasn’t natural.

At the end of the day playing Hitman made him a better Robin and helped him sneak around the League of Assassin’s base that was filled with people even 47 would struggle against.

And he won the training exercise.

when Duke needs backup in a fight he uses his powers to blast bat-signal-esque signs into the sky to call for whatever sibling is best suited for the job. each sibling hates their calling sign, and even worse, they actually have to respond to it because Duke only uses them when he’s like three minutes away from dying so they literally have no choice, like if their symbol shows up they have to fucking BOLT over there regardless of the indignance or Duke will not make it

Jason: the middle finger emoji

Damian: a somehow detailed image of the Boss Baby

Dick: just the word ‘slut’ in bubble letters

Tim: the red robin restaurant logo, complete with ‘gourmet burgers and brews!’ underneath

Steph: a taco, in reference to a time when she was drunk one night and Tim got on video her chasing down a moving taco truck insistently only to face plant into the side of it when the driver finally stopped to let her buy one

Cass: her regular symbol, because shes the only one he respects completely and it drives the others insane to have one sibling un-harassed

Bruce doesn’t have one because he refuses to call for Bruce. Alfred has one, a shotgun, although it’s never been used, and it pisses Bruce off to no end.

Tips from a Beta Reading Writer

This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.

Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:

✨ Give everyone a job in the scene ✨

Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?

My favourite examples are:

The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.

The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.

The Voice of Reason: "Guys, maybe we don’t commit arson today?"

The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.

The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)

The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.

If a character has no function, they’ll disappear. Give them something—even if it’s just a side comment, a reaction, or stealing fries off someone’s plate. Keep them interesting, and your readers will stay interested too.

Reading Adventure Comics 2009 if for nothing else but Krypto being the bestest boy in the background

silly little thing for my @steddiebingo prompt: nerds | 758 words | T |

"Hey, maybe he can help," Robin says, sweeping a hand towards Dustin who's just walked into Family Video for his regularly scheduled afterschool bug Steve and Robin time, interrupting their conversation.

"Oh come on." Steve shakes his head. "The kid doesn't want to hear about my trash heap of a love life."

"Oh, no, I absolutely want to hear about that." Dustin perks up at the opportunity to learn about Steve's trivial suffering.

"We're trying to figure out why Steve goes on a million dates but can't seem to find someone he actually likes," Robin fills Dustin in. "Tell him, Steve."

Steve groans, dragging his hands over his face before splaying them out sarcastically, as that's the only thing he can really do in protest right now. Dustin's looking at him expectantly, and Steve has no choice but to tell the kid all about Linda and Heidi and Brenda and Lucy and whoever else he's been out with recently, doing his best to answer any subsequent questions as PG as possible.

"Well of course you haven't found the one yet, you keep trying to date a bunch of normal, basic, girly girls. That's not your type," Dustin informs him once Steve's done talking.

Steve raises his eyebrows. "Oh, it isn't?"

"You can't really be that stupid, can you?"

"No, please, Henderson, enlighten me on what you think my type is."

"You're into nerds," he says like it's completely obvious.

Steve scoffs. "I am not into nerds. You know, just because I hang around you little weirdos all the time does not actually mean I want to hang around even more weirdos in all the other aspects of my life too."

"Seriously, Steve, think about it," Dustin argues. "Think of all the girls you've actually been really genuinely into in your life. They've all been nerds! Nancy-"

"- is not a nerd."

"She's a straight-A student and a journalism super geek. She's a nerd."

Steve rolls his eyes and sighs grudgingly. "Alright, fine, but-"

"And you were into Robin-"

Robin wrinkles her nose. "Ugh, don't remind me."

"-who you can't deny is definitely a nerd," Dustin continues.

"You know what, actually, he does have a point," Robin says.

Steve looks at her in betrayal. "Don't encourage him!"

"That girl you told me about that you liked in middle school who was super into Star Trek, and the other one who wanted to write a fantasy novel one day- oh and the elementary school crush who was always reading a new book every day..." Robin lists, ticking each one off on her fingers.

"I told you all that in confidence!"

"They were all nerds!"

"Exactly." Dustin grins, vindicated and insufferably smug. "Ergo, you, Steve Harrington, need to find yourself a nerd."

"I am not into nerds!" Steve protests hopelessly.

"What more proof do you need?" Dustin says. "You're into nerds."

"Totally into nerds," Robin concurs.

Steve huffs and throws up his hands. "Fine! I'll admit I'm into nerds if it will make you two shut up about it!"

Eddie happens to wander into the previously empty store at that exact moment, catching the tail end of the conversation as he approaches the counter. "What's all this about nerds?"

Steve freezes, glances Eddie over and stares at him strangely for a few long seconds. "Holy shit," he mutters.

His gaze cuts to Robin, whose eyes go wide when she meets his look. "Holy shit," she agrees.

"Oh my god."

"Oh my god."

"Dude."

"Dude!"

Eddie blinks at them. "Are you two having some sort of joint stroke or something?" He looks at Dustin as if the kid might have a better clue of what's going on. "Can you understand them?"

Dustin shrugs, equally mystified. "Don't look at me, man. They're weird."

The incomprehensible parroting conversation is still going on.

"Okay," Steve's saying, taking a deep breath in through his nose and exhaling determinedly.

"Okay?"

"Okay."

"Okay." Robin grins and shoves at his shoulder.

Steve finally turns back around and leans on the counter in front of Eddie with a classically charming smile. "So, Eddie, are you free on Saturday?"

Eddie smiles back despite his confusion. "Yeah-"

"Oh my god!" Dustin bursts out suddenly.

"Oh my god," Robin agrees with a knowing smirk.

Eddie glances at Dustin. "Oh no, not you too."

Steve exhales a long-suffering sigh and pushes himself off the counter, marching around to grab Eddie by the hand and drag him away from Dustin and Robin. "So. Saturday?"

"He's into nerds," Dustin whispers, wide-eyed.

Robin nods sagely. "He's into nerds."