I’ve heard a lot of talk about how people outside of Gotham react to the culture but what about when the bats leave Gotham and have to remember it’s totally different
Nine pm metropolis
A cop approaching konner and Tim while they are walking
Cop: hey boys you guys doin-
Tim: (kicks him in the nuts) fuck off!
Kon: Tim what the fuck
Tim who had already grabbed kons wrist and started running: what are you trying to get kidnapped!
Kon: Tim he was just a cop
Tim: your point?
Kon: (face palming) babe this is metropolis not Gotham cops don’t kidnap people they help people
Tim: …cops do that?
Steve, who has been adopted by every adult he’s ever met: I can’t meet your uncle, Eddie
Eddie: ???
Eddie: It’s not like Wayne is going to hate you
Steve: It’s worse.
Steve: He’s going to love me so much.
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
people don't talk enough about how fucking funny it is that bruce can sub in his kids as batman when he's too busy. like can you imagine it from the league's perspective? imagine you have this really mysterious, geniusly scary guy that you know next to nothing about, never cracks a smile and yet always comes out on top, and one day he shows up to a league meeting and there's just something... off. about him.
you can't pin it down because he's literally acting exactly the same as usual and there's no reason to think there's anything wrong, but maybe he shifted in his seat one to many times, or he looked just a tad bit too bored during green lantern's case review, but something's just... odd. so you quietly ask superman after the meeting if anything's up with the bat bcs you know those two are closer and also clark can hear heartbeats so if something's wrong surely he'll pick it up? and without hesitation he leans over to you and mumbles 'yeah batman was busy, that's his 17 yr old son. he's a crime lord and kills people sometimes though so we're not allowed to let him into the weapons department.' and then walks away like it's normal.
like the whiplash the league must go through every time they realise that no, this is not their fearless dark and brooding leader, this is in fact one of his dipshit kids being forced to sub in bcs the real batman broke an ankle, is incredible.
wonder woman: so that's my proposed plan, what are your thoughts batman?
batman: hn. i think that- *voice raising two octaves* oh shit hold on my phones buzzing
the league:
batman, answering the phone and immediately dropping the Bat Posture™: what do you mean- aw come on little wing that's not fair! but- no, NO DON'T YOU DARE TELL ALFRED I'LL BEAT THE SHIT OUT OF YOU- IM SORRY OK I'LL BUY YOU MORE- *catches sight of the league watching him, baffled* *stiffens* ok listen i promise to replace them but i gotta go, please show me mercy iloveyoubye *hangs up*
the league:
batman:
batman: *coughs awkwardly*
superman: *sighs*
batman, to superman: ...red hood found out i ate his chocolate pretzels-
superman, shaking his head: just... just stop.
the flash: so this isn't batman either, is it?
wonder woman: if this one's also a criminal im losing my mind.
superman, tiredly: no no, this one isn't a criminal. this one's actually a cop.
batman: *sinks down in his seat* b's gonna kill me
green lantern, mystified: where does he keep GETTING you all from!?
'batman' dick, who made a pact with jason to Always Fuck With Bruce Whenever The Opportunity Arises: batman is a whore.
they think they've finally sussed out all 2 of batman's kids and then one day during a meeting 'batman' ends up on a 30 minute rant about different hacking methods this tech villain could be using that results in him half way through a sentence breaking off to say '-oh uncle clark could you pass me that pen- thanks, anyway so-' and then five minutes after that when the league have all been exchanging incredulous looks he finally freezes and is like. SHIT.
wonder woman: you're different from the other two, aren't you?
batman: maybe i am maybe i'm not, you can't prove it.
wonder woman:
green lantern: so like, are you new or have you just managed to avoid sub duty up until now?
superman, coughing: actually, this is this ones ninth occasion of replacing batman. you've just never realised before.
the league:
batman: yeah actually the other two are kinda mad i lasted longer than them...
the flash: how the fuck does he keep getting kids with the exact same build as him!??!?
'batman' tim, spent 20 minutes padding the suit out so he would look the part, still mad that bruce keeps palming WE work off on him: oh he forces us to take steroids for it.
the league, concerned:
superman, pinching the bridge of his nose: now come on red robin-
batman, fully tearing up and looking distraught: PLEASE uncle clark, it HURTS, you can't keep COVERING FOR HIM!
superman, frantically to the league: this one lies.
bonus
the league, squinting at batman:
the league: ...
superman: *head in his hands, too disappointed to do anything*
the league: *silently exchanging looks, wondering if anybody's brave enough to say anything*
duke as batman, fully aware this is fucking stupid but jason and tim fell on the floor laughing when dick came up with the idea and frankly, he wanted to see if anybody would have to guts to call him out: so, are we all ready to start the meeting?
It is a truth universally acknowledged that Batman isn’t the only one fiercely protective of his Robins.
Jason’s death led to the Rogues turning against the Joker—especially Harley. By then, she had already realized the extent of his abuse and had left him. So when she learned that her favorite Robin—a tough Crime Alley kid—had been beaten to death by her ex the first time she wasn’t around, she went ballistic.
Once, a newcomer held Nightwing at gunpoint and tried to unmask him on live television. When Harvey Dent saw how close this was to his own hideout, he knew he couldn’t let it slide. He wasn’t blind or foolish—he knew exactly who Nightwing was. The first Robin. A ray of sunshine—badass yet kind. Harvey took only a second to recall how that same little Robin had once helped him through a dissociative episode, choosing to assist rather than arrest him. And that was enough. The newcomer was never seen again.
As much as Damian disliked how close Catwoman was to his father, Selina adored the little kitten. He was honest, fierce, and compassionate in his own way. She loved that he shared her fondness for cats and animals. So when the shelter Damian volunteered at was attacked by Black Mask’s goons, Selina made sure that by the end of the month, Roman wouldn’t have a single piece of art left in his collection.
Eddie could hardly deny that his favorite Robin was the third one. After all, that particular little bird not only respected him as the Riddler but could also solve all his riddles effortlessly. So when a few goons rudely barged into their monthly riddle session, Eddie was not amused. He made sure they knew it.
Consider this your warning: Do not harm the Robins. Unless, of course, you fancy some trouble with the Rogues.
fic where steve already knows he's bi but robin keeps trying to tell him. steve's known he's had a crush on eddie for months at this point but today just happens to be the day where eddie walks in during a slow shift at family video and robin looks up at the perfect moment to catch steve's soft, dopey smile.
and in that moment, robin connects the dots. the music in steve's car being just love songs on loop. steve walking into work in a lovesick haze. steve going out of his way to work his schedule so he could always be the one to pick the kids up from hellfire.
oh.
oh.
eddie ducks into the horror section, and robin throws her full body weight towards steve, who yelps not unlike a stray cat.
"you like eddie," robin hisses.
"yeah, no shit!" steve reaches for the collar of his polo like he's clutching imaginary pearls. "jesus christ, robin, what the fuck."
ignoring him, robin continues. "no, steve," she says, soft look on her face, "you like like him."
steve frowns, nodding slowly. "i-i know that, robin. we're not in third grade anymore, you can say 'crush', it's not going to give you cooties," he says, frown falling to reveal a teasing look.
"wait, what?"
"robin, did you...?"
they stare at each other intensely for what could perhaps be aeons.
"YOU NEVER TOLD ME-"
"I'VE ALREADY TOLD YOU-"
The biggest confidence boost is knowing that even my shittiest fanfic will be 10,000% better than any AI generated bullshit
Steph: Fucked up I probably could have worn a crop top today 😔
Jason: Yeah well crop top fucked up is trop cop
Jason: and ACAB
Tim: You would baffle the psych department at any university.
-
Damian: You will never guess who just learned there are different breeds of horses.
[Simultaneously]
Tim: Is it Dick?
Babs: Is it Dick?
(is was)
-
Damian: DICK WOKE HIM (the cat) UP!
Damian: SO FUCKED UP!
Jason: Kill hi-
Dick: I'm sticking a fork into a power outlet.
Jason: Okay he's on it
-
Tim: I'm not autistic, probably, I'm the other one.
Dick: Artistic
Steph: A Cancer
-
Jason: Get me, uhh, a crapple juice
Duke: And if they don't have that?
Jason: A bullet to the head.
-
Bruce: Tim what do you do when you have a fever?
Tim: Sleep???
[several people are typing]
-
Tim: Who wants to play a little game?
Cass: What is the little game?
Tim: How long do you think it's been since I last slept?
Cass: 39 hours.
Tim: What the fuck
Tim: How did you do that what the fuck?
-
Tim: Wait wait wait, I thought energy drinks were good for when you're dehydrated?
Bruce: You.
Bruce: You're thinking of sports drinks.
Tim: What's the difference?
-
Dick: You don't ever talk about your parents.
Tim: I don't ever talk about my parents because... *shrugs* they're fine.
-
Duke: You all need to go to bed or I'm calling the cops
Tim: LOL call GCPD and see what happens (nothing)
Duke: Ok
Duke: Called. I don't think they're allowed to say that word but whatever.