Jason: “I’m NOTHING Like Bruce, Okay? We’re Not Even That Similar. That’s All In Your Head.”

Another picture of the BAT-family!!! Bruce will make them all fit under his wings if it’s the last thing he does.

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

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Dick spent so much time climbing, hanging off things, or solving problems upside down that it became a joke with the Titans that Robins think better like that. Fast forward a couple of years and Jason threatens to shoot the next person who flips him upside down when he's scheming (Artemis gets Bizarro to do it). Tim nearly kicks Kon in the face for flipping him over. Kara does it when Stephanie's being annoying, but mercifully by the time Damian's there, no one does it to him. Still, occasionally one of the Bats will be upside down because they got caught like that or fell through a vent and have a Eureka moment and everyone will feel vindicated and it starts up all over again.

Oh. This is it?

I don’t want to be left behind. Please.

please don’t leave me too.

i dont want to be alone.

After being a superhero for decades and experiencing many awful events, you make a horrifying discovery: you don’t age and will never be able to retire

Todoroki « fake boyfriend » Shoto, protector of the lesbians

I'm sickly. I want soup shots

what if someone started a kitchen fire and then got yelled at by everyone else over twitter?

MHA tweets- special edition 😤

erasermice

Robin, after dealing with an annoying person at work: Do you think we could kill him?

Steve: We can’t.

Steve: Nancy could though

Robin: Let’s call her

Keith:

Keith: I can hear you

Robin: Good.