Sits TF fandom down gently. Please. Please understand that the whole 'Decepticons as revolutionaries/workers/etc' thing is new to TF from IDW1 and Aligned onwards and was not in G1. Or anything through TFA, for that matter. It isn't some inherent part of the canon that must always be there. Please do not 'correct' people on this, because you sound. Silly.
Do you ever think of silly stuff like what if G1 Megatron was suddenly replaced by Prime Megatron?
Just starting with the size difference, for example. G1 Megs is 6m/19'8", Prime Megs is 10.5m/34'5". And he's not boxy!
Yes, yes I do. G1 level of Megatron antics in TFP would be just. Downright lovely, like here take this short man who has the wildest of schemes.
Oh things won't go well on the g1 with TFP Meggsie, he would be a damn force on the battlefield if he chooses to be. Or, conversely, he straight up just adopts the g1 decepticons because I say so and actually runs this army well (... Well comparatively well.) and chooses not to fight the g1 autobots because they seem to practically spawn in and it would be a slaughter.
They're so little🥰
I'll explain some of my choices under the cut
So a lot of these choices are pretty obvious, although some are a bit iffy or require explanation of the Subspace story which can be found in trophy descriptions & The Dojo.
The first category was for characters who were engaged in the Subspace plot from the get-go and were the "good guys". In case you didn't know, King Dedede is the hero of Subspace, and if it weren't for him, Tabuu would have won, since he made the "reset badges", and his initial plan was to hold onto some people and give them the reset badges in case Tabuu used his Off Waves. Meta Knight is considered to be a good guy, even though he mostly just wanted to get the Halberd back. Fox I put into this category as well since he's first seen giving chase to the Halberd in his Arwing, so I consider that pretty engaged, even if we don't know the exact reasoning.
The second category is open and shut. They're the Bad Guys. Ganon, Bowser, and everyone's favorite winner, Wario. Technically Wario kinda defected from Tabuu and wanted to just steal all the trophies, but I'm counting him here.
Next was the "Used by Tabuu" tier. According to the lore, the entire Subspace Army is made from the power of Game and Watch (although it says the Game & Watch are unaware of this). Pikachu's electricity was being used to power a lot of the operations (most notably the Subspace Bomb Factory iirc). And it's implied that R.O.B was coerced into helping Tabuu, feeling so ashamed that he put on the Ancient Minister garb to hide himself out of shame.
The "Was Doing What You Expect" Tier is a tricky one, since some characters like Mario & Kirby weren't doing what you'd expect in their normal games, but they were fighting, which is something you'd expect in Smash, but I was kinda lenient. Pit was watching from Skyworld, which is in character. It's shown that Pokemon Trainer was looking for Ivysaur and Charizard, so we can assume he was on that journey when we found him in the Ruined Zoo. ZSS's motivations are kind of unclear about whether she knew about the Subspace Bombs and tried to stop them or if she just knew her Power Suit was there and wanted to get to it. I always figured it was the latter, so I'm putting it in this tier. Marth was defending a castle, which sounds right (I haven't played Fire Emblem). Ice Climbers were climbing ice. Monkeys were getting their bananas. Link was getting Master Sword. Yoshi was sleeping (which only gets him out of "Just Standing There" tier because he is Yoshi).
Next are the ones who just kinda showed up. And it so happens that all five of them make a pretty grand entrance. Sonic is the obvious example here. Ness also counts since there's no implication that either he or Lucas actually live in or even near the Ruined Zoo, but then again in the dialogue-less cutscenes tying together over 30 characters, I don't think that detail was important. Falco makes a grand entrance, although you could argue that he was meant to be Fox's backup. Ike makes a grand entrance with this Great Aether. Captain Falcon literally shows up to jump out of his car, punch a robot and kill approximately 50 aliens in one fell swoop, so either there was an F-Zero track around the Island of the Ancients that we don't see and he quit in the middle of his race to do that, or he just did that. Either way there's something wrong with him.
And then finally we have the characters who were Just Standing There. Luigi obviously was minding his own business when he got got by Dedede. Peach and Zelda I almost put in the "Doing What You Expect Tier" (or at LEAST Peach since she knew Mario at least), but honestly? They were just standing there. No hate, obviously. Sometimes you just gotta Stand There. Olimar was minding his own business letting his Pikmin eat a robot before they were murdered. Lucario was vibing on top of a mountain (as you do). Lucas was just being sad. And Snake? We don't see any sign that he's on a mission. We just see that he's been on the Halberd for an undisclosed period of time before dramatically revealing himself way way later. I like to imagine he accidentally fell asleep.
And then the last tier are for the 3 characters that are unlocked after Subspace, so I don't really count them.
Anyway in case you can't tell I am back on my ADHD meds! Hope you enjoyed this. See you all for the Nuzlocke stream later.
And thus only know how to reproduce it but not fully the underlying principles
Not to the extent of Bumblebees voicebox being unreplaceable[ there should be workarounds, dang it.]
But some of their weapons and such.
Because in various revolutions of their history, some deposed rulers are gonna nuke the libraries or such out of spite on their way out.
The idea of them not knowing what sparks are could be funny way to go back to pre-Beastwars takes. They just know that if theres this weird thing in the lasercore that means its working.
[ID: An image with “Writing Disability quick tips: How your character's allies react to their disability matters” written in chalk the colour of the disability pride flag, from left to right, red, yellow, white, blue and green. Beside the text are 2 poorly drawn people icons in green, one is standing with their hand up to the face of the other, who is in a wheelchair. /End ID]
Something I brought up in my big post about Toph Beifong was how the other characters reacted to Toph pointing out that things were not accessible to her and setting boundaries regarding her disability, which were ignored. I had more to say about it than I thought I did, as it turns out (when isn't that the case lol) but I feel like this is an important aspect of disability representation that is all too often over looked.
You can write the best, most accurate portrayal of a specific disability ever put to screen or page, but it won't mean much if all the other characters, specifically those we're supposed to like and empathise with, treat your character terribly for being disabled and having needs relating to said disability, especially if the story justifies their behaviour.
You see this most often with autistic characters and especially autistic-coded characters. The character in question will be given a bunch of autistic traits, most often traits relating to not understanding certain social dynamics or sarcasm, and when they get it wrong, the other characters we are supposed to like jump down their throat, tease them or outright abandon them. Autism isn't the only disability that gets treated this way, but it is one of the more common ones that get this treatment. It doesn't matter if you do everything else right when creating an autistic character if the other "good guys" constantly call them annoying, get angry at them or laugh at them for the very traits that make them autistic, or for advocating for their needs.
Likewise, if you have a leg amputee character who is otherwise done well, but is constantly being criticised by their allies for needing to rest their legs or taking too long to get their prosthetics on, it undermines a lot of the other work you've done. Same goes for having a wheelchair user who is accused of being a bore or a stick in the mud because they point out the places their friends want to go to on a group holiday have no wheelchair access, or a deaf character who is accused of being entitled for wanting their family to learn to sign, or anything else.
This isn't to say you can never have moments like these in your stories, but its important to remember that a) people with the same disability as your character will be in your audience. If you spend a whole season of your TV show shaming your autistic character for real traits that real autistic people have, they're not exactly going to feel welcome and may not want to hang around. b) it's going to very, very heavily impact people's perceptions of your "heros" who do this, especially in they eyes of your audience members who share the character's disability or who have had similar experiences. This isn't like calling someone a mean name or being a bit of a dick when you're sleepy, it's going to take a lot to regain audience appeal for the offending character, and depending on exactly what they do and how frequently they do it, they may not even be able to come back from it at all. And finally, c) there should be a point to it outside of just shaming this character and saying the other guy is an asshole. Like I said before, you're character is criticising real people's real disabilities and the traits or problems that come with them, things that they often have no control over, it shouldn't be used as a cheap, quick way to establish a quirky enemies to lovers dynamic or show that one guy is kind of an ass before his redemption arc. If you really must have your characters do this, be mindful of when and how you use it.
I’mma get into Bendy and the Dark Revival.
So a few in-general things.
- The Ink Machine cannot create someone from nothing. It’s said this as far back as the first game. Audrey is said to be the “exception”, but how certain are we of that? Who’s telling us that she’s the exception exactly?
- People, alive and dead, were thrown into the Ink Machine. Both games show this, both in audio logs, environmental story telling, and even shows us an example of how it happens. As of the rule above, all people in the machine, were the real original people at one point. Joey Drew attempts to tell us otherwise, but bear in mind who’s fault this all is, and who’s he’s telling that he did this.
He’s a charmer, remember? He’s duped a lot of people with that charm of his. Take nothing he says at face-value.
- The Ink Machine and its Ink are corruptive. From the Camera Man of the First game, to the main “characters” we meet, to the people in the machine–if your ink form wasn’t made, or if you didn’t fit the form made for you–you lose your fecking gourd.
- Do not Trust Joey Drew (The Creator Lied to Us). Joey is, ultimately and foremost, a selfish lying man. The Entirety of BATIM shows us this first and foremost.
And as many of us with hard family lives know, the introduction of children do not change the minds of selfish, lying parents.
So,,, let’s begin Bendy and the Dark Revival.
Continua a leggere
I think there needs to be a balance between making Autobots not perfect and making Optimus’s inner circle so awful it makes no sense he trusts them or consider some of them friends.
As a rule of thumb, don't reblog donation posts or people asking for donations unless they've been vetted and reblogged by Palestinian bloggers. We usually go to lengths to verify this shit because we know scammers have been faking to get people to send them money, using the urgency of our genocide as bait.
It's disgusting this is what we're dealing with, but people are losing money because of some truly evil people out there.
Accounts don't just randomly spring up on tumblr without gofundmes while asking for someone to help them create a campaign. Fuck out of here with that shit.
How I adress a person that use a gender neutral pronoun in a language that don't have one? The ones that come from latim per example don't have, like Spanish, portuguese and italian. I work as a part time translator and I don't want to mess the book that I translating. I could always use the person name, but sometimes have an "a" or "o" that end put a gender in the name too. Thanks for the attention.
this really depends on the language, there’s no general rule for this.
i suggest researching gender neutral pronouns in these languages, because im certain nonbinary speakers have already come up with some of their own. i know for example that a lot of spanish speakers will use -e in place of -o/-a for gender neutral purposes.
as for languages that might not have a widespread gender neutral tense yet, using the name is probably for the best. it’s unfortunate, really.
so really, just do your research.
"11,078 and counting have died in Palestine. Never stop talking.
Also this is just the surface, do further research to fully understand the situation.
Also this is just the surface, do further research to fully understand the situation."
Art credit: @flyingkikii
Reposted from @frxchix
Hello, this blog is for posting things I find interesting like critical opinions about media and fanarts. PS: NO spicy fanart on this blog
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