my desperate craving for d gray man content has become near unbearable, so it may be time for me to take matters into my own hands. that being said. I have no idea what to write about.
so if anyone sees this and has any suggestions or prompt ideas, please let me know!
that being said, I’m not the biggest fan of modern no power aus (unless they’re funny enough). But I do welcome crossover ideas!
this is entirely a crackpot theory as I haven’t reread all of dgm in ages, so I’m likely missing a lot of relevant information, but:
is the reason for the earl making akuma to prevent new accommodators? Like, if I’m interpreting past!lavi’s words correctly, innocence feeds off of/attaches itself to people of particular suffering and tragedy, right? And mana won’t let himself grieve/cry because it will attract the earl (I think) and Allen is the same. So is the earl intentionally going after people who experience great suffering and just… nipping them in the bud? if the innocence is hostile, or even just keeping in mind the Noah clan’s hatred of it, then preventing it from getting stronger from feeding or gaining the ability of fight would be a smart move.
I’m not sure why specifically going after people in deep grief is a qualifier outside narrative themes, but it would make some sense to me, especially if the Noah’s past world was destroyed due to something relating to the innocence.
I might make a more in depth post about this later, but there’s something about Allen and Mana’s ways of grieving that stick out to me. They’re so similar, but I think there’s one key difference:
Mana forgets, Allen doesn’t.
When confronted with guilt over hurting a loved one (regardless of circumstances) and the grief of losing them, Mana couldn’t stand to look at himself to the point he literally changed his own face. He spent years searching for the very brother he killed. He hated himself so much he became someone else (Adam). It wasn’t it his fault (Adam’s), it was his fault (Mana’s)
Allen is similar, but ends up swinging in the opposite direction. When he’s at his lowest, he couldn’t cope with it either, becoming catatonic (is that the right word?). After he comes out of that state, it’s because he needs to keep a promise that he (Allen) made to Mana. And like Mana he’s acting like a different person! But he’s still Allen and he carries the guilt of turning Mana into an Akuma directly. He can’t change his face. Everything about his appearance is a constant reminder. It was his fault, and he’s going to spend everyday atoning for it.
allen: what’s with all this “chosen one” bullshit? Chosen by who? Why me??
allen, upon regaining his memories:
allen: son of a bitch
I enjoy this so very much because I’ve already been making jokes that Allen is somehow his own father in such a convoluted way.
Like his adoptive father is Mana, whose brother is Nea. Nea is possessing Allen, thus inhabiting the same body and making it not only his, but also his uncles body; you might think this is where it ends. But Mana and Nea are two halves of the same individual. So Allen is possessed by half of his adoptive father’s soul. Thus he is his own father.
If I integrate this new, fresh theory, I can now joke that Allen is both his own biological and adoptive father.
If past!Allen and past!Lavi got orbed to make Allen, does that make them Allen's biological parents? Since Bookman is past!Lavi's father, does that make him Allen's grandfather?
I am but Sisyphus, pushing the boulder uphill, hoping for respite, damned by my own hubris. (I’m taking three (3) writing interviews courses and I have no one to blame but myself.)
Allen: The enemy of my enemy is my friend? No, the enemy of my enemy is also my enemy.
Allen: They are fighting over who gets to kill me, though. So it does give me time to escape.
can we get an animatic for ogCale Henituse and Kim Rok Soo with 'No Longer You' from EPIC the musical pls
Like. really fitting for both of them, and a few others, but I have no idea how to make those.
Snippet:
"I see you on the brink of death. I see you draw your final breath."
"I see a man who gets to make it home alive, but it's no longer you."
not doomed by the narrative, not saved by the narrative, but a secret third thing: employed by the narrative
Jiang Cheng: Is there anything you’re actually capable of doing?
Wei Wuxian: Putting up with you.