Don't Forget Me, Too:)

Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.

So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.

He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.

But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.

Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.

Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?

And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.

Got all that?

Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.

peach

Obsession of the past, obsession of the present. Here goes.

ever since i'd seen @appeypie's Mettaton/Bill Cipher design i kneww i wanted to draw him so full credits go to him !!

i also got thinking about what other characters from ut/gf would go well together and these were just the first few ideas that came to my mind, i'd totally love to hear if you guys have any others though !!

here are some close-ups of this page along with the reference pics i used from the show !

Altmodes and sense of self

Hi there. I'm not exactly sure how to Tumblr, but hey, I have to start somewhere, haven't I?

I have recently created this guy as a bit of a proof of concept: it's possible for a cybertronian of a right size to take not a new altmode, but a different robomode. Well, it involves some Fallout, but for those that don't know -- top right is an assaultron, a relatively common enemy and sometimes ally in the series. Sorry for a messy pencil drawing, it was intended to be an inside for-roleplay thing.

Reineke has two alternate stories -- a damaged synth replacing parts with an assaultron armour or a stranded beastformer minicon. Both have a bit of an issue with what they are, but it's easier when your mask is just a mask, not your literal body parts.

Imagine being able to change your body to blend in (the existence of that blending in ability in cybertronians raises questions of their own, but of more or less ecological regard), and you change your face, too. Is that still you? You interact with other beings, trying to provide expected behaviour. Eventually this pretending becomes a second nature. Your character drifts and changes under the circumstances. Radiation can damage some circuitry and knock memories out of place. When you look into a mirror, you don't remember how you were before. Is that still the same you that took a different face some time ago?

Humans have strong connection between their "self" and their looks. New clothes might be wearing you, and I sometimes wear my favourite shirts as a little confidence boost despite nobody being able to see them under my jacket. Would that also be true for cybertronians? Would an earthen altmode affect the self-interpretation, since the root mode changes with new kibble, too?

Also, I know there is a distinction in IDW between "cold construction" (they can only assume alts similar to their natural one) and "forging" ("natural" way with an unrestricted altmode choice), but it's not true for every continuity (TFP Starscream implies that Knockout chose a grounder alt, and Skyquake's everything also implies not having wings to be an option despite being rather plane-shaped; he and Airachnid honestly imply that they didn't have an alt before, I think -- but I know that alien alts in the show would be costly). So in some continuities bots can, in theory, change alts and kibble drastically as often as they want. Would it be something frowned upon? Something "childish", what you do when you aren't sure what you want to be? How much your altmode defines *you*, and how much you would pick an alt because of who you are? Can "dramatic altmode change" be the same as human "dramatic hairstyle change" trope?

And then there are multiple alts and oddballs like Skylinx. I think they deserve a separate rant with questions.

Your daily reminder

I'm using "On Unicron's horns" for "somewhere far away from anything of importance". It's actually a corruption of russian colloquial "у чёрта на рогах", can be translated literally "on the horns of a devil/imp".

Я так и говорю в обычной жизни -- на Юникроновых рогах.

Cybertronian Colloquialisms - Primes Edition

So we've all heard "By the AllSpark!" or "What in the Pit?" or "Oh Primus" in our TF media. However, I feel like TF writers are missing out on the goldmine that is colloquialisms invoking the different Primes. So, here is a small collection of such colloquialisms, and please, feel free to add more if you have any of your own you use.

"Primus below!" - Exclamation similar to "God above!", invoking the fact that Primus is the core of Cybertron.

"Vector give me patience" - Often paired with "because if Prima gives me strength, I'm going to need bail money." The go-to for when somebot if getting on your last nerves.

"To Alchemist!" - A popular drinking toast, to thank Alchemist Prime for inventing high grade.

"The Three Below" - Refers to Solus, Onyx, and Micronus, the three Primes who formed the Well of AllSparks

"Maximum Blessings on you" - a stealth insult/curse from some dialects, where "Maximum" and "Maximo's" are nearly indistinguishable. As Liege Maximo was the Prime of Lies and Trickery, it's a fitting way to wish someone ill.

“Solus’s slag pit” - Used for something incredible, awful, and incredibly awful. Often used to refer to the latest high society fashion mess.

"Find peace or take it up with the Fallen." - In other words, calm down or screw off.

“As you say, my Liege” - A condescending remark towards a person who’s attempting to lie, cheat or mislead.

Again, if you have any primal colloquialisms you use for your fics, reblog and share them with the rest of us.

was suddenly moved to draw a toony sort of character design .. but this is a bit too close to 2013 tumblr sexyman for my own comfort

Lil Wavewave design for fun

It’s very VERY gundam inspired… err kudos if you can identify which one I based shockwave off of

Why I think Miko Nakadai is arguably the best human character in TFP

Don't misunderstand, I know Miko was handled haphazardly throughout the series' run. That said, aside from her skipping off into the battlefield, she was actually a great character - and, in my personal opinion, the actual audience surrogate character in TFP.

Now, let me explain.

Although Miko's backstory is told and not shown - a rich daughter who had everything she could ever want, up to and including two pure-breed cats and piano lessons from age three onwards (which, coincidentally, tells us she's brainy despite her antics) - much can be inferred from what snippets of her past we get, along with her interactions with the Autobots. For one, she obviously can't stand most adult supervision, which is likely because of a few things. For one, back home in Japan, Miko would have had to be proper and polite, always restrained, and had to do what she was told. While this is normal (to an extent) in the West, in the East this is etiquette that needs to be obeyed, especially if you're as well off as she is; her actions, specifically in Japan, will reflect on her parents, but to a far lesser extent in America. Thus, when presented with the freedoms of the USA, Miko not only jumps at the chance for an exchange program that will give her the mobility she craves, she also chooses the place that has the least amount of glamor. By extension of choosing to settle in Jasper, Miko's also displaying two other traits: she's not afraid of going to a place vastly different from her home, and she isn't disgusted by a small town with very little monetary value to it.

Secondly, Miko's disregard for authority from adults but deference to the 'Bots teases us with an insecurity - namely, an insecurity that no adult ever gives her a chance to make her own decisions.

Just think about it: All the times Miko's blown off the human adults, it's when they've tried to decide her life for her. Miko has, from what we can see, had her whole life dictated, up to and including those piano lessons. She may be a prodigy at almost everything, but her preferred instrument is the guitar - and yet, she wasn't given lessons in that from the time she was a toddler. Therefore, she feels confined and controlled by the authority of her elders. And so, while Miko may be able to sway Bulkhead into getting her out of detention and consistently slip past the watchful eyes of the 'Bots, it's out of a desperate motivation to control her own life. Now, she does hold too much interest in the battles and getting to watch them, but wouldn't you have that same eagerness if Gundams or Jaegers came to life before your eyes? Yes, she knows their lives are in danger, that they couldn't come home, but there's still a fantastical element to all of this about the Autobots. And it remains so because while she loves them all, Bulkhead is the only one who, while giving her life advice and trying to keep her in check/alive, lets her make her own decisions and take control of her life and her actions.

And that's why she keeps going to the field. That's why she only listens to the reprimands with half an ear and why she recovers so fast from Optimus' near death experiences, as well as Raf's close call with death.

And that's why Miko's world shatters when Bulkhead is left in a half-dead coma from his fight with Hardshell. Because the one person in the universe who gave her freedom and care without deciding her life for her was not just seriously injured, but possibly on death's door.

That's why Miko runs around without a care until the S2 episode "Hurt": because she wants autonomy to decide her life, even if it's stupid choices that could get her killed.

And after "Hurt", we see a new Miko. Yes, she remains gung-ho and fierce, but she stops running onto the battlefield. She takes less enjoyment from the War. Because now, with the reality of war fresh in her mind, she knows the risks and the stakes involved, and she will never take that or her friends for granted anymore. This is further proved when Miko 'sneaks' along for "Chain of Command", but with a twist: she asks Wheeljack if she can come along - and if memory serves, this is the first mission Bulkhead's been on with herself present since the events before "Hurt". Clearly, Miko is still worried about losing Bulkhead - only, this time, she values the words of the 'Bots, and now seeks permission to join a mission, though she wisely asks Wheeljack for this blessing.

This is the beautiful part of her arc, crowned by her battle with Starscream and his Seekers (which is also just straight up awesome.) When she's kicked the afts of everyone, and Starscream tries to intimidate her with his usual "I killed Cliffjumper" speech, Miko's response is this calm, slightly rough, retort:

"Big whoop. I snuffed Hardshell."

In this moment, Miko Nakadai is shown to have grown from an excitable child into an unyielding, but mature, adult warrior. She no longer treats the War and the 'Bots like a game, or a release. She treats them as her friends who she will gladly risk her own life for.

And that, in my opinion, makes her the best human protagonist in all of Transformers: Prime, and Transformers media in general.

As for what I said earlier about her being the true audience surrogate, be honest with yourselves: If any of us were given the chance to meet the Autobots, wouldn't you be just as irrepressible as Miko, as eager to help as she was, and tempted to go to the battlefield to see the action/make sure your 'Bot wasn't going to die? That's what I mean when I say she's the audience surrogate - Miko acts like we would, and learns as we would about the War and the 'Bots if we suddenly came across them.

That's my two cents on Miko, and why she's the human character I respect the most in Transformers...probably of all time. If you liked it, I'm glad; Miko deserves better, and I hope I explained why well.

Til next time, folks!

"Autobots, transform!"

I got the image of the Jack, Miko and Rafael learning to imitate Distressed/terrified Sparkling cries and using them against the decepticons. It’s a very efficient defense mechanism. Every cybertronian who heard them is freaking out because oh primus how is the squishy thing making that noise and I gotta protect it at all costs. The sheer chaos that would ensue as the ‘protect/rescue the sparkling’ programming kicks in full force.

——

The vehicons are clustered at the other end of the room panicking. They don’t know what to do. The human sparklings are looking right at them and making distress noises. The guilt is killing them.

Knockout going “is the car form less alarming?! If I turn into a car will you stop seeing me as the threat?!”

Breakdown is having a breakdown.

Starscream pinned to the wall on the other side of the room having an internal crisis. He doesn’t like this. Make it stop.

Soundwave makes no noise but you can FEEL the sheer distress radiating off of him.

Megatron is frozen. No thoughts, head empty. He’s not moving at all. He doesn’t know how to handle this.

——

The autobots have mixed feelings about this. They’re glad the kids have a way of defending themselves but please don’t do it near them. They’re stressed out enough as it is.

(This might sound kinda dumb but I thought it was kinda funny. Very tired while writing this)

Wait no this is actually brilliant.

The Decepticons never anticipated their long buried parental nature to be used against them. No one did. But they day the human children turned up on the battlefield looking far too confident, every Bot and Con present had the all encompassing feeling that something was terribly wrong. Their suspicions were quickly confirmed when, before the Decepticons could do much of anything to get the relics they were after, Rafael began to wail.

Normally, human screams meant nothing. But there was a certain pitch that sounded so close to a cry of distress from a sparkling that, to warriors who had not heard a sparkling in millennia, it was enough to send them running to help. In this case, the issue was only compounded as the children scattered like mice and started making the same noises. The Decepticons could hardly focus on the Autobots booking it to the relics as they frantically tried to locate the fictitious sparklings calling for aid.

The Vehicons managed to get to Jack, but he just kept looking up at them defiantly. Every time one of the dozen or so Vehicons on the field tried to grab him, blast him, or otherwise hurt him, Jack would chirp like a sparkling and send all of them scurrying back. It wasn't cute to the Vehicons. Having never seen actual sparklings but still having the coding needed to adore them, they looked at Jack and saw a weird frame-walker. They weren't sure what to do about it except try to haul themselves away while also keeping a vague circle around the human male.

Miko on the other hand made it a point to chase after Megatron and Soundwave, screeching like a sparkling about to be shredded. Neither stopped for her, but Megatron completely lost his train of thought every time that screech rang out. He could have been aiming at Optimus with a perfect head shot and he would be unable to fire as Miko's distressed sounds rang out in his audials. He KNEW she wasn't a sparking. His coding wasn't even that strong. But by Primus, hearing her screech was the same as watching a civilian get run over by a bus, repeatedly. Focus was impossible.

Soundwave wasn't much better. He didn't react outwardly, but the slowing of his steps and the way he tried to sidestep Miko gave away his distress. He avoided her like the plague, trying to refocus but being unable to really get far as Miko screamed like a demon. It was a fight against the Unmaker himself to keep Soundwave from bolting over to collect the sparkling who sounded so very upset.

Rafael, for his part, followed Miko's lead and harassed the other three members of High Command most often found out on the field. Breakdown ran screaming the moment Rafael started chirping at him. This was both out of fear of the frame-walker and to escape the inevitable overreaction of his coding. He may or may not have attempted parkour once or twice to get as far away from the smallest of the humans as possible.

Knockout tried to ignore Rafael when the kid chirped up at him, he really really did. But how does one ignore the Cybertronian equivalent of a soaking wet kitten meowing up at you? Simply put: you don't. Knockout gave in and quickly dropped down to try and soothe the non-existent sparkling every. single. time. Rafael pulled his noise trickery. He never fails to panic and attempt to flash colorful things at Rafael to get him to stop. Every Decepticon has since been endlessly disappointed in him.

Starscream, being terrified of things that really shouldn't be there, took the skies the instant the trio began screeching. Nope. Not today Unicron. He'll get the mission done or get the heck out of dodge to avoid coding coming online. He doesn't need empty nest syndrome on top of a crippling case of "I Love Power." He also doesn't need to deal with the horrific mental image of a squishy somehow managing to sound like a sparkling. Nope. Nope. NOPE.

The Autobots are grateful the kids can protect themselves a bit now. But by Primus, they have known NO peace since the kids figured it all out.