Maybe Paul Just Listens To The Genies In The Desert, Like Stilgar Warned Him. Maybe His Desire To Find

can you draw some more kevins…. i love your art!!

ofc!! this are some stuff I did at school hope u like it <333 also thank uuuu 😔🫶

no but really. riko's "lessons" on grief crumbling the second kevin finds out about riko's death though!!!! all of that suppression, all of the buried feelings, all of the time spent avoiding and hiding and concealing left to rise to the surface the second riko is dead!!!

i am convinced kevin freaks out in a way he's never freaked out before, in a way that sincerely shocks anyone who witnesses it, once he finds out riko is gone. in a way that subtly begs the question about inpatient care and an extended leave of absence and rehab. in a way that nobody else really understands because it was riko of all people to trigger this meltdown, but in a way that is genuinely terrifying

that codependency, even if undercut by relief that the abuse is over, does not go away without a freak out!!

-childhood in the nest anon

oh that's such a good point. Especially if Riko was successful in not letting Kevin mourn, if Kevin never really grieved his mother because Riko said, "You have me."

Like, what if the whole basis of Kevin's avoidance of grieving his mom was based on Riko saying, "So long as I'm here, you don't have to worry about her." Imagine every time he almost cried, every time he almost said I miss my mom out loud, Riko would grip his arm or his hand or his face and say something to the effect of, "Your grief is a waste of time and the only thing that matters is me, is us, is exy."

And then Riko's dead? And oh, he remembers this feeling that he'd only felt in vague bursts before, buried so deep he couldn't even be sure he felt it at all. The words, "Riko is dead," sound like "Your mom is dead". They found her body this morning. They found his body last night. There's nothing they could've done to save her. He was dead when the ambulance arrived.

It's like this doubled grief, all the things he'd never been allowed to feel for his mom suddenly coming back up, and like, these are feelings that Kevin thought he was too young to have felt. He thought he was too young to remember, he thought he was too young to understand but now he's reminded that, no, you felt it. You understood. You just weren't allowed to feel the monumental loss that you'd faced. You weren't allowed to work through this gnawing icy pain in your heart. And now that Riko's dead, you're allowed. You're free.

But now Riko's dead. Now Riko is dead, and his mom is dead, and fuck Riko for making him feel both of their deaths at the same time because he shouldn't exist in the same world that his mother does. The pain he feels for them both should be incomparable.

I like to imagine that for just a few moments after Kevin is told, he goes into shock, completely and utterly unable to function with the knowledge that Riko is dead.

"Riko killed himself last night," David says, and Abby is by his side for backup, for protection, for Kevin's safety. Betsy is on speed dial. "They won't tell me much, but they think it happened fast."

Maybe Abby nudges him because nothing he says will be okay, or good enough, or soft enough so as to not destroy Kevin. And he hears the words. He knew they were coming. They had to come, this was always going to happen. This was always how it was going to end. But his brain goes quiet and his hands go numb and he smiles a weak smile. He doesn't feel those words at all.

"Okay," He nods, like he's just been told that it's raining outside or he's wearing odd socks. "Thank you, Coach."

"Kevin, did you..." Abby's voice is soft as she reaches out. "Did you hear what David said?"

His eyes are empty, someplace far away, but his voice does not shake as he says, "I did."

For a while, maybe, they don't let him leave the room. He's quiet, disassociating, but not yet crying. Not yet throwing things around the room like David expected. Not yet begging for a bottle of vodka.

Does Renee come to the door first, or Neil? Does Abby answer the door because David asked her to, and what snaps him out of it? Is it Renee saying, "I called Jean. I told him to avoid the news," or is it Neil saying, "Have you told him yet?" that snaps him back into the real world, back to reality, to Jean can't find out, to Jean is alone, to Neil knows, to oh my god to this is real to Riko's dead and Riko's dead and Riko's dead.

Everything is familiar and nothing is the same. His body tells him he’s allowed to mourn his mom now, but he can’t handle it, and he can’t handle Riko being dead and Jean not knowing and Riko being dead and his mom isn’t here and he just. can’t. get his head around it. It’s all of a sudden messy and loud and confusing. He can’t let himself think about how Riko probably didn’t kill himself, he can’t ask himself why Neil knew before he did. He can’t believe it. If he believes it then it’s real and it’s his fault and who has him now? That was Riko’s job. To stop him from mourning so he could keep his eye on the prize and now he has it; They won the season. He put all his focus on exy, and look where it got him. All those lessons, all that burying of his feelings and compartmentalising to deal with it later hits him at once like a fucking truck and I think Kevin had the breakdowns of all breakdowns that day.

I think whatever happened to Jean on his own in that dorm room would’ve happened to Kevin, and more. He’s lucky that he wasn’t alone, I suppose, but it still doesn’t make it any easier. He’s tall, and he’s strong, and his head isn’t in the room when he’s throwing shit at the walls and screaming like it’ll help make things make sense. He doesn’t see where the chair lands. He doesn’t see who the books are thrown at. There is a chance that not one person in that room has ever seen anyone lose their mind so quickly, and intensely before. Because it’s not just Riko, it’s his mom, it’s his childhood, it’s his future, it’s his abuser, it’s his brother, it’s his identity and purpose and fuck, it’s Riko. Who is he without Riko?

If I keep going this will just end up far too long but oh lordy lord I think you’re absolutely right

Kevin Day falls into Raven habits without even realizing it. Despite his best efforts to adjust to a normal life. He runs laps to keep himself awake because he's never quite adjusted to 24 hour days. He struggles to eat anything he perceives as unhealthy despite his dependence on alcohol. When he gets frustrated he plays with a brutality ingrained in him since he was old enough to hold a racquet. He refuses to go anywhere without Andrew, without a partner. Do you think when he wakes up in the middle of the night, to a dark room, he looks over at the other bed expecting Riko to be there? Do you think he traces the ghost of a 2 on his cheek, hidden beneath a chess piece tattoo, out of habit? Do you think despite being a fox he feels as though he'll always be one of them? That, despite it all, he'll always be a Raven?

finally, and for the third time, here are the gals (and 1 nb pal) of the shadowhunter chronicles

Strolling towards a case🍂🍁

Another practice/pose study of the 1984 series with an autumn vibe as it is summerween.

I don't remember the episode because I forgot to organize my screenshots for practice, but this is one of the beginning scenes where Holmes forgot his cane. Thankfully Dr. Watson is there for the rescue by lending his arm.

Kevin Day isn't actually a coward, Neil and Andrew just have very different ideas of what it means to be brave. Kevin is a survivor. He spent most of his formative years walking a middle ground of being useful but not so much that he showed riko up. He had every reason to be afraid of riko. He was the only one that truly understood what riko was capable of aside from Jean. Neil and Andrew are fighters, they are all or nothing types, they don't understand how someone could walk a middle ground just for something that resembles safety when they fought so hard to not give in to threats until it threatened someone they care about and almost killed themselves in the process. Kevin didn't even know he was ALLOWED to fight back because that was never an option. Leaving the only life he's ever known was so much braver than anyone gives him credit for. It isn't until he has something to fight for and is given permission (not just by the moriyama's and Neil but by himself) to be his own person for the first time that he is able to defy his abusers.

It's not cowardly to do what you can to stay safe. Not everyone has Andrew and Neil's blatant disregard for their own personal safety. Being afraid of pain and death is perfectly reasonable.

Kevin Day, history student

Lead them to paradise.

reading mistborn for the first time and I refuse to believe Kelsier is dead simply because he’s too annoying to die

Sure sure romantic pairings are fine and all. But more people should perhaps consider two characters loving each other to the point of incomprehensibility. To the point that there is no simpler way in english to define or describe it than just to say those characters’ names together, joined eternally by the vague conjunction ‘and’. There’s so many types of love and dependencies and emotions in general thrown in there that you can’t tell what colors they are anymore, they’ve just joined into a giant blobby mess that’s almost black, but when you look closer glistens with more colors than there are names for. Just a thought