I've Slowly Been Chipping Away At Drawing Scenes From That Imaginary Muppet Retelling Of The Princess

I’m losing my mind over these paintings by Alison Friend

yeah that’ll do it

Posting this for the people who think that Tolkien's world-building was something complete and entire and finished before he started to write.

You always learn and discover your story and your world as you write. Sometimes you are just the first reader.

Knock loud, I’m home - Lee Madgwick

guys i'm going a little crazy with the art, i still have more

TAKE ALL MY HARVEY ART, TAKE IT ALL

(and this is harvey from stardew valley if anyone is still wondering 😭)

Holy shit these are so cool!!!!!

You are. My friend

Today you found out that I can write poetry AND that I study English. A little Macbeth-themed thingy inspired by @two-bees-poetry

Fan fact: because English is not my native language I had to write both columns in the same time, otherwise I won't be able to stick my grammar together.

this may just be me going into overanalysis mode but i feel like the choreography of spellcasting can tell you so much about a magic user. a snap of the fingers, for example, implies confidence, even arrogance, while hands thrust out and straining to the fingertips suggests desperation, throwing one's whole body into the spell as though hoping the physical effort will make a difference. rapid, jerky body language tells you that a spellcaster is passionate and reckless, while graceful, fluid movements demonstrate calm and concentration. some magic users may choose to stomp their feet or clap their hands when casting, channeling power through percussive motion, whilst others may see magic as a tool separate from the self, and focus it through objects like a wand or staff. a new spellcaster just coming into their power may be tentative and slow, but a practiced study of magic will be able to rely on muscle memory to guide them.

Jon,,,Jonathan sims,,,,,

it ends, as it started, in a garden