Screechinglostacademia - Maximilian

there isn't a barber in prison

Neil Gaiman on why he cast Michael Sheen as Aziraphale:

"Michael had said he wanted to be in it from the very start. Around 2014ish. We both assumed he'd be Crowley. Except as I wrote it, I kept thinking of the Michael I know: an incredibly sweet, sensitive, funny man determined to do good and to do the right thing, and I kept thinking of him as my Aziraphale."

My Aziraphale.

the archivist and the admiral bc I miss them :(

King of a ruined world why not ruin me instead...🤤

I think Jon smashing that table was the moment I really fell in love with tma. That's when I realized, oh, this is a show about a man who is not cut out to be a protagonist but is forced to be one anyway. This is a show were people try their best and still fail spectacularly. Every character in this show sucks in their own special way but you still can't help but love them. You really don't find this kind of show everyday. People say this all the time, but I really mean it when I say that tma has permanently altered my brain chemistry. I haven't been this obsessed with something in a long time.

Deep in the night we are waiting / holding our breath, letting go

An interesting demonstration of how the human brain works.

But also something of a lesson regarding perception, and the unreliability of subjective perspective versus objective reality.

You can be extremely certain about how you perceive the world, your "lived experience," that which you "feel it in my heart." But that doesn't mean it's actually true. And it doesn't mean we have to endorse it, or ignore or outright deny objective reality.

That's a "you" thing, not a "we" thing.

this may just be me going into overanalysis mode but i feel like the choreography of spellcasting can tell you so much about a magic user. a snap of the fingers, for example, implies confidence, even arrogance, while hands thrust out and straining to the fingertips suggests desperation, throwing one's whole body into the spell as though hoping the physical effort will make a difference. rapid, jerky body language tells you that a spellcaster is passionate and reckless, while graceful, fluid movements demonstrate calm and concentration. some magic users may choose to stomp their feet or clap their hands when casting, channeling power through percussive motion, whilst others may see magic as a tool separate from the self, and focus it through objects like a wand or staff. a new spellcaster just coming into their power may be tentative and slow, but a practiced study of magic will be able to rely on muscle memory to guide them.

it's finally done!! this comic took me about 26h 20min (and an overall time of over 2 months) and is based on the fic with the same name, written by @advena-perditus (you can find it here. check it out, it's very good)

a note: I'm still working on improving the designs of Tim and Sasha (I accidentally made Not!Sasha more similar to how I imagine Sasha, so I'll have to work on that, but I wasn't going to change the entire drawing for it), but I'm overall quite happy with how it turned out :)

stupid bastard man (affectionate).