it's finally done!! this comic took me about 26h 20min (and an overall time of over 2 months) and is based on the fic with the same name, written by @advena-perditus (you can find it here. check it out, it's very good)
a note: I'm still working on improving the designs of Tim and Sasha (I accidentally made Not!Sasha more similar to how I imagine Sasha, so I'll have to work on that, but I wasn't going to change the entire drawing for it), but I'm overall quite happy with how it turned out :)
please watch my favorite game changer clip ever
Deep in the night we are waiting / holding our breath, letting go
yeah that’ll do it
sunrise
let's talk about it
I love the post-apocalyptic genre as much as the next horror fan, but there is something to be unpacked in how they often reinforce very reactionary political ideas. Not just in the more bluntly conservative ways of thematically rewarding ideas like
“shoot first ask questions never”
“never offer mercy”
“torture works”
“Strong Government may be doing Bad Things but it is the only thing stopping people from becoming roaming bands of cannibal rapists unless Strong Men with police or military training maintain order once society collapses”
But also in the less easily recognizable reactionary beliefs like
“power vacuums are real and inevitable” (implying that unless you plan to exert a similar level of power and take the top of the hierarchy then you should not seek to dismantle power)
“the people who survive are the best— the strongest and smartest and most resourceful, the ones who deserve it most.” (implying that eugenics is an inevitable biological force rather than a political ideology)
“If someone who deserves to live dies, it is due to the actions of a villain, ‘good’ ‘important’ people do not just die from sickness or hunger or chance or mundane accidents” (more eugenics tbh, or at very least a just world ideology & confusing storytelling conventions with how the world works)
I think this becomes an issue when people—who have not studied, for example, the way that communities engage in mutual aid during natural disasters even if disconnected beforehand—will assume that collapse will inevitably lead to evil cannibal hoards as the biggest threat to survival and therefore the most important thing to prepare for, instead of understanding that collapse is much more likely to lead to an absolute need for community interdependence and cooperation to survive in the face of environmental disaster. I think it’s an issue if you can’t picture disabled people during collapse because you watched a hundred depictions of post apocalyptic shows where disabled people are eerily absent or die immediately, instead of internalizing the much more likely reality that if you survive disaster even if you were able-bodied previously, you and everyone you know will likely be surviving as disabled people.
like the media is fun as a form of storytelling, but if you are approaching your imagination of the future with increasing climate crisis with images you got from zombie shows, you do need to take a break from the fiction and learn from communities that have actually experienced natural disasters in real life.
Season 3 Elias is so goddamn fucking funny to me I forgot what a rollercoaster he was during my first listen.
Like the s2 finale has Jurgen Leitner giving Jon the whole "monsters are real speech" and Jon's like "I need a cigarette. NO ONE get brutal pipe murdered while I'm gone" and Jurgen fails step 1 because Elias walks in and grabs Jon's point-and-click-adventure pipe he'd been carrying around and Brutal Pipe Murders. Which, of course, Jon walks back in on and is prime suspect #1 due to literally every single feature trait and word he's said in the entirety of s2.
So naturally s3 starts with Jon on the lam and Officer Tonner like "I'm gonna arrest him for brutal pipe murder" and I'M like "Shit. I hate this. Elias is going to SO easily pin it on Jon and get away with it."
EXCEPT Elias walks in and is like "hello Ms. Officer no Jon Archivist did not kill that man, also I won't tell you anything else, also this is what you sound like" while reciting all her childhood trauma and all her illegal activity that will get HER sent to jail for brutal murder of the non-pipe variety and now I'm like "....huh." He's also like "Jon didn't do it but you can kill him if you want maybe :)" Elias your alibi????
And then we come BACK with Jon storming Elias's office with his two lesbian bodyguards as back up and he's like "I'm gonna use my powers to make you confess to pipe murder!" At which point Elias is like "It doesn't work on me. But I'm having fun so Martin go get everyone I need to tell you all how I committed pipe murder." and Martin does and Elias is like "Yes I pipe murdered. I also killed Gertrude. I love murder. You will not be compensated extra for this time. Get back to work." And they... DO... just go back to work. Because work is haunted. One of the lesbian police officers works here now, too. This just happened. "Also living dolls from Russia are about to Apocalypse the world, Jon go stop it," Elias says, while also saying "no I'm not gonna tell you how to stop it."
Okay???? Mr. Elias man??? And you're like "maybe he's a ruthless tactician? Maybe he's brutal but it's all in the interest of stopping the doll apocalypse??? He wants to save the earth???" Except THAT'S not even true it's actually more like he's trying to get the Russian dolls kicked out of line at Disney World so HE gets to meet Mickey Mouse first by which I mean, start his OWN Apocalypse, because if the dolls do it first well then what's the point of apocalypsing a planet that's become someone else's sloppy seconds.
Anyway Elias's master strategy here is to bring the human equivalent of a drowned cat to the gun fight and just sit back and watch Jon fall down every set of stairs he finds while Elias goes "This is good. This will work." His name isn't even fucking Elias.
~ Aspirer of many things ~ ~ Lover of another many things ~
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