Wonderful Song Called “Not The Villain” By S. J. Tucker That’s Basically Roceit And That’s My

If you haven’t scrolled through Marshmello’s Twitter you have not experienced peak humor

It’s the truth and I should say it

do you do as-of-current unpublished scp's >:3 (if not.. 010-j)

So I honestly don’t know how to find the unpublished ones so here’s my hot take on totally-not-a-black-hole-bitch

Ssssssuck up

—Janus Sanders, SvS

Repost this, with one of your favourite Sanders Sides quote.

"oh my gosh, what is up your butt?"

"an aRM-"

This introduced me to some great artists— thank you!

It is super late, but we have a new SIDE TRACKS Spotify playlist for you all! This time, it’s our silver-tongued, slimy boy, Janus!! This one took Joan, Talyn, and I a long time to get just right. We hope you enjoy!!

https://open.spotify.com/playlist/7iTLGQA4ilnBZWyhq7jdBM?si=64QbXf6mS32ynYgki0W5EA

Looking at the Puppet walk in VR makes me realize how difficult it must be for Charlie to keep balance. That's why she's gunning for the office, can't loose momentum or she'll fall over like a cooked noodle.

FNAf 2 confirms she can float so she’s literally just doing that to be extra

Hey I’m still a huge daft punk fan that needs friends too. I’m so sad the fandom is quite dead atm....

All 12 of us in the fandom need to unite while we can before we’re all eradicated

I changed my mind: I am going to post my analysis of “Epilogue”, because you people seem like you could use some positivity.

(copy-pasted from a message, so it’s maybe a little disjointed. apologies)

it’s That Scene™ from Electroma. Thomas’ gone—but Guy-Man played a role in it. So, that = they’re done as a band, but it was a mutual (and maybe difficult) decision, one made among *friends*. that’s why it had to be Thomas’ death specifically—Guy-Man’s death was solo; Thomas’ was collaborative. then, we get Guy-Man walking away to “Touch”. as @madlyfluffy pointed out, something important happens (or, rather, doesn’t)—Guy-Man doesn’t die. to me, this choice indicates that while DP may be no more, that doesn’t mean *Thomas and Guy-Man* are done—as friends, as a collaborative unit, whatever. 

and it’s *vital* to note how “Touch” was used. the video doesn’t end with Paul William’s devastating final verse. it’s a new mix (!!!), repeating the chorus to the end. love never ends—and love is the answer, and love is home. there’s no pain or acrimony here. there’s only love and acceptance. 

on that note, there’s the “1993–2021” card. the fact that they’ve got their hands together shows they’ve gone together in unity. (aside: Idk if you saw, but Warren Fu, who designed the card, said DP worked on it *together* with him. again, I have no reason to believe there’s any ill will here. just acceptance of finality.)

(something that came to me after writing the message: Daft Punk’s final piece could very well have been that mix of “Touch”. they went out on a note of love.)

This boy because y’all are being gals choosin dinner out here