I Have Legit Been Thinking About This Post For Like. 3 Days.

so i tried doing a sans voice today, and this is how it went

very self explanatory voice work is done, still some other stuff i've gotta do but this'll do for the day

hi pssst i just saw your tags on my comic (thank you for enjoying it i AGREE we need more ptsd hank) and!!! if you wanted to voice it i’d be HONORED!!!!!!

OMG THX SO MUCH its going to be a bit before i can but i am going to eat this shit up :)))

request received, unfulfilled.

Meant to post these yesterday, but I finished a couple pride pieces for (ofc) this lovely month! First one I made for myself and a close friend of mine while the second is a commission for someone else I know. Both were very fun to do and were used as an experiment with my style of shading and lighting. I'm very happy with how both turned out, I think in the end they both look very lovely. :3

☆ My commissions are also open!

i love this cartoon too. i remember watching it for the first time and then thinking 'this is hank. this is who he is.' of course i was still very new to the fandom, but i was still hoping that hank had some notion of heroism, even though there is none to be found.

I want to talk about my personal favorite fanon interpretation of Hank.

It all begins with Hank driving through a ruined Nevada, not an uncommon scene at all in Madness Combat. This cartoon begins with the typical expectation, in classic Hank fashion he's on his way to cause untold violence unto those who wish him harm.

And in no time flat, Hank does exactly that. One by one, the bodies of AAHW begin to rack up, incorrectly colored blood Engineers and all. All in all, it's a pretty good action scene. Not the smoothest animation the Madness animation scene has provided, but pretty impressive for 12 years ago.

But here's where this cartoon changes pace, and begins to divert from your traditional Madness animation. We see Jeb and Sheriff, characters that we're used to seeing in an antagonistic role, promising a better Nevada with their brand new Factory. Kind of wild how this parallels Jeb's misguided attempts at saving Nevada in the main series, when this one aired in 2011, before we even had Nexus Classic to give us Jeb's backstory. It's clear this factory is doing Nevada no good, and the story changes from here.

Here we see a looming, massive tower, not at all unfamiliar to the sight of the Nexus Tower looming in the distance, a symbol of Nevada's destruction. This tower is no different, Hank looks over it and his goals are immediately recontextualized. Hank's violence suddenly seems a lot less meaningless, less fueled by the pure desire to cause chaos and to kill. Instead, the goal is clear. Get to the top. Destroy the factory. Save Nevada.

A familiar foe stands in his way. Is he up to his old tricks, to play with his old pal Hank, or is there something darker hiding beneath that metal mask? I always got the vibe that Tricky wasn't fighting for himself here, but rather because he had to.

After a prolonged battle with the Clown, we are greeted with a most unique sight in a Madness cartoon. Blue skies, green grass, flowing water. Serene music as the birds fly through the air. Hank looks alien here, like he doesn't belong, a product of a ruined world in a small bastion of perfection.

This is one of my favorite shots in the whole cartoon. Hank, this bloodthirsty killer we've come to know and love, doing something so very vulnerable and human. Reaching for the sun, basking in its warmth. Something he probably hasn't felt in a very long time. Something worth killing for, something worth dying for.

And die he does. With the last of his conscious self, Hank fruitlessly reaches for a flower next to him as he dies. Hank doesn't look any less like a foreign invader here, an entity from a world that doesn't belong here, and I really appreciate that contrast. This small gesture of him reaching for the flower speaks volumes on the kind of Hank this is, one who has some love for the world he so effortlessly murders his way through. Someone who, somewhere deep inside, wants that killing to stop. One who wants to appreciate life, instead of living in death.

Jeb doesn't look any less alien here, a savior twisted and corrupted by the doomed world he promised to save. Again I'm extremely impressed in how Pegosho managed to capture Jeb's moral ambiguity here, in spite of it being somewhat nonexistent in the cartoons at the time. I think it also says something that his halo appears to be more in line stylistically to the world around him, as he sticks out like a sore thumb.

Jeb's last moments are spent looking in awe at the corpse of his fallen adversary, with his own factory's slogan taped onto the bomb that's about to spell his doom. Say what you want about Mr. Wimbleton, but you can't say he doesn't have a flair for irony. Maybe it's spite, one last spit in the face of Jebus, or maybe it's because he really does believe in that slogan. He wants the world to be alive, and maybe he has to die to accomplish that.

My personal favorite shot in the entire cartoon. A massive tree, perfectly contrasting the intimidating tower producing a cloud of suffocating smog, now breathing life into this ruined world. Hank's sacrifice was not in vain, and though he didn't live to see it, he bought back a piece of life into the cruel and merciless Nevada. It's hopeful, it's beautiful, it's everything Madness normally isn't.

As we all know, Hank is acting very out of character in this cartoon outside of his murderous pursuits, but I enjoy and love it all the same. Again, this is a favorite fanon interpretation. This Hank has so many layers of depth to his morality, his goals, his violence, and he never speaks a single word in the entire cartoon. He simply acts. Through small gestures and actions we can glean his personality and how it contradicts his canon counterpart. It's really great.

I love this cartoon. It's called Madness: Ascend. Please consider watching it, in spite of its age, it's one of my favorites.

do you have a sheriff impression at all?

I do, actually, I just don't practice it a whole lot This clip is pretty throw together, but I think it shows it off alright

es krima

merry chrismta

hank would definitely call them several slurs

Play fire with fire.

i am a mosaic of everyone i have ever loved.

love changes you!

Torture the Machine [8/19/24]

"Mankind is dead.

Blood is fuel.

And Hell is full."

Here it stood. One lowly machine in the center of Heresy, scanning the red sky for any sign of life only to snuff it out.

Without chaos, blood, war... V1 would be nothing. All purpose would be gone. So it does only what it knows to do. Kill.

It's yellow lense quickly pierced the view of a Filth wandering aimlessly. If it didn't have a gun it could've easily decapitated the poor thing with just it's gaze. The machine wasted no time in slaughtering him, leaving nothing but bloody waste of the armless creature.

There wasn't much left but these Filth in Hell now. The only reason this old machine stays within Heresy is because this is where it fought Gabriel. Only the right hand man of God was a fulfilling fight to it. Something deep, something primal was triggered during their battles.

It's been searching ever since for that same primal feeling. You can only do so much with what little life is left in Hell. Yet it creates more. Only keeping the engines running and the chaos ever flowing, simply for it's own sick enjoyment.

V1 wanted to go back to the chaos of war, but all it could do was feed off the little crumbs Hell would give it to keep it alive just a little bit longer. Never dying, but never living. Nothing to satisfy that longing for battle, for showers of bloodshed to power it's prowess. All it could do now, amongst the blazing red silence was repeat the simple phrase in it's code.

"Mankind is dead.

Blood is fuel.

And Hell is full."