And Done, I Know You First Meet Her In Greenpath, But Like You Also See Her In The City, So It’s Fiiine

And Done, I Know You First Meet Her In Greenpath, But Like You Also See Her In The City, So It’s Fiiine

And done, I know you first meet her in greenpath, but like you also see her in the city, so it’s fiiine

Here’s the version without the text again, I loved drawing her needle the reflections felt satisfying lol.

And Done, I Know You First Meet Her In Greenpath, But Like You Also See Her In The City, So It’s Fiiine

I forgot to add my signature the first time around lol

More Posts from Sketchymorguefile and Others

10 months ago

Yoinking this for later.

got any tips for drawing backgrounds/environments? yours are just utterly stellar

hello and thankyou for the ask!! and for the kind words!!!

truth be told—i, myself, don't much know what i'm doing when it comes to. anything art related. my process involves a lot of flailing and nebulous feelings of what to do.

in addition, for me, my character art actually came after my work with scenery, so advice may be wonky as a result! this is simply what i have found for my own style.

for backgrounds of my style i have found:

focusing on shapes is good!! just like closer-up artworks, it's good to focus on silhouettes and general impressions. getting some nice shapes into the background, without adding much detail, can go a long way (this goes for objects, landscapes, lighting, what-have-you)

things that are in the background (or, generally, out of focus) tend to look lower in contrast. i will even fade some of mine into neutral colours so that the objects in the foreground/the objects of focus stand out more. values are important for separation!

it's helpful to keep in mind how different colours/lightings may affect one another (reflection and whatnot), too! all of my pieces tend to use quite limited palettes partly for this reason. colours from the background will find their ways onto your subject and vice-versa. that is not to say that background colours and subject colours cannot be different—contrast is good!! cohesion is also important, however.

1 month ago
Last Page Of My Sketchbook (52% Hollow Knight, 18% Jekyll And Hyde)

Last page of my sketchbook (52% hollow knight, 18% jekyll and hyde)

10 months ago

i watched one (1) video on how to draw hands that changed my life forever. like. i can suddenly draw hands again

I Watched One (1) Video On How To Draw Hands That Changed My Life Forever. Like. I Can Suddenly Draw

these were all drawn without reference btw. i can just. Understand Hands now (for the most part, im sure theres definitely inaccuracies). im a little baffled

7 months ago

Part 2 of my Hollow Knight gijinka thing!!

A drawing of a more realistic Vengefly King, its head is comprised of various masks, and skeletal arms in the shape of its pincers. Its body is also made from those same arms
A drawing of human Zote, he has a short stature with a dirty cloak, and a wooden nail and mask, both of which are painted over with white paint.
a drawing of troupe master Grimm as a human, he wears a long tattered cloak over a fancy suit and coat. his head is adorned with dark red horns, and a mask that resembles a skeleton. Drawn next to him is a bust of the Nightmare King variant, with his clothes hair and horns much more red, and glowing red mist pouring out of his mask.
A drawing of the collector as a more humanoid skeletal figure, he holds an empty jar in one of his hands
A drawing of the Pale King as a human, he wears a mask and crown, as well as a long intricate cloak. he has long and messy white hair. drawn next to him is a version without his mask and crown, revealing his face to be dark and stone-like. He lacks any proper facial features besides a mouth. drawn underneath the maskless king is a drawing of the king in his original Wyrm form. To the left of the drawing is a text that reads: "The Pale King was the first to popularise mask-wearing, as an attempt to present “more appealing” to the wider populace. Though almost no one revered his unmasked form in the slightest.  PK still follows the original hollow knight lore, originally being a Wyrm before becoming more human-like. His non-humanity aided him in being worshipped like a god."

Had a lot of fun with these ones. An idea I had for the more “animalistic” enemies in HK was to have them be conglomerations of discarded masks and corpses, the designs of which I took a lot of inspiration from the demons in Ultrakill.

I also had both the Grimm Troupe masks, and void related entities have a more ‘skeleton’ theming, it really makes the Troupe feel like more of a cult.

10 months ago

Stealing this. For reference.

Old Enemy Animation Attempt That I Never Finished :')
Old Enemy Animation Attempt That I Never Finished :')

Old enemy animation attempt that I never finished :')

10 months ago

Stealing this idea

A digital monochrome blue, low-contrast drawing of the Hollow Knight standing in a cave. The view is from its chest and up. The brightest color is its off-white horns, which branch and curl excessively tall like a tree.

imagine having tree genes. couldn't be me

4 months ago
Big Tall, Little Small

big tall, little small

6 months ago
A drawing of the Hollow Knight and Hornet sparring. They are both in the air with nail and needle drawn. Hornet's silk weaves around the page.

The sillys!!!

I have a lot of sketches sitting around I REALLY LIKE that I never do much with. I'm trying to be less self conscious about how unpolished a lot of my stuff is :')

1 month ago
Design Comm For A Bug Taxidermy Mage

design comm for a bug taxidermy mage

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I steal (like an artist), so I;d recommend you change ur locks, chum. (Most of this isn’t mine, if you didn’t already get that impression). If something isn't credited, that's because this is an art reference blog.

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