Rose O'Neill Knew What Was Up

This picture makes me so emotional... I would never hurt you, sensitive little damselfly

I write this as a joke but we found someone new this morning.

╰ 🌿

I...tried to make a meme and got carried away and made A Thing that is like partially unfinished because i spent like 3 hours on it and then got tired.

I think this is mostly scientifically accurate but truth be told, there seems to be relatively little research on succession in regards to lawns specifically (as opposed to like, pastures). I am not exaggerating how bad they are for biodiversity though—recent research has referred to them as "ecological deserts."

Feel free to repost, no need for credit

I can't stress enough how much I miss StumbleUpon

“We owe a debt to third world women theologians who have noticed the similarities between Mary’s life and the lives of so many poor women even today. Giving birth in a homeless situation; fleeing as a refugee with your baby to a strange land to escape being killed by military action; losing a child to unjust execution by the state; our newspapers yield up these icons of suffering even today. Mary is sister to the marginalized women who live unchronicled lives in oppressive situations. It does her no honor to rip her out of her conflictual, dangerous historical circumstances and transmute her into an icon of a peaceful, middle-class life robed in royal blue.”

— Sister Elizabeth Johnson, “Mary of Nazareth: Friend of God and Prophet” (via tigris-euphrates)

Reblog to go on a date with your monster. Like to give them a little gift.

Look under the cut to see what meeting your joyfriend is like.

1 you walk into a messy apartment, it looks like this is their first place where they live alone, away from other angels. They're sitting on a Lome mattress, cuddling a stuffed animal and watching TV. Despite everything they're still beautiful, their body youthful, and sexless, and athletic, their four white wings forever stained with blood. They look up at you with rose gold eyes, afraid, apologizing for if they scared you. But to their surprise you don't shy away from them, and somehow they feel safe and pure when you sit down to talk to them.

2 you see them in the shadows, alone in the dark of an empty park, changing shape, first a muscular humanoid in armor, then a wolf dancing through the night, then a combination of both, then finally a modern human in a ragged trenchcoat. Despite all their forms, their eyes are always the same. They come up to you and bow with a smile on their face. You slowly aproch them, for whatever reason their voice seems so familiar. You greet them with your hand as you would an animal, even as they're in human form, as you slowly pet their scars for the first time.

3 within the golden halls of an ornate train station you see them for the first time, through the crowd with inhumanly green eyes. They notice you despite everyone else. And you notice everything off about them, the wrong numbers of teeth, their hands occasionally having more or less then five fingers before returning back to normal. It's wordless but it doesn't need words for you to tell them that they don't need to pretend to be human around you. And for a momment you see them, naked, with branches for antlers, and the wings of a monarch butterfly, a serpent's head where a human’s genitals would be, and teeth made out of broken glass, and then only a rose exists where they once stood, but you know you'll see them again.

4 you see them for the first time in an empty parking lot, a massive creature with black eyes and countless legs, glowing yet dark, as they come twords you they take notes in an unknowable language. They inspect you as the dark matter pitter patters across your face. You expect them to hurt you as they reach out their claw but they only gently pet your head. You can tell that they're suprised, you're more receptive then most humans are. They give you a small peice of food to let you eat right from their claw, and it tastes batter then anything on earth.

5 you meet them in a café on a quiet side street. They don't like being seen by too many people. Their body is beautiful, but so inhuman, tall and slender, with silvery armor covering them from the neak down, their face pale and their eyes long since ripped out and replaced with red mechanical replacements. They're a bit afraid you won't be ok with them when you first meet them, but you start talking, and though they're shy at first they like the sound of your voice. They let you pet their head and they cuddle up to you, and their body is warm like a churning machine as you hug them for the first time, and they feel comforted in your arms.

6 you see them in a dark subway station. They clearly once were human, centuries ago, their body forever young, but pale and skinny, their eyes turned white and their mouth jawless and fanged like a lampry's. Their body is entirely sexless, barely shielded from the cold by a ragged suit. Most people avoid them, but you ask if they're ok and they just look up at you, when you ask if they're hungry they nod. You agree to give them some blood, and it feels like they're giving you little kisses as you offer them your wrist. When they're full you hug their cold body, and for a momment they're made warm.

7 an undead servent slowly brings them over to you in a wheelchair. Though their mansion is beautiful it's trapped in time, and dark even in the daytime. You can see the computer they're trapped in, it must be decades old by now. They look at you with an avatar meant to look like a drawing of themself, or at least how they'd want to look. Something about them makes you want to touch them, but you know you never can. You put your hand to the screen, and you can feel the magic flow through you, and for a momment that's enough.

8 you see them sitting there alone in a bar. A slender androgynous humanoid, they're wearing a black suit but upon closer examination it's part of their body, never to be taken off. You sit next to them, and they smile at you, you talk for a few moments and it's like they know more about the universe then you could ever imagine. They pet your head, and it feels like it'll kill you, but it only makes you feel more alive. They hand you a business card with their number on it, it says they're a servent of hades, they tell you you can contact them again if you like, they'll be around. When you look again they're entirely gone once more.

9 walking through an abandoned mall you see them, a life sized puppet, with stars and moons on its outfit, and a painted mask for a face. Coming closer to them you can see there's red liquid on them, and strange otherworldly bugs and mushrooms on their body. When you try to touch them they float in the air, and move as if they're alive, for a momment you think they'll hurt you but they run away. When you find them again, tracking them down to a dark arcade, you see they're crying. They expect you to hurt them but you reach out to help them instead, nobody's ever tried to help them like that before...

10 you see them ontop of a skyscraper's roof. They youthful human wearing a leather jacket smiling as a massive reptile, with bat like wings, and massive steel fangs, and a tail like a scorpion's flies down to them. You wonder if they'll try to calm it but instead they move together like one being, their eyes the same yellow color. The creature comes twords you, fire in its mouth, and poison in its teeth. You realize the two beings are one in the same, as the wyvern bows its head, ready for you to ride it, with its human body at your side.

11 for a momment they chase you through the night, the hooded masked figure running twords you, blade in hand. But as you cross the street they can't follow, it's as if they've hit a wall. The gods themselves have bound them. While you're in safety you look at them, there's a sadness behind that mask. You wonder, if they can't hurt you here, would there be any reason to hate them, would they choose to spare you if they knew your face, your voice...

12 all you can see is blackness, yet there is no darkness, only this slick metallic liquid around you. The lake bubbles up creating a false body with its fluid, first male, then female, then both, then neither. It beckons you in, and you know it would not let you drown. When you step inside all you can feel, all you can see, is the fluid around you, and you feel as if you're being held.

"I would notice if you switched!"

No. You wouldn't notice a person with DID switch unless you payed very close attention. DID is made to be covert, showing obvious and visible signs of switching can be dangerous for the system. Most alters/parts learn to mask and blend in to make it less obvious. Parts with very different personalities and mannerisms try their best to learn how act as the host for the systems safety.

- unknown

Hey, I just want to say that recently we've been engaging with people who go against one of our core beliefs without knowing and we're sorry to any of our followers who had seen this and knew. Won't name any names and also won't start petty user discourse.

Just know that this blog aims to be a safe space for those with personality disorders, psychosis, schizophrenia, and delusions while also maintaining being CDD and physical disability centric.

While we are anti-endo, we do not support the usage of words such as "psychotic" and "delusional" to describe endos and their supporters. There are much better, less insulting and less sanist adjectives.

If in the future we're reblogging from blogs who have a history of being ableist, sanist, etc, PLEASE do not be scared to inform us. Chances are we just don't know because we try to steer clear of user discourse. We do not want to give people like this a platform on our blog.

had to teach myself to "walk properly" and by that mean swing my arms slightly and have more spring to my step because people have pointed out that i walk as if i'm "floating" or "rolling on wheels"

also, active listening. but it's a common thing imo

I think one of my most autistic experiences is as a kid I had to teach myself how to swing my arms when I walk

It's interesting to me how much people struggle to intuit differences of scale. Like, years of geology training thinking about very large subjects, and I'm only barely managing it around the edges.

The classic one is, of course, the mantle- everybody has this image of the mantle as a sort of molten magma lake that the Earth's crust is floating on. Which is a pedagogically useful thing! Because the intuitions about how liquids work- forming internal currents, hot sections rising, cool sections sinking, all that- are all dynamics native to the Earth's mantle. We mostly talk about the mantle in the context of those currents, and how they drive things like continental drift, and so we tend to have this metaphor in mind of the mantle as a big magma lake.

The catch, of course, is that the mantle is a solid, not magma. It's just that at very large scales, the distinction between solids and liquids is... squirrely.

When cornered on this, a geologist will tell you that the mantle is 'ductile'. But that's a lie of omission. Because it's not that the mantle is a metal like gold or iron, what we usually think of when we talk about ductility. You couldn't hammer mantle-matter in to horseshoes or nails on an anvil. It's just a rock, really. Peridotite. Chemically it's got a lot of metal atoms in it, which helps, but if you whack a chunk of it with a hammer you can expect about the same thing to happen as if you whacked a chunk of concrete. Really, it's just that any and every rock is made of tons and tons of microcrystal structures all bound together, and the boundaries between these microcrystals can shift under enormous pressure on very slow timescales; when the scope of your question gets big enough, those bonds become weak in a relative sense, and it becomes more useful to think of a rock as more like a pile of gravel where the pebbles can shift and flow around one another.

The blunt fact is, on very large scales of space and of time, almost everything other than perfect crystals start to act kind of like a liquid- and a lot of those do as well. When I made a study of very old Martian craters, I got used to 'eyeballing' the age based on how much the crater had subsided, almost exactly like the ways that ripples in the surface of water gradually subside over time when you throw a rock in to a lake. Just, you know. Slower.

But at the same time, these things are more fragile than you'd believe, and can shatter like glass. The surface of the Earth is like this, too. Absent the kind of overpressures that make the mantle flow like it does, Earth's crust is still tremendously weak relative to many of the planet-scale forces to which it is subject- I was surprised, once, when a professor offhandedly described the crust as having a tensile strength of 'basically zero;' they really thought of the surface as a delicate filigreed bubble of glass that formed like a thin shell, almost too thin to mention, on the outside of a water droplet. On human scales, liquid is the thing that flows, and solid is the thing that breaks. But once stuff gets big or slow or both, the distinction between a solid and a liquid is more that a liquid is the thing that doesn't shatter when it flows. And it all gets really, really vague, which I suppose you'd expect when you get this far outside the contexts in which our languages were crafted.