I know what you're all definitely thinking. What if everyone from Gravity Falls was a chair. Well, I was bored enough at 3am to think about that too
Finally feel like I can say something coherent, so here goes... I say this without a shred of exaggeration: Akira Toriyama was legitimately one of the most important creative figures of the last 50 years. His work, especially Dragon Ball, has influenced SO much even outside its own medium. Movies, TV, cartoons, comic books, video games, MUSIC... all of it. You can see his fingerprints in so many other works. Even now, artists and writers, voice actors and animators, musicians and game devs are all mourning him and reflecting on the impact he had on their own work. Titans of anime and manga are sharing in this pain. The craziest thing about this though? The humility he had in spite of it. He was always reluctant to be in the spotlight, preferred to keep his head down and just work, never really worried that much about public perception of himself. Part of what makes him such an icon, man. Losing him is losing a piece of our shared history. It's something that resonates deep in the hearts of everyone his work touched. This is just... such a loss. And I can't even begin to imagine what his family is going through right now. Praying for them all. Rest in Peace to a literal Legend, an absolute Icon, and a personal inspiration in more ways than I could ever express properly.
I'm trying to prove something.
As much as I’d love to have a wholesome TMNT Crossover where instead of having to face the some worlds-ending horrors they all take a giant turtle-pile nap (because damn all these turtles need one) I know it can never be.
Because realistically, that sort of crossover would end with 2012!Raph trying to smother 2003! Raph with his pillow for snoring like a chainsaw.
Also, props to Allan???
He's a doll most people have never heard of. He got discontinued forever ago cause he was perceived as gay by consumers and they didn't like that.
But I love that he had an actual role in Barbie. He was very queer coded, yeah, but he didn't like when all the Kens turned to Patriarchy. He was so uncomfortable that he wanted to abandon Barbieland all together. He knew it was wrong.
And then he helped the Barbies get themselves back. He had a pink jumpsuit and sunglasses and went out all stealthy to get the Barbies in the van. He even voted at the end to keep the constitution the way it was.
Big Allan fan over here.
DON'T TELL ME HOW TO LIVE MY LIFE
all ao3 jokes aside, let’s all give thanks to the wonderful volunteers that are working hard to get the site back up and running so that homebodies like us don’t become stir crazy.
#I hope they feel like Italian today
this is how the cold war ended
Hot take: The Ultimate Spider-Man is the most thematically cohesive Spider-Man show I’ve seen.
All the Youtubers who rag on this show always point to individual scenes and lines as dumb and claim that the show has bad writing because of them. Frankly, I’ve found myself despising the writing on several shows that have a lot of good scenes the fandom goes wild over because the show’s theming is broken or outright missing. coughMiraculouscough
The thing about theming is that it can really work to enforce what your story is about. If your themes don’t work, vanish or aren’t even a consideration, your story is thin. Many current stories struggle with theming, by which I mean things seem to happen without reason. I’m not talking about just kids’ media either, adult shows also seem to have events strung together more just to be shocking instead of in order to say something.
It’s actually pretty easy to do a show-wide theme like family, friendship, the horrors of war or how broken people often have broken relationships. You just need to bring it up every now and again. The problem seems to be story arcs with themes. This is because having a theme in a story means building events up to a certain conclusion that supports said theme. It means predictability and there seems to be a weird allergy for that going on.
The theming in The Ultimate Spider-Man is actually very visible in its handling of the Venom arc. Youtubers with no concept of theming don’t understand why Harry Osborn becomes Venom. Here’s the thing: Harry’s relationships with both Peter and his dad begin deteriorating as soon as Spider-Man shows up. It’s also without him knowing it, in the case of Peter. “Venom” means “poison”. Spider-Man poisons Harry’s relationships with his dad and Peter. It’s poetic.
This is why it’s important that Peter starts off disliking his new teammates. They’re often literally getting between him and Harry, just like Peter’s duty as Spider-Man is figuratively between them, pushing them apart.
This is also why Harry becomes Anti-Venom as part of the arc that leads up to Peter revealing his secret identity to Harry. “Anti-Venom” is basically another word for a counter-poison. Their relationship is being healed, the poison is being countered. Fittingly, the story where Harry becomes Anti-Venom is also the one where Norman Osborn gets redeemed.
Harry becomes the Anti-Spider-Man, then he becomes Venom, then he becomes Anti-Venom and then he becomes Harry again. That’s an arc, those are themes. This show is good.
Video version