ocs are so cool. i love ocs. u guys ever heard of this
i also keep forgetting i have a whole pmv i scrapped together in 2 hours in feb that ive got sitting in my drafts to post whenever i want
i love them so much man
everything ALSO printed too big and cant fit on the page
my fucking gluestick ran out im auahggjkdjf
i feel nothing when finch just uses night's name in her head, but when she uses possessive pronouns for her i will cry vomit die roll around on the floor in agony etc
anyway I’ve been stuck on what in particular really kickstarts nights breakdown and I can’t believe I didn’t see it because OBVIOUSLY it’s because she sees, really sees, finch and the others doing violent stuff after starclan falls, and she realises that obviously it’s her fault because SHE saw that finch (with finch as a personification of all the df cats) was like that from the start (finch literally kills FOR night to get into the df in the first place) and in order to have any chance against starclan she ignored that and even like. cultivated that. so obviously finch isn’t the monster, it’s not finch’s fault, it’s hers. She’s the monster. and finch believes the opposite. anyway waht am I saying
night
Restless.
I never post here so I have crafted some mysterious OC ship art for you. Congratulations
Urmmmm I don't remember whether I've posted stuff about these guys at all in the last few months, but these are the two OCs I brainrot about the most: Ice (lighter one) and Pip (darker one). I've been working on their story lately which is a huge W for me because I'm allergic to actually working on my stories
The context for this is that they are sort of in love but the relationship is toxic. I'd say more but I don't want to give away spoilers (also because the details tend to change since I'm very indecisive).
I was asked how I make my characters fit the background with such minimal shading, and here's how I do it!
Starting point is just background + the base colors
Add a multiply layer on top of the characters. The color is usually eyedropped from the background, but just as often I just play with the hue/saturation/brightness slider. This layer usually has either high transparency or brightness so it doesn't become overpowering, especially if the background is light.
Airbrush the background colors lightly on top of some parts of the characters, usually the outer edges and the parts that should be in shade. I do this willy-nilly with a big brush.
Add color dodge as the last thing, and let it affect both characters and the background.
There's thousand other ways out there, this is just how I've done it!