Last Line Challenge

Twt loved it so I’ll throw it here too 🌝

Probably never finish this, but it’s pretty :)

the clone wars appreciation week  →  favorite clone

The name’s Rex. But you’ll call me Captain or Sir.

We are thrilled to announce that we are extending our preorder dates! Pabu Days will continue to be available for preorder until the end of December, making it the perfect holiday gift for any Bad Batch fan you know!

Old Cross can have an earring, as a treat

solavellan + being weird

I've heard it said that the appeal of the Solas romance is that he's a god who thinks Lavellan is a special princess. But this is clearly a misunderstanding, because the whole point of Solas is that he is not a god. He's ultimately just a weird nerd and I do not personally think he would fall in love with someone because they're a special princess. He falls in love with Lavellan because she's also fucking weird in ways that are partly similar to and partly complementary to his own brand of weird. 

It makes me think of the quote commonly misattributed to Dr Seuss about finding someone whose weirdness is compatible with your own. Solas calls Lavellan 'unique,' and yes, she is; but not because she's uniquely special and perfect but because her weirdness happens to be particularly compatible with his weirdness, and he's experiencing for the first time the astonishing bliss of finding someone who you really click with after a lifetime of never fitting in anywhere.

Crosshair loves to climb and Omega loves to tell him about the adventures they’ve been on | The Bad Batch happy on Pabu Series | x

Framing Forgiveness - Solas Atonement Ending (Romance)

There are a few things that stand out for me around Lavellan’s forgiveness of Solas in the Atonement ending. 

1) Only a romanced Inquisitor speaks words of forgiveness to Solas specifically 2) Lavellan’s forgiveness comes before Mythal speaks  3) Mythal does not ask for forgiveness 

Lavellan Forgives 

Forgiveness is not comfortable; it is controversial because it can be viewed as weak or foolish. However, it is an incredibly strong act of free will and when given in truth, it offers spiritual, emotional and psychological healing. It liberates the forgiver and the forgiven.  

I’m actually impressed that the devs made this choice in the game and chose to tie it to love, framing it as an intimate and emotional act - an act of love.  

Forgiveness is about choosing to let go of resentment, it breaks cycles of guilt and vengeance, it helps to shift beliefs rooted in self-loathing. It does not erase what has been done. But it grants Lavellan agency. To forgive is to refuse to be defined by suffering. She is not the victim of his betrayal but takes ownership of how this story ends.

And what makes forgiveness powerful is that it forces the forgiven to see themselves through the eyes of the forgiver. For a man who has spent so long seeing himself as the villain, the betrayer, the destroyer - what must it be like to be met, instead, with grace – from the woman he admits he betrayed? 

One of the more difficult aspects of forgiveness, and why some may struggle with it, is that it isn’t always earned. Some don’t like that Solas could be forgiven before he has earned it. But the game doesn’t present forgiveness as a reward – it presents it as a gift. And that is when forgiveness is at its most powerful, when it can change a person, when it offers healing.  

Limiting the forgiveness to a romance is interesting. To have all characters forgive Solas would have made forgiveness feel like a general moral principle, rather than the personal act of emotional transformation I think Veilguard was going for in the Atonement ending. It also offers the idea that true redemption begins with love, not with punishment. If we only forgive someone when we feel they have fully atoned, then forgiveness is not about grace, it’s a transaction.  And that’s the messy thing about forgiveness, it comes first, when there is no guarantee that the forgiven will atone.   

I think for Solas’ arc, that gift of forgiveness is highly symbolic and impactful considering his history.  

And I love that the devs chose to position her forgiveness ahead of Mythal.  

Lavellan’s Forgiveness Before Mythal’s Release 

Sola's life has been dominated by Mythal – a bond as profound as it was painful.  With Lavellan offering forgiveness before Mythal speaks, she is standing independently from Solas’ legacy of entanglement with Mythal, away from all that pain and regret. 

Lavellan’s forgiveness is not divine or bestowed like a ruler pardoning a crime – her forgiveness is mortal, intimate and human.  By positioning this before Mythal, we are reminded of his humanity, but also of his personal connection to Lavellan, that she symbolizes a place for him to belong as himself – as Solas. He was Solas first, after all.  

Solas’ turning point isn't dictated by Mythal’s authority alone, but also by this personal moment.  If we, the player were only given Mythal’s voice at the end without the voices of Rook and Lavellan before her, it might have felt like a convenient way to absolve Solas of his guilt.  Instead, this gradual approach – Rook’s appeal, Lavellans’ forgiveness and then Mythal’s release – make this emotional shift feel earned rather than a deus ex machina moment.  

Mythal Does Not Seek Forgiveness Nor Offer An Apology 

If Mythal had asked Solas for his forgiveness, it would have acknowledged that Solas had power over her in that moment.  By having Mythal not seek forgiveness, the game reinforces that their relationship was never truly equal, that Mythal always dictated the terms.  Mythal had to be the one to dictate the terms of their parting.  It is also a fascinating exploration of their differences – Solas carries guilt, Mythal carries responsibility. She acknowledges they did many wrongs together, made terrible choices together, but she does not seek emotional resolution for it. 

If Mythal had apologized it would suggest that the past can be undone, old wounds closed.  But Mythal doesn’t give Solas any of that. This is very fitting – Solas' entire story has been about trying to fix his past mistakes.  Mythal’s lack of apology forces him to accept that some things cannot be undone and she denies him an easy emotional resolution. Instead, he must find his own way forward, despite the wrongs he did.   

Lavellan’s Forgiveness – Mythal's Release 

Mythal releases Solas as a leader releases a soldier. Lavellan stays as a lover choosing to stand beside him. Mythal says “I release you.”, Lavellan says “There is no fate but the love we share.” Mythal’s statement is about a duty ending.  Lavellan’s is about love enduring.   

But Solas’ fate is in his own hands now – and that moment where he looks back at the tear in the Veil, he is choosing.   

I feel like I need to add that this isn’t about diminishing Rook here. Rook offers a chance to atone - tied to duty. Returning the dagger to Solas is a gesture of trust, an acknowledgment that he still has a choice - but it comes with an expectation: bind yourself to the Veil. Set things right. Like Mythal, Rook does not release Solas from consequence.  

But this post is focused on forgiveness - its power, and that Lavellan offers the personal, emotional resolution that Mythal withholds.

I really appreciate the game having the courage to incorporate forgiveness into this world state. To offer grace as an aspect of this story’s ending is beautiful and fitting in the Veilguard setting, a game where many of the companions have to walk through their own forms of forgiveness and letting go.  

Forgiveness can be uncomfortable because it challenges the idea that justice is solely about punishment. It forces us to reckon with the full complexity of a person - not just their worst actions. In Solas’ case, it requires seeing him as more than the sum of his crimes - it demands acknowledging that he was not only a destroyer but also someone who cared, who loved, and who suffered. And by contrast, it demands viewing Lavellan and her forgiveness in the same light - not as naive or weak, but as someone making a deliberate, choice of strength to see beyond her own pain and shape what comes next.  

🥹🥹 the two men we need to see spend more time together @hellhound5925

This, but make it Solavellan 😍👀

‘Lamia and the Soldier‘ by John William Waterhouse, c. 1905.

i'll miss the old armor but i had to draw the new look