All of these books are queer, but they all have back blurbs that don’t say they’re queer. While this can be a pain if I’m scouting for queer SFF, it can come in handy for people in a situation where they don’t want to be reading queer books openly.
Please do note that I don’t have hard copies of the books on hand so it’s possible that an author quote or something mentions one being queer (I feel like this isn’t super likely, but I don’t want to rule it out). Some might also have author biographies mentioning that the author is queer. Also, some may be shelved as LGBT on Goodreads or categorized as queer on Amazon. So if you’re planning on asking for any of these as holiday gifts, I would suggest going to the Amazon page or where ever your relative is likely to buy it from and double check that it’s something you’d be comfortable with sharing openly.
I wish I had more pansexual books, but the ones I know of tend to mention queerness in the back description.
With the exception of The Spy with the Red Balloon, these are all books I have read or are currently reading. If you want to recommend others, feel free to do so in the replies!
You can find my other queer book recommendations here.
Links to the queer books database (or Goodreads if the book hasn’t been added yet) are available below the cut. You can find information on content warnings there.
Keep reading
Hi all, Normally I keep this blog focused on writing advice and steer away from politics, but with the COVID-19 pandemic raging and all the accompanying uncertainty about our future post-climate change, I’ve been thinking a lot about what it means to be a writer on a rapidly changing planet. What’s our responsibility in a time like this? What kind of stories do we need right now? Is it even possible—or desirable—for our individual creativity flourish when we’re scared for our very lives? With that in mind, I wanted to offer my thoughts on how to renegotiate your relationship with your writing during this crisis, as well as some proposals for how to navigate the changes to come.
Did you think being stuck at home, underemployed, and/or socially isolated would translate to more time spent on your writing… Only to discover, um, it didn’t? You’re not alone. While shutdowns, quarantine, and self isolation may be theoretically creating conditions that give you lots of time to write, many writers are more blocked than ever right now. Here’s why.
You’re Terrified. Even in the best of circumstances, writers under capitalism are regularly paralyzed by the fear that spending time on their writing is “unproductive” (read: non-income producing), frivolous, or even reckless. So it makes sense that it would be difficult to put time into a purely recreational creative activity given the heightened survival fears arising from these extreme circumstances.
Your Stories Suddenly Seem Irrelevant. Even if you can get yourself to sit down and write right now, crisis conditions can create an existential angst that causes you to question whether what you’re writing is still relevant, important, or helpful to others. Personally, I haven’t been able to write in days. Prior to this outbreak I was working on a darkly whimsical fairy tale about a monkey and a bear that escape from the circus. I thought it was relevant and deep—the story deals with themes of feminism, transformation, and survival under capitalism. But under the bright light of a viral pandemic, stories that once seemed deeply significant can suddenly feel like irrelevant fluff.
You Don’t Know How to Do Anything Different. Let’s face it—your pre-pandemic writing life was created to work well with your pre-pandemic life life. Now that your life has changed, you need to change your writing habits, too… But you don’t know how to do anything different. So you either freeze up and get nothing done, or try to ignore what’s happening and charge ahead like nothing has changed. Neither of these techniques work well, though. Now that your life is different, you need to do something different with your writing.
Warning: I’m not going to urge you to stay the course and push ahead with your normal writing life against all odds. I don’t think that advice is realistic, and frankly it’s not responsible, either. Creative people are the vanguards of social change. If shit is going down, it’s our job to innovate and pivot, not to cling like barnacles to the status quo.
First thing’s first: Lower your expectations. You might need to throw all your old plans (“I’m going to finish my novel next month!”) out the window. You might not be able to write as much, or as often, or about the same things you used to. That’s okay. Be gentle with yourself. See if you can write for ten minutes a day. Use an internet blocker to give yourself a break from the constant, anxiety-producing COVID-19 updates you’ve been reading since you woke up. Turn off your phone. If you can’t make any progress on your WIP, write something else.
There’s going to be a lot of pressure from the mainstream to keep things “business-as-usual” during this time. Fuck that. You’re not a robot. Write in a journal, or on social media, or don’t write at all, really, it’s fine. Lay down and cry. Let what’s happening touch you. As a creative person, we need you to absorb and process this crisis so you can write something that gives insight into our present and creates a vision for our future. If you need to take a break, change course, or give up for a while, do it.
If your WIP suddenly feels irrelevant to your life and the world around you, write something else! Try a new story, new characters, new themes. If you usually write fiction, try nonfiction. If you’re anxious about our future, imagine a new one. If you’re angry about losing your job, write about that. And if all you can think about is the Coronavirus, for god’s sake write about the fucking Coronavirus. Remember: Our old stories got us here. If they feel stupid now there’s a good reason. Things are changing. In order to co-create a better future we’re going to need new stories, new art, new creative work that deals with our current reality and shows us how to make a better one. Let me repeat that:
We need new stories. The lone wolf hero who conquers all odds; the hetero-normative romance that results in an isolated nuclear family unit; the super special person who alienates themselves with a droney inner monologue of me me me wah wah wah but never has their come-to-jesus moment; the capitalist success stories and pessimistic dystopias… these old, status quo, individualist narratives will no longer serve us as our environment becomes increasingly inhospitable and industrial capitalism disintegrates.
The Coronavirus is not a fluke. The world is changing, fast, and we need writers like YOU to step up their game. The stories we tell each other matter. We need writing that teaches us how to take care of each other. How to trust each other, come together, and heal the wounds of fear and distrust that this brutal, competitive economic system has left behind. Writing is a powerful medium for change and we’re in a unique position right now (lots of time on our hands, very little left to lose) to take advantage of that.
It’s not going to be easy. Toeing the line is often highly rewarded. To make matters worse, in the short run, as people are quarantined in their homes with only online interactions and books to keep them company, there will be an increased demand for mindless, comforting, status quo media—movies, TV shows, fiction, etc.—that perpetuates old ways of thinking and does nothing to hearken the change we need right now.
Some people would argue that brainless entertainment and comforting fluff has its place, too, and overall I agree with that. It’s true we need distraction, entertainment, humor, and beauty in times like these. Every piece of creative work doesn’t have to scream out an Important Message. (It’s also true that there are already lots of awesome, relevant stories being told. It’s not all shit out there.)
But if you, like me, feel the tug to create work right now that feels more significant, while at the same time struggling with the pressure to conform to the status quo, I urge you to be courageous enough not to take the bait.
In times of insecurity and flux, it’s common to default to familiar behaviors and narratives. How can we do something different when we’re so freaked out? How do we discover and create stories that feel connected to our new reality… when we don’t even know what that reality is yet? How do we establish new writing habits when things are changing on a daily basis?
Grieve your losses. We’re experiencing devastating personal, social, financial, and environmental losses on every scale right now. The ice is melting and the forests are burning, people are dying and animals are going extinct… but that novel you started last year that you were so excited about may also be dead. Take time to be sad about it, all of it. Ignoring this pain won’t make it go away. If you feel overwhelmed and don’t know what to do, cry. You might be surprised what possibilities open up once you let yourself feel it.
Start small. Begin with today, right now. Don’t make any big, longterm plans; they’ll probably change anyway. Figure out how to make 10 minutes today to write something that speaks to you. If you can’t conceive of a novel, draft a short story. If you can’t write a short story, write a poem or a social media post. Take a look at your WIP and see what needs to change to make it feel more valuable and interesting to you right now. Read something that inspires you.
Connect with others. Talk to other writers about how they’re handling this time, what they’re writing and thinking about. Stay close with your chosen family. We may have to physically isolate but now is not the time to be cut off from others.
Be kind to yourself. Part of what we need to say goodbye to right now is the constant inner criticism put in our heads by a global elite who have deeply invested in our insecurity, self-hatred, and fear in order to further their selfish profit-making agendas. Like, their time is DONE, and one way to give them the proverbial fuck-you is to be super duper sweet to yourself and those around you. Shit is really scary right now. You’re doing great.
Contact me. I’d love to know what’s going on for you during this pandemic and how I can support you and your writing. I might not be able to individually respond to every message, but the more I understand what’s going on for folks the better I can create stuff—blog posts, etc.—that helps. xo
Graceling By Kristin Cashore ⭐️⭐️⭐️⭐️⭐️ I absolutely loved this book. Yes, I’ve said that before for other ones but this book was such a fun adventure to go through and the main character developed sooooo much to be such a great person. The book is about a graced young woman who doesn’t have really any friends and is almost completely under the control of her twisted King. If you like adventure, a little bit of romance, and action I highly recommend this book to you!! Can’t wait to read the other two books corresponding with this one.
The Year We Fell Apart by Emily Martin ⭐️⭐️⭐️⭐️ I loved this book. The author did a great job of giving the main characters very easy to follow yet quite complex backgrounds and personalities. I thoroughly enjoyed the storyline and was very satisfied by the ending. I recommend this book to anyone that likes a nice YA novel and/or the author Sarah Dessen.
Fall Books
i am overcome with the urge to deal out unsolicited writing advice
The Lightning Thief By Rick Riordan ⭐️⭐️⭐️⭐️⭐️ This was a pretty darn awesome book. It was my first time reading and I’m just about to start the second so I definitely approve of it. My one and only thing to point out here is that there are some errors and stuff like that throughout the book that were so minor that most people might not notice them but I did. All in all it was an awesome book and I’m looking forward to the rest of the series. I totally recommend it!!
It’d been years since he’d last seen him, but there was no mistaking that crooked nose or the mole above his left eyebrow. Nothing was left of the sunny little boy he’d caught sneaking crumbs from his birthday cake, but years of missing his older brother couldn’t have possibly been easy for him.
- Excerpt from one of my WIPs
Instructions For The End Of The World by Jamie Kain ⭐️⭐️⭐️⭐️⭐️ I absolutely loved this book. The relationship between Nicole and Izzy, her sister, developed dramatically through the book but not under very nice conditions. Nicole's view of her dad, whom she always listened to without question before, changes as well and it's surprising to look at how much backstory was given to her parents compared to many other books I've read. I recommend this book to anyone who likes to read YA books or just likes reading in general because it's definitely an enjoyable story.
Sonja | They/Them 🏳️🌈| 18+Hello and welcome to my blog! Here you’ll find posts about both reading and writing, as well as the occasional book review!Icon made w/ @adriabun’s picrew
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