Realised O Have A Habit Of Just Randomly Never Going Back On This Forsaken App. Don’t Know If It’s

Chat-noir: when you think about it us holding the power over abstract ideas like creation or destruction or illusion is in some ways terrifying in how we’re gifted these things and told “hey save people and don't become bad” and yet there's nothing ‘bad’ to fight against other than our own thoughts and creations within humanity. If the miraculous didn't exist there’d be no hawkmoth to fight and yet I know I wouldn’t nor would any of us really give up our miraculous because we’ve become to attached with the power coursing through our veins as well with our kawamis and our team. kinda whack huh  everyone else at the team meeting: e-excuse me???  Ladybug: ignore him he gets like that some times. Hey chat you want a brioche  chat-noir: yes please m’lady 

You know I do think it's interesting how strongly Fullmetal Alchemist (2003) makes the point that bringing someone back from the dead is inherently selfish.

I've seen it elsewhere but not nearly as unequivocally and plainly put. First, we have Majhal in episode 4 - an alchemist so obsessed with bringing back his dead love, he completely fails to notice that she survived and returned to him. And even once the truth is revealed... he rejects her, since she's not the ~perfect girl~ from his memories, but an old woman - an actual person, with an actual life.

And if you missed it there, we then meet Tucker, so obsessed with keeping his lifestyle and success as a State Alchemist he does, you know, that. And then he goes on to become obsessed with bringing her back - but not her, not really, as he straight-up tells Ed in the 5th laboratory - he wants the girl from his memories, the perfect, unchanging doll.

Both times, we see that those obsessed with bringing someone back from the dead aren't interested in bringing back a person, with thoughts and feelings and their own independent life to live - no, they want their idea of that person, the glowing angel who could never change, never grow, and never go wrong. And that also goes for Ed and Izumi too - Ed was so obsessed with bringing his mother back that he ignored Pinako, ignored the family that took him in, and selfishly put his brother's life at risk... for which he paid the price. Izumi lost her ability to have future children, any of them, stuck on a dream on the child she could have had. Both didn't want that mother/child - they wanted their loved ones, the ones they dreamed of, not the ones that were actually there.

Most times resurrection is brought up in media, it's with the lesson that "oh, the cost is too high", "oh, you're disturbing their rest", "oh, they don't come back right." It's rare to see it put so clearly, so obviously, so horrifically that actually, no, even the fact that you attempt it - even the fact that you want to - is an inherently selfish act, that turns your back on life and the living to chase a dream that may not have ever existed.

It's an interesting take on the whole idea, of death and life and memory and obsession. For all that 2003 dropped the ball on the ending, I do love the development they gave to the characters!

the most unrealistic thing about this show is the lack of field trips. like where’s the geography kids going to visit some random ass gardens in London that apparently have fancy plants but you went during winter because your schools thick as shit so all your seeing is dead grass? where's the drama kids being taken to a play for their GCSE only to realise taking 30 kids on a train who all think they know better then you and probably do is actually hell on earth?  wheres the history students going to the britihs mueseum and laughing over the naked statues ( aka the genetalia because teens are dumb) and whining that their feet hurt and buying way to much gift shop items for students who refuse to pay for food in the diner? like okay no I get not showing the first two ideas but for a show that literally revolves around a history time period them NEVER visiting a museum ( and no the display thing held in the library doesnt count) is such a pissy thing to do.  like imagine Fabian and Nina sneaking off to look at the egyptian part, Jerome and alfie trying to pretend to be art critics to pick up ladys b ut they accdentally start speaking to someone really smart and Jerome sorta hoes “oh shit...im into this please tell me more) and Alfie is pissed because ???? what no their meant to mock the posh twats who like this stuff together! and Patrica and Mara both trying to distract the teacher from realising their missing 2 studetns but for completely different reasons. Patrica because she knows why they’ve gone, mara because she thinks they’ve snuck off to make out and honestly ? ya girls proud of Fabian for finally getting a date that ISNT a picnick so shes willing to extend how long it takes for her to read each induvisual info plack. Mick is just trying to rember how to read and Amber is complaining about how the fashion is so cool why cant they focus on that instead 

drag queen Arisu. drag queen Arisu. drag queen Arisu drag. queen. Arisu

Is hatter a himbo? He feels like a himbo

Hearing Aang over explain how bending works each episode is genuinely so annoying. Now listen, I know the original show also has info dumped about bending. But at appropriate times! 

It feels like whenever Katara is bending with Aang around he just takes the time to say how air bending works. And then Katara can magically do the move. It doesn’t draw this obvious distinction between the bending forms, if he had said that for air benders it's about blah blah or if he had mentioned how a friend used to do an exercise where they follow the push and pull of the ocean that would be decent. It would show the difference, show how Aang as a bending master can be helpful, but also how he isn’t a stand-in for an actual water bending master and also explain why HE can’t just start water bending like a genius. 

I think a lot of the issue stems from making Katara an idiot when it comes to water bending. She couldn’t even draw a water droplet up in the live action, yet in the animated show she was teaching aang during the first few episodes what she DID know. This allowed for the two benders to play off each other, to explore Kataras own self-worth issues when it comes to being the last bender of her tribe, and also explore how Aang's inability to self regulate because he is 12 can unknowingly hurt his friends. But in the live action, Katara isn’t skilled, she can’t do anything, they literally remove the entire fighting scene of Zuko's ship which is SUCH an important moment for Katara and her bending! It's frustrating. Honestly if she can’t even teach herself to lift a water droplet on her own I don’t have that expectation of her growing into a master bender status once she DOES learn the actual forms. It's her determination, her natural ability, her attempts to use her bending to help that make her a really interesting and powerful character in the early episodes of season 1. She doesn’t have that in the La and any sense of natural talent or personal experimentation is replaced with Aang going “well the monks said-”.

No Aang, the monks didn’t say anything because Air bending and water bending are different bending  forms!

Chat Noir:

As a child Arisu got mad that he wasn’t allowed to light his own birthday candles so he stole the box of matches and hid in closet to play with them. However the door got jammed and he couldn’t get out of the closet. To make matters worse the matches then caught the clothes on fire. He was trapped in that closet for a while before his parents found him but strangely he had no burns 

My one thing I want in life is a deep 50k word social media mutuals who sometiems talk, to accidental pannel hosters together, to friends, to sorta awkward frenemies back to friends, to lovers Aguni/Hatter fic set as them like cosplayers. Aguni does more like video game cosplays and Hatter does more action movie/ cool tv show cosplays and shit.  Oh and also like sleep. Sleep would be nice aswell