Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
money is such an underrated accessibility option.
like people want to think any disabled person who is after money is morally suspect some way, because they're not asking for "treatments" or "accommodations" like a lot of our issues can be fixed way more easily with money. can't drive? paying for a taxi is often one of the more accessible alternatives. can't cook? you can pay more to have prepared food delivered to you. food restrictions? that food straight up costs more money. can't clean? you can pay for someone to do that. house inaccessible? having (lots) of money can help with that, you get the gist.
having money won't make us abled. it also won't stop our symptoms from being distressing, painful, or debilitating. but there's a huge gap in experience between the average poor disabled person and someone who's actually wealthy. you can buy your way out of some of the difficult situations most disabled people are left to rot in. wanting money, needing money, asking for money is pretty natural when it's such a useful tool. why get so weird about disabled people wanting money like i'm pretty sure everyone wants money anyway
π¦π±βπ° π«π¬π± π¦πͺππ¬π°π°π¦ππ©π’ π±π¬ ππ’ π°ππ±π¦π°π£π¦π’π‘
i think people (men and men-simps) miss a crucial aspect of women hating men.
the harm it inflicts.
if a woman hates men and is vocal about it, the worst that happens is she alienates the men in her life and hurts some feelings.
but that's the extent of it. our society doesn't discriminate against men. our society doesn't value women's contributions over men's. our society doesn't sexualize men the way it sexualizes women. men aren't generally viewed by society as a commodity or a prize at the end of the battle or a reward for being a decent person. our society doesn't view men as tools for sexual gratification and nothing more. "misandry" is low-stakes.
and it's borne of misogyny. men hate us, men oppress us, men violate us, men have built the world to tear down our self-esteem and minimize our worth, men assault us, men are in charge and then they pay us less and don't promote us, men control our bodies and send us to prison if we don't act as incubators against our will, men view us as free maids and mothers and shoulders to cry on before using our holes for their own enjoyment. we don't know which man will hurt us like this by looking, we act suspicious and they tell us we're paranoid we trust them and get hurt and they tell us we should've known better.
of course we hate men. men oppress us in all facets of society and despite decades of progress we're still suffering under them, and it's getting worse with the overturn of Roe v. Wade and the election of a rapist into our nation's highest office because America hates women more than it hates rapists. it's to be expected that we would hate men.
and before the terf accusations pile on, i do not count trans women as men. i support anyone joining Team Woman. my goal is to smash the patriarchy, not other women.
yeah, itβs like that atwood quote about how men are afraid that women will laugh at them while women are afraid that men will murder them
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
dentist
distillery
docks
dovecot
dyer
embassy
farmer's market
fighting pit
fishmonger
fortune teller
gallows
gatehouse
general store
graveyard
greenhouses
guard post
guildhall
gymnasium
haberdashery
haunted house
hedge maze
herbalist
hospice
hospital
house for sale
inn
jail
jeweller
kindergarten
leatherworker
library
locksmith
mail courier
manor house
market
mayor's house
monastery
morgue
museum
music shop
observatory
orchard
orphanage
outhouse
paper maker
pawnshop
pet shop
potion shop
potter
printmaker
quest board
residence
restricted zone
sawmill
school
scribe
sewer entrance
sheriff's office
shrine
silversmith
spa
speakeasy
spice merchant
sports stadium
stables
street market
tailor
tannery
tavern
tax collector
tea house
temple
textile shop
theatre
thieves guild
thrift store
tinker's workshop
town crier post
town square
townhall
toy store
trinket shop
warehouse
watchtower
water mill
weaver
well
windmill
wishing well
wizard tower
(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.
βΆ Sarcasm as armor.Β (Break it with someone who laughs gently, not mockingly.) βΆ Hyper-independence.Β (Break it with someone who shows upΒ even when theyβre told not to.) βΆ Stoicism.Β (Break it with a safe space to fall apart.) βΆ Flirting to avoid intimacy.Β (Break it with real vulnerability they didnβt see coming.) βΆ Ghosting everyone.Β (Break it with someone who wonβt take silence as an answer.) βΆ Lying for convenience.Β (Break it with someone who sees through them but stays anyway.) βΆ Avoiding touch.Β (Break it with accidental, gentle contact that feels like home.) βΆ Oversharing meaningless things to hide real depth.Β (Break it with someone who asks the second question.) βΆ Overworking.Β (Break it with forced stillness and the terrifying sound of their own thoughts.) βΆ Pretending not to care.Β (Break it with a loss they canβt fake their way through.) βΆ Avoiding mirrors.Β (Break it with a quiet compliment that hits too hard.) βΆ Turning every conversation into a joke.Β (Break it with someone who doesnβt laugh.) βΆ Being everyoneβs helper.Β (Break it when someone asks whatΒ theyΒ need, and waits for an answer.) βΆ Constantly saying βIβm fine.βΒ (Break it when they finally scream that theyβre not.) βΆ Running. Always running.Β (Break it with someone who doesnβt chase, but doesnβt leave, either.) βΆ Intellectualizing every feeling.Β (Break it with raw, messy emotion they canβt logic away.) βΆ Trying to be the strong one.Β (Break it when someone sees the weight theyβre carrying, and offers to help.) βΆ Hiding behind success.Β (Break it when they succeed and still feel empty.) βΆ Avoiding conflict at all costs.Β (Break it when silence causes more pain than the truth.) βΆ Focusing on everyone elseβs healing but their own.Β (Break it when they hit emotional burnout.)
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"βwhen scenes feel like theyβre happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
You donβt need to describe everything in the sceneβjust pick a couple of specific, memorable details to bring the setting to life. Maybe itβs the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Instead of just focusing on what characters can see, try to incorporate all five sensesβwhat do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Sometimes, the setting can do more than just provide a backdropβit can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to whatβs happening symbolically.
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner cafΓ© down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!
Soooo maybe an oddly specific question. Could you recommend your favorite books about politics in the last decade? Or even in the last 20 years? My school sucked and I'm trying to learn about modern politics on my own but there's so much content available that I'm lost. And you're very smart and read a lot, so I'm hoping you have recommendations. Thanks!!!
Omg thank you, I do read a lot so Iβm glad someone appreciates it.Β
Here are my top 20 books on politics and related sociological issues. I included some of these in a list I made over Christmas but I'll add to it here, and most are from the last 20 years.Β
This Town: Two Parties and a Funeral β plus plenty of valet parking! β in Americaβs Gilded Capital by Mark Leibovich
They Were Her Property: White Women as Slave Owners in the American South by Stephanie E. Jones-Rogers
The Destruction of Hillary Clinton by Susan Bordo (pair with What Happened by Hillary Rodham Clinton)
All the President's Men by Carl Bernstein
We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates
Caste: The Origins of Our Discontents by Isabel Wilkerson
The Cruelty is the Point by Adam Serwer
Why We're Polarized by Ezra Klein
Women & Power: A Manifesto by Mary Beard
The Soul of America: The Battle for our Better AngelsΒ by Jon Meacham
This Will Not Pass: Trump, Biden, and the Battle for America's Future by Jonathan Martin and Alexander Burns
Political Fictions by Joan Didion
A Promised Land by Barack Obama
The Origins of Totalitarianism by Hannah Arendt
Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin
The Optimistic Leftist: Why the 21st Century Will Be Better Than You ThinkΒ by Ruy TeixeiraΒ
The Perils of βPrivilegeβ by Phoebe Maltz Bovy
Both/And by Huma Abedin
Renegades by Barack Obama and Bruce Springsteen (usual recommendation to listen to their podcast)
Beautiful Things by Hunter Biden (As you can tell by the below excerpt, Hunter Biden is me fr fr)
It is incredibly important to train yourself to have your first instinct be to look something up.
Don't know how to do something? Look it up.
See a piece of news mentioned on social media? Look it up.
Not sure if something is making it to the broader public consciousness, either because you don't see it much or you see people saying nobody is talking about it? Look it up.
Don't know what a word means? Look it up.
It will make you a better reader and a better writer, but it will also just make you more equipped to cope with the world.
So often, I see people talking about something as though it is the first time anyone has ever acknowledged it, when I've been reading reports about it on the news for months or years. Or I see someone totally misinterpreting an argument because they clearly don't know what a word means--or, on the other hand, making an argument that doesn't make sense because they aren't using words the right way.
Look things up! Check the news (the real news, not random people on social media)! Do your research! You (and the world) will be better for it.
Questions Your Character Is Too Afraid to Ask
(But desperately needs the answer to) Because these are the thoughts they wonβt say out loud, but they shape everything they do.
If I stopped trying, would anyone notice?
Do they actually like me, or do I just make their life easier?
Am I hard to love?
What would they say about me if I left the room?
Would they stay if they saw the real me?
What if Iβm only good at pretending to be good?
Was it actually love, or just obligation?
What happens if I fail again? Whatβs left of me then?
How long until they get tired of me?
What if I deserve the things Iβm afraid of?
Am I healing or just hiding better?
Why do I feel more myself when Iβm alone?
Do I want to be forgiven or just forget?
What if I never become the person they believe I am?
Am I still angry, or just numb?
Why canβt I let go of them, even after everything?
If they hurt me, and I stayed, did I hurt myself more?
Am I building a future, or just distracting myself from the past?
Is this what I want, or just what Iβve been told to want?
What if I was never meant to survive this, but I did anyway? Now what?
Reactions to⦠getting betrayed
Reactions to⦠getting kissed
Reactions to⦠the other being jealous
Reactions to⦠seeing someone again after a long time
Reactions to⦠being stuck somewhere
Reactions to⦠a love confession
Reactions to... being punched
If you like my blog and want to support me, you canΒ buy me a coffeeΒ orΒ become a member!Β And check out myΒ Instagram! π₯°
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