Speedilyimportantnerd - Diabolic Logic

Hey so “all men are trash” posts help terfs

I’ll explain if one of you want

James: [rubbing Lily’s baby bump] I know how miserable you are I wish there was something I could do

Lily: [glaring at him]

James: I wish I was a seahorse

Lily:

James: because you know-they carry the babies...and I would be far away in the sea..

percabeth fics — my masterpost ♡

– multichapter:

can i go where you go? – unofficial college novella

its just wrong enough to make it feel right – princess diaries 2 au

– long aus:

tell me that i'm all you want (even when i break your heart)

you're all i want (so much it's hurting)

don't pretend (you're just a friend)

and when i'm feeling alone (you remind me of home)

why do i keep running from the truth (all i think about is you)

– canon compliant:

everybody wants you (but i don't like a gold rush)

my beginning, my middle, my end

my baby's fit like a day dream

your eyes looked like coming home

i'm just the underdog who finally got the girl

if there's a light at the end (it's the sun in your eyes)

but i want no one else

your love made me crazy

light up the world like only you can do

never knew i could feel that much

– non-canon, alternate universes:

you drew stars around my scars (now i'm bleeding)

tell me i've got it wrong somehow

now i'm missing your smile (hear me out)

you can see it with the lights out

i want you (bless my soul)

i'm so blue (know we're through)

you find all my fics under "#aya writes"! ✦

I cannot overstate how significant the theme of “the garden” is to The Hunger Games series.

Of course, for many people, alluding to “the garden” puts them in mind of the biblical Eden, and I believe this is entirely intentional. Eden is a place of dignity and of peace. Adam and Eve are expected to do two important tasks: care for the garden, and be fruitful themselves. Many a Christian theologian has therefore proposed that humanity’s original vocation was to be gardeners: and not only in the literal weeding and planting sense, but in sense of cultivating life and beauty. The narrative goes on to describe how humans reject that original calling (re: “great gift for self destruction”) and are exiled from Eden — but, perhaps unsurprisingly, the garden imagery doesn’t go away. Throughout the rest of the Bible, garden imagery is now used in anticipation of a future restoration of human dignity and peace. So what does this have to do with The Hunger Games? Well, let’s take a stroll through Panem’s gardens, shall we?

We’re going to start in the Everdeen home. I confess, I’m going to begin by stretching the metaphor a little, but stay with me. When Katniss wakes up, the other side of her bed is cold, because Prim is missing. But usually, we would assume, they sleep together: two girls with flower names clustered together in the same bed. How appropriate: Mr. and Mrs. Everdeen have created a miniature garden in their two daughters. Is it any wonder that restoration comes, in many ways, from this garden bed?

But there are more obvious examples of “flower power.” Peeta recognizes Katniss’s dignity and gives her new dignity and hope by giving her bread. His generosity gives her the push she needs to find yet another garden and maintain her own dignity in the face of poverty: this time, in the wild expanses of dandelions she and Prim gather for sustenance. And like Katniss herself, Peeta is now identified, from that point forward, with flowers. Both katniss and dandelion are flowers that can grow rampant if left unchecked once they lay down roots.

This is precisely what Katniss and Peeta do, like invasive weeds: only their invasion forces radical dignity onto Snow’s manicured, artificial rose lawn. Katniss explicitly states the beautifully dangerous nature of kind people and uses the metaphor of “rooting.”

Katniss’s burial of Rue (another botanical name) in flowers is a striking example of this radical compassion. It is not so much that Rue’s death is shocking to the people watching: it is Katniss’s reaction, stubbornly insisting upon Rue’s dignity in the face of evil, that sparks rebellion. And how does she do it? With a handmade garden cradling Rue’s body. The impact of Katniss’s garden blossoms beyond the forest where Rue died: to Thresh, and to all of Panem.

Other images in the first book include Katniss, on the verge of death in the arena, finding water among the yellow lilies, and Peeta picking flowers (well, wild onion tops) for her along the train tracks. The first image is one of restoration, but the second is an inversion of what we expect. We expect Peeta’s offering to signal a peace in their relationship, and it is jarring when the opposite occurs.

If garden imagery in The Hunger Games is most concerned with human dignity, in Catching Fire, we most clearly see the garden as a place of peace. Katniss and Peeta are most at peace when they work together on the plant book, that sunlit bedroom a small Eden unto itself. On the rooftop, in the garden, as Katniss toys with a flower chain, Peeta wishes he could stop time, and live in their fragile peace forever. Peeta also gets his own “Rue” moment with the morphling. Now, it’s not the morphling’s death scene that gives us flower imagery, but the scene that prefigures it does: when Peeta and the morphling paint (yellow, again) flowers on Katniss. Joined together with this stranger by the act of “tending a garden” as it were, Peeta is able to give her a sense of peace in her final moments.

In Mockingjay, the garden is an image of restoration. One of the very few beautiful images we see in 13 is the image of the green bird sipping nectar from an orange blossom in the meadow room. I’ll leave it up to you to read into those particular colors. Quite literally, the bird is engaging in restoration of its energy, but the picture restores Katniss’s spirits, even if for only a moment. Appropriately, the story concludes with a garden as well: Peeta once again taking on the mantle of gardener to make a memory garden for Katniss. Seeing the primroses gives her the spark to destroy Snow’s unnatural rose and reclaim her dignity and her peace yet again. It is only fitting that the last image we see of Katniss and her family is in the meadow. Despite their fears, our protagonists have been fruitful: the children are more than “a happy ending.” They are a reclamation of the original garden purpose. To be sure, it is not a true idyll. Katniss is keenly aware of the bones on which it grows, but that is not where she takes comfort. She takes comfort—though her children take it for granted—in the book, and in the words of the song that speak of a “soft green pillow” and “daisies” guarding from harm. In a way, imperfectly, “Eden” has been regained.

“People are inherently terrible” no!!! Have you ever seen a child wait for their friend while they tie their shoelaces? Have you ever known someone who would bring hurt squirrels and rabbits and mice to the nearest vet just so it doesn’t suffer? Have you seen someone grieve? Have you ever read something that hit your heart like a freight train? Have you looked at the stars and felt an unexplainable joy? Have you ever baked bread? Have you shared a meal with a friend? Have you not seen it? All the love? All the good? I know it’s hard to see sometimes, I know there’s pain everywhere. But look, there’s a child helping another up after a hard fall. Look, there’s someone giving their umbrella to a stranger. Look, there’s someone admiring the spring flowers. Look, there’s good, there’s good, there’s good. Look!!!!

Yeah Katniss Is Lucy Gray’s greatest revenge on snow

But Peeta is how she haunts him. 

Katniss is Lucy’s anger. She’s the retribution. 

Katniss is fire. Katniss used her songs as a warcry. As a call to arms. 

Katniss is the fight. 

Katniss is the revenge. 

Peeta is Lucy’s kindness.  He’s the reminder. 

A boy in love with a songbird. A boy obsessed with with a victor from twelve. 

Peeta is the good that Lucy was. Peeta believes in that fundamental kindness Lucy gray did. Peeta is her memory. The reminder that Snow crossed that line into evil. 

Even after being high jacked, peeta warns people. He tells them to flee the danger. Run like Lucy did. 

Peeta knows how to hide. He can disappear in the woods. 

Just like Lucy did. 

Peeta is charismatic, someone the capitol fell in love with, like they did with Lucy. 

Peeta is the memory. 

Katniss was there to end Snow, to stop him to make sure everything he built was burned. 

Peeta was there to torment him. Be the ghost of Lucy. Make sure Snow was in pain over the woman he lost. 

The Secret History: A Theories Guide

Richard Papen: The Master of Illusion

#1 Charles is Innocent: Fucking Damnit!

#2 Okay I Lied, Charles Isn't Innocent

Julian Morrow: ''Honesty Is A Dangerous Virtue''

Henry Winter Wasn't In A Car Accident.

What Led To Henry Winters Death

Bunny Corcoran: Neglect In Plain Sight

When the Hare knows the Devil is out Hunting. [Bunny Analysis]

Francis Is The Worst Character (And Why You Should Think So Too)

Camilla & Henry: A Relationship Analysis ^Character Analysis^

The Mountain Lion: It Isn't A Theory

The Secret History's Dream Sequences.

Why The Books Called ''The Secret History''

The Secret History Isn't purposely Queer. (Richard Is Still Gay though, Here's Why!) ^Extras^ If you have a theory or take or whatever the fuck—comment down bellow! If it's intriguing enough I will see if I can either 1) Disprove it or 2) Prove your theory without a shadow of a doubt (Obviously the commenter will be credited!) [ Links will be added as I post ]

The Ultimate Dark Academia Book Recommendation Guide Ever

The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.

Dark Academia staples:

The Secret History by Donna Tartt

If We Were Villains by M.L. Rio

Dead Poets Society by Nancy H. Kleinbaum

Vita Nostra by Maryna Dyachenko

Dark academia litfic or contemporary:

Bunny by Mona Awad

The Idiot by Elif Batuman

These Violent Delights by Micah Nemerever

White Ivy by Susie Yang

The Cloisters by Katy Hays

Never Let Me Go by Kazuo Ishiguro

The Lake of Dead Languages by Carol Goodman

A Separate Peace by John Knowles

Black Chalk by Christopher J. Yates

Attribution by Linda Moore

Dark academia thrillers or horror:

In My Dreams I Hold a Knife by Ashley Winstead

The Maidens by Alex Michaelides

Ghosts of Harvard by Francesca Serritella

Catherine House by Elisabeth Thomas

Plain Bad Heroines by Emily M. Danforth

They Never Learn by Layne Fargo

The It Girl by Ruth Ware

Never Saw Me Coming by Vera Kurian

Dark academia fantasy/sci-fi:

Babel: An Arcane History by R.F. Kuang

The Atlas Six by Olivie Blake

Ninth House by Leigh Bardugo

A Lesson in Vengeance by Victoria Lee

The Starless Sea by Erin Morgenstern

Vicious by V.E. Schwab

A Discovery of Witches by Deborah Harkness

The Betrayals by Bridget Collins

Dark academia romance:

Gothikana by RuNyx

Alone With You in the Ether by Olivie Blake

Dark academia YA or MG:

Truly Devious by Maureen Johnson

A Deadly Education by Naomi Novik

Ace of Spades by Faridah Àbíké-Íyímídé

The Raven Boys by Maggie Stiefvater

Legendborn by Tracy Deonn

Crave by Tracy Wolff

Wilder Girls by Rory Power

The Harry Potter series by J.K. Rowling

Dark academia miscellaneous:

My Dark Vanessa by Kate Elizabeth Russell

Disorientation by Elaine Hsieh Chou

Alphabet of Thorn by Patricia A. McKillip

James potter 🤝 gilbert blithe

^

Simping for red heads who hate them

if you think nobody notices you try making a sandwich in front of my dog.