— Fredrik Backman, Anxious People

"My name's Dante," he said.

That made me laugh harder. "Sorry," I said.

"It's okay. People laugh at my name."

"No, no," I said. "See, it's just that my name's Aristotle."

His eyes lit up. I mean, the guy was ready to listen to every word I said.

"Aristotle," I repeated.

Then we both kind of went a little crazy. Laughing.

"In the best conversations, you don't even remember what you talked about, only how it felt. It felt like we were in some place your body can't visit, some place with no ceiling and no walls and no floor and no instruments."

-John Green, Turtles All the Way Down

"But when people understand one another without speaking, it can often leave them with very little to talk about, don’t you think?"

-Tove Jansson

Call Me By Your Name, André Aciman // The Voyage Out, Virginia Woolf// Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Sáenz//A Man Called Ove, Fredrik Backman// John Green, Turtles All The Way Down// David Augsburger// Tove Jansson// Meg Wolitzer

James: [rubbing Lily’s baby bump] I know how miserable you are I wish there was something I could do

Lily: [glaring at him]

James: I wish I was a seahorse

Lily:

James: because you know-they carry the babies...and I would be far away in the sea..

The Ultimate Dark Academia Book Recommendation Guide Ever

The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.

Dark Academia staples:

The Secret History by Donna Tartt

If We Were Villains by M.L. Rio

Dead Poets Society by Nancy H. Kleinbaum

Vita Nostra by Maryna Dyachenko

Dark academia litfic or contemporary:

Bunny by Mona Awad

The Idiot by Elif Batuman

These Violent Delights by Micah Nemerever

White Ivy by Susie Yang

The Cloisters by Katy Hays

Never Let Me Go by Kazuo Ishiguro

The Lake of Dead Languages by Carol Goodman

A Separate Peace by John Knowles

Black Chalk by Christopher J. Yates

Attribution by Linda Moore

Dark academia thrillers or horror:

In My Dreams I Hold a Knife by Ashley Winstead

The Maidens by Alex Michaelides

Ghosts of Harvard by Francesca Serritella

Catherine House by Elisabeth Thomas

Plain Bad Heroines by Emily M. Danforth

They Never Learn by Layne Fargo

The It Girl by Ruth Ware

Never Saw Me Coming by Vera Kurian

Dark academia fantasy/sci-fi:

Babel: An Arcane History by R.F. Kuang

The Atlas Six by Olivie Blake

Ninth House by Leigh Bardugo

A Lesson in Vengeance by Victoria Lee

The Starless Sea by Erin Morgenstern

Vicious by V.E. Schwab

A Discovery of Witches by Deborah Harkness

The Betrayals by Bridget Collins

Dark academia romance:

Gothikana by RuNyx

Alone With You in the Ether by Olivie Blake

Dark academia YA or MG:

Truly Devious by Maureen Johnson

A Deadly Education by Naomi Novik

Ace of Spades by Faridah Àbíké-Íyímídé

The Raven Boys by Maggie Stiefvater

Legendborn by Tracy Deonn

Crave by Tracy Wolff

Wilder Girls by Rory Power

The Harry Potter series by J.K. Rowling

Dark academia miscellaneous:

My Dark Vanessa by Kate Elizabeth Russell

Disorientation by Elaine Hsieh Chou

Alphabet of Thorn by Patricia A. McKillip

I cannot overstate how significant the theme of “the garden” is to The Hunger Games series.

Of course, for many people, alluding to “the garden” puts them in mind of the biblical Eden, and I believe this is entirely intentional. Eden is a place of dignity and of peace. Adam and Eve are expected to do two important tasks: care for the garden, and be fruitful themselves. Many a Christian theologian has therefore proposed that humanity’s original vocation was to be gardeners: and not only in the literal weeding and planting sense, but in sense of cultivating life and beauty. The narrative goes on to describe how humans reject that original calling (re: “great gift for self destruction”) and are exiled from Eden — but, perhaps unsurprisingly, the garden imagery doesn’t go away. Throughout the rest of the Bible, garden imagery is now used in anticipation of a future restoration of human dignity and peace. So what does this have to do with The Hunger Games? Well, let’s take a stroll through Panem’s gardens, shall we?

We’re going to start in the Everdeen home. I confess, I’m going to begin by stretching the metaphor a little, but stay with me. When Katniss wakes up, the other side of her bed is cold, because Prim is missing. But usually, we would assume, they sleep together: two girls with flower names clustered together in the same bed. How appropriate: Mr. and Mrs. Everdeen have created a miniature garden in their two daughters. Is it any wonder that restoration comes, in many ways, from this garden bed?

But there are more obvious examples of “flower power.” Peeta recognizes Katniss’s dignity and gives her new dignity and hope by giving her bread. His generosity gives her the push she needs to find yet another garden and maintain her own dignity in the face of poverty: this time, in the wild expanses of dandelions she and Prim gather for sustenance. And like Katniss herself, Peeta is now identified, from that point forward, with flowers. Both katniss and dandelion are flowers that can grow rampant if left unchecked once they lay down roots.

This is precisely what Katniss and Peeta do, like invasive weeds: only their invasion forces radical dignity onto Snow’s manicured, artificial rose lawn. Katniss explicitly states the beautifully dangerous nature of kind people and uses the metaphor of “rooting.”

Katniss’s burial of Rue (another botanical name) in flowers is a striking example of this radical compassion. It is not so much that Rue’s death is shocking to the people watching: it is Katniss’s reaction, stubbornly insisting upon Rue’s dignity in the face of evil, that sparks rebellion. And how does she do it? With a handmade garden cradling Rue’s body. The impact of Katniss’s garden blossoms beyond the forest where Rue died: to Thresh, and to all of Panem.

Other images in the first book include Katniss, on the verge of death in the arena, finding water among the yellow lilies, and Peeta picking flowers (well, wild onion tops) for her along the train tracks. The first image is one of restoration, but the second is an inversion of what we expect. We expect Peeta’s offering to signal a peace in their relationship, and it is jarring when the opposite occurs.

If garden imagery in The Hunger Games is most concerned with human dignity, in Catching Fire, we most clearly see the garden as a place of peace. Katniss and Peeta are most at peace when they work together on the plant book, that sunlit bedroom a small Eden unto itself. On the rooftop, in the garden, as Katniss toys with a flower chain, Peeta wishes he could stop time, and live in their fragile peace forever. Peeta also gets his own “Rue” moment with the morphling. Now, it’s not the morphling’s death scene that gives us flower imagery, but the scene that prefigures it does: when Peeta and the morphling paint (yellow, again) flowers on Katniss. Joined together with this stranger by the act of “tending a garden” as it were, Peeta is able to give her a sense of peace in her final moments.

In Mockingjay, the garden is an image of restoration. One of the very few beautiful images we see in 13 is the image of the green bird sipping nectar from an orange blossom in the meadow room. I’ll leave it up to you to read into those particular colors. Quite literally, the bird is engaging in restoration of its energy, but the picture restores Katniss’s spirits, even if for only a moment. Appropriately, the story concludes with a garden as well: Peeta once again taking on the mantle of gardener to make a memory garden for Katniss. Seeing the primroses gives her the spark to destroy Snow’s unnatural rose and reclaim her dignity and her peace yet again. It is only fitting that the last image we see of Katniss and her family is in the meadow. Despite their fears, our protagonists have been fruitful: the children are more than “a happy ending.” They are a reclamation of the original garden purpose. To be sure, it is not a true idyll. Katniss is keenly aware of the bones on which it grows, but that is not where she takes comfort. She takes comfort—though her children take it for granted—in the book, and in the words of the song that speak of a “soft green pillow” and “daisies” guarding from harm. In a way, imperfectly, “Eden” has been regained.

book quotes that i will never recover from

"he is half of my soul, as the poets say. " - song of achilles

"write me a letter telling me how to live the rest of my life without you." - how to make friends with the dark

"they were my birthday presents." - shatter me

"she had realized that she had forgotten the precise blue of his eyes and the depth of his laugh." - clockwork princess

"my name is sam cortland... and i will not be afraid." - assassin's blade

"you chose me four years ago. would you choose me still?" - these violent delights

"we were all supposed to make it." - crooked kingdom

"i remember everything." - the invisible life of addie larue

"come home and shout at me. come home and fight with me. come home and break my heart, if you must. just come home." - cruel prince

"i wasted all those yesterdays and am completely out of tomorrows." - they both die at the end

"you hated the idea of me." - the final gambit

"bob says hello." - house of hades

"abuse can feel like love. starving people will eat anything." - nightfall

"i missed you only with an ocean between us. but if death was separating us... i would find you." - queen of shadows

"i loved him. i love him. as best i could." - we were liars

"i'm the villain, even in my own story. but you were supposed to play a different role." - finale

"i will find you again in the next world—the next life. and we will have that time. i promise." - a court of wings and ruin

"i spent half of my time loving her and the other half hiding how much i loved her." - the seven husbands of evelyn hugo

Chew Me Up (Spit Me Back Out)

Paul Revere - Noah Kahan/unknown/Paul Revere - Noah Kahan/You're on Your Own Kid - Taylor Swift/Ladybird (2017)/Pink Pony Club - Chappell Roan/I Know The End - Phoebe Bridgers/I Hate It Here - Taylor Swift/@heavensickness/Ladybird (2017)/You're on Your Own Kid - Taylor Swift/Ladybird (2017)/@tryworks/Growing Sideways - Noah Kahan/California - Chappell Roan/Unknown/You're on Your Own Kid - Taylor Swift/Ladybird (2017)/Little Women (2019)/California - Chappell Roan/Homesick - Noah Kahan/Paul Revere - Noah Kahan

a love like playlists:

lorelai + luke: "I just like to see you happy.“ (gilmore girls)

marianne + connell: "They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another.” (normal people)

dexter + emma: "Whatever happens tomorrow, we had today; and I’ll always remember it.“ (one day)

evie + dylan: "Finding love… It’s all heartbreak and disappointment and misery. Until it isn’t.” (love sick)

celiné + jesse: "Isn’t everything we do in life a way to be loved a little more?“ (before trilogy)

jess + nick: "I fell in love with Jess the minute she walked through the door.” (new girl)

sam + suzy: "I think you’ve still got lightning in you.“ (moonrise kingdom)

katniss + peeta: "What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.” (the hunger games)

morticia + gomez: "I would die for her. I would kill for her. Either way, what bliss.“ (the addams family)

lol + woody: "I can’t be with anyone else.” (this is england)

bobby + shelly: "I’m gonna give you everything you want.“ (twin peaks)

chidi + eleanor: "I was dropped into a cave, and you were my flashlight.” (the good place)

robin + barney: "When I let a day go by without talking to you… that days just no good.“ (how i met your mother)

jackie + hyde: "If I like her, shoot me.” “POW.” (that 70s show)

elena + damon: "Promise me this is forever.“ "I promise.” (the vampire diaries)

hermione + ron: "You’re amazing, you are.“ (harry potter)

rose + the doctor: "How long are you going to stay with me?” “Forever.” (doctor who)

gastby + daisy: "Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.“ (the great gatsby)

The Secret History: A Theories Guide

Richard Papen: The Master of Illusion

#1 Charles is Innocent: Fucking Damnit!

#2 Okay I Lied, Charles Isn't Innocent

Julian Morrow: ''Honesty Is A Dangerous Virtue''

Henry Winter Wasn't In A Car Accident.

What Led To Henry Winters Death

Bunny Corcoran: Neglect In Plain Sight

When the Hare knows the Devil is out Hunting. [Bunny Analysis]

Francis Is The Worst Character (And Why You Should Think So Too)

Camilla & Henry: A Relationship Analysis ^Character Analysis^

The Mountain Lion: It Isn't A Theory

The Secret History's Dream Sequences.

Why The Books Called ''The Secret History''

The Secret History Isn't purposely Queer. (Richard Is Still Gay though, Here's Why!) ^Extras^ If you have a theory or take or whatever the fuck—comment down bellow! If it's intriguing enough I will see if I can either 1) Disprove it or 2) Prove your theory without a shadow of a doubt (Obviously the commenter will be credited!) [ Links will be added as I post ]

KATNISS AND PEETA’S OUTFITS: BOOK ONE

I started this series with “interview before the games” and finished book one’s outfits with “interview after the games” (let’s say that was intentional). When I started (that was September 2020) I was sure I would finish this series very quickly. Lol. I still nowhere near the end. But at least “Hunger Games” is done! That was painful to look at my first illustrations (some of them I had to redraw completely) and I needed to make it look like a series so I fixed some things. I tried to do this “fixing” not very dramatic at some cases (like the first interview one, which I still kinda like, but I completely changed the way I draw Peeta since then so I didn’t know what to do with him lol) but hell, sometimes I thought it was easier to redraw everything. And I think I would have done if I wasn’t so lazy and always tired and I actually really want to draw new stuff. So here it is, all at once. All the (described at least in one word) Everlark Outfits from the first book!

THE REAPING

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. <...> “Of course. Let’s put your hair up, too,” she says. I let her towel-dry it and braid it up on my head. <...> the elaborate braided hair my mother did for the reaping <...> silky braids. / chapter 1 /// We know nothing about Peeta’s clothes. But I assume it should be something like this. Casual. Classic. Light brown/beige.

THE TRAIN

I peel off my mother’s blue dress and take a hot shower. I’ve never had a shower before. It’s like being in a summer rain, only warmer. I dress in a dark green shirt and pants. At the last minute, I remember Madge’s little gold pin. For the first time, I get a good look at it. It’s as if someone fashioned a small golden bird and then attached a ring around it. The bird is connected to the ring only by its wing tips. I suddenly recognize it. A mocking jay. <…> I fasten the pin onto my shirt, and with the dark green fabric as a background, I can almost imagine the mockingjay flying through the trees. <…> I put the green outfit back on since it’s not really dirty, just slightly crumpled from spending the night on the floor. <…> I slept in the elaborate braided hair my mother did for the reaping and it doesn’t look too bad, so I just leave it up. / chapter 3 /// Again we know nothing about Peeta’s outfit, but. But ok, it must be something casual and comfortable soooo… sweatpants?

THE OPENING CEREMONY

I am dressed in what will either be the most sensational or the deadliest costume in the opening ceremonies. I’m in a simple black unitard that covers me from ankle to neck. Shiny leather boots lace up to my knees. But it’s the fluttering cape made of streams of orange, yellow, and red and the matching headpiece that define this costume. Cinna plans to light them on fire just before our chariot rolls into the streets. <…> My face is relatively clear of makeup, just a bit of highlighting here and there. My hair has been brushed out and then braided down my back in my usual style. <…> Despite this morning’s revelation about Peeta’s character, I’m actually relieved when he shows up, dressed in an identical costume. / chapter 5

TRAINING

When I’m dried and moisturized with lotion, I find an outfit has been left for me at the front of the closet. Tight black pants, a long-sleeved burgundy tunic, and leather shoes. I put my hair in the single braid down my back. This is the first time since the morning of the reaping that I resemble myself. No fancy hair and clothes, no flaming capes. Just me. Looking like I could be headed for the woods. It calms me. <...> Haymitch and Peeta come in, bid me good morning, fill their plates. It makes me irritated that Peeta is wearing exactly the same outfit I am. I need to say something to Cinna. This twins act is going to blow up in out faces once the Games begin. <...> “One last thing. In public, I want you by each other’s side every minute,” says Haymitch. We both start to object, but Haymitch slams his hand on the table. “Every minute! It’s not open for discussion! You agreed to do as I said! You will be together, you will appear amiable to each other. Now get out. Meet Effie at the elevator at ten for training.” <...> The other tributes are gathered in a tense circle. They each have a cloth square with their district number on it pinned to their shirts. While someone pins the number 12 on my back, I do a quick assessment. Peeta and I are the only two dressed alike. / chapter 7 /// To be honest the previous version was a lot closer to book description (more tight pants and shoes obviously made from leather and here there are just leather sneakers), but hell, Cinna, Portia, what was wrong with you when you’ve created training outfits? Tight pants? For sword training?! Long sleeve? It’s damn July!

INTERVIEW BEFORE THE GAMES

The team works on me until late afternoon, turning my skin to glowing satin, stenciling patterns on my arms, painting flame designs on my twenty perfect nails. Then Venia goes to work on my hair, weaving strands of red into a pattern that begins at my left ear, wraps around my head, and then falls in one braid down my right shoulder. They erase my face with a layer of pale makeup and draw my features back out. Huge dark eyes, full red lips, lashes that throw off bits of light when I blink. Finally, they cover my entire body in a powder that makes me shimmer in gold dust. <...> I can feel the silken inside as they slip it down over my naked body, then the weight. It must be forty pounds. I clutch Octavia’s hand as I blindly step into my shoes, glad to find they are at least two inches lower than the pair Effie had me practice in. <...> My dress is entirely covered in reflective precious gems, red and yellow and white with bits of blue that accent the tips of the flame design. The slightest movement gives the impression I am engulfed in tongues of fire. <...> The dress hangs in such a way that I don’t have to lift the skirt when I walk, leaving me with one less thing to worry about. <...> Peeta looks striking in a black suit with flame accents. While we look well together, it’s a relief not to be dressed identically. / chapter 9

ARENA

Cinna does my hair in my simple trademark braid down my back. Then the clothes arrive, the same for every tribute. Cinna has had no say in my outfit, does not even know what will be in the package, but he helps me dress in the undergarments, simple tawny pants, light green blouse, sturdy brown belt, and thin, hooded black jacket that falls to my thighs. “The material in the jacket’s designed to reflect body heat. Expect some cool nights,” he says. The boots, worn over skintight socks, are better than I could have hoped for. Soft leather not unlike my ones at home. These have a narrow flexible rubber sole with treads though. Good for running. I think I’m finished when Cinna pulls the gold mockingjay pin from his pocket. I had completely forgotten about it. [Katniss] + a bright orange backpack. + silver sheath of arrows and a bow, already strung [Peeta] + I agently unzip his jacket, unbutton his shirt and ease them off him. + I hand Peeta my knife, since whatever weapons he once had are long gone, and he slips it into his belt. / chapter 10 thank goodness this one was already redone lol

VICTORY CEREMONY

Cinna comes in with what appears to be an unassuming yellow dress across his arms. <…> slips it over my head. I immediately notice the padding over my breasts, adding curves that hunger has stolen from my body. <…> Venia helps me into a pair of flat leather sandals and I turn to the mirror. I am still the “girl on fire.” The sheer fabric softly glows. Even the slight movement in the air sends a ripple up my body. By comparison, the chariot costume seems garish, the interview dress too contrived. In this dress, I give the illusion of wearing candlelight. <…> My hair’s loose, held back by a simple hairband. The makeup rounds and fills out the sharp angles of my face. A clear polish coats my nails. The sleeveless dress is gathered at my ribs, not my waist, largely eliminating any help the padding would have given my figure. The hem falls just to my knees. <…> He looks so clean and healthy and beautiful, I can hardly recognize him. But his smile is the same whether in mud or in the Capitol and when I see it, I take about three steps and fling myself into his arms. He staggers back, almost losing his balance, and that’s when I realize the slim, metal contraption in his hand is some kind of cane. <…> His shirt is made of the same yellow material as my dress, but Portia’s put him in long black pants. No sandals, either, but a pair of sturdy black boots he keeps solidly planted on the stage. / chapter 27

INTERVIEW AFTER THE GAMES

When Cinna comes in, he shoos them [prep team] out and dresses me in a white, gauzy dress and pink shoes. Then he personally adjusts my makeup until I seem to radiate a soft, rosy glow. <…> Then Peeta’s there looking handsome in red and white, pulling me off to the side. / chapter 27

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