i've always wished that this show explored more of house in his pre-house md era because of scenes like these. on one hand, we get crumbs of how house was like from stacey's perspective...
... whereas on the other side of the spectrum, we get this from wilson:
I had a dream that I went to heaven and heaven had its own heaven-exclusive tv shows that were written and produced there in heaven and they showed me the most popular show in heaven and it was this really beautiful drama and, at the end of the episode, the credits said “Created by Mike Ehrmantraut” and they were like “oh yeah. fictional characters who die in earth media go to real heaven” and I’m like “sure but mike did some pretty fucked up stuff, wouldn’t he go to hell?” and they’re like “no, all the fucked up things he did were fictional. people only get judged for the real things they do and the only thing mike really did was bring joy to millions of viewers” and i think that’s beautiful
are any of us really prepared for mcwexler's reunion in episode 13?
the morally corrupt lawyers got to me OKAY?
Locke makes me so sad man, Michael makes me so sad man, Claire makes me so sad man, Jin and Sun make me so sad man, everyone just makes me so sad man
“One day the sadness will end.
But I don’t think today’s the day.”
David Lynch
I’ve been reading some of these and just. ARGH.
The idea of chase and foreman sitting in House’s office, because it’ll never quite be chase’s, and just looking around at the room the first time back after his death. Both of them are so lost in their memories they basically forget the others there, and then their attentions cross paths again. For a split second they see the other all those years ago, foreman newly hired and Chase baby faced. They notice the stress lines and the fatigue that’s deep into each of their bones now that they carry like an old friend, and they don’t want to break the silence, because then it’ll be real.
It’s foreman who eventually does it, seeing the shine of nearly shed tears in Chase’s eyes. “Hey, what’s the betting that they’ve actually ran off together to watch monster trucks and trashy soaps in peace?” And it’s said with a small smile, a hopeful attempt to make chase laugh. Chase blows out a shaky but amused huff, “you think Wilson’ll allow that? He probably has house drinking a carrot and kale smoothie as we speak.” the reply is quiet and thick but it’s there, both finding relief in the fantasy of what should be and isn’t. Chase will tell himself it is, foreman won’t correct him.
With a final look in the office for the day, the air becoming too stifled with the clutter of old memories and not enough room to make new ones. They’ll face that tomorrow, so they head to foreman’s office, not quite ready to go home to face their separate apartments alone just yet.
“Hey, if you’re dean of medicine, does that make you Cuddy and me House?” Chase asks, and it’s the first time Foreman has heard him sound like himself since the news. Not wanting to break the delicate atmosphere, he replies,
“House doesn’t cry at Christmas movies”
“And you don’t have Cuddy’s ass.”
“6 hours of clinic duty.”
“..foreman?” Chase hesitated
“Yeah?”
“We’ll be okay?”
“We’ll be okay.”
An edit of the 1st pic Wilson and 2nd pic House lovingly gazing at each other would be too powerful
House S4 Alone, 2007
i wish so badly that we had gotten to see foreman and amber really really interact cause they're very like eachother in terms of narrative function and character. both of them ARE house, one step removed - foreman is black and amber is a woman, and neither of them can afford to be as messy and reckless as house can afford to be, because they know that they won't be seen as good enough even if they're right all the time. foreman is running from his personal life and feels like an outsider in every situation. amber understands her place and knows that if nobody likes her, she has to be right, to make up for it. both of them have the guts and the brains to be house, but they are just too far removed from the qualities about house that allow him to get to where he is in the world with very few barriers. they're both such fascinating examinations of what you can get away with when you're not at a disadvantage from the beginning
i’m just here whenever i don’t have anyone to ramble about my new hyper-fixation with || a mish-mash of brba, bcs, lost, house md & severance
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