One Should Always Have At Least 2 Craft Projects Going. That Way, When One Of Them Is Messed Up And Misbehaving,

yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic

i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all

time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'

and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't

was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?

there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest

but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.

we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.

and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.

it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.

Fwoom (intimidatingly)

everyone be quiet i'm manifesting

"Writing a novel is easy."

ⓘ 𝗢𝗳𝗳𝗶𝗰𝗶𝗮𝗹 𝘀𝗼𝘂𝗿𝗰𝗲𝘀 𝘀𝘁𝗮𝘁𝗲𝗱 𝘁𝗵𝗮𝘁 𝗶𝘀 𝗳𝗮𝗹𝘀𝗲 𝗮𝗻𝗱 𝗺𝗶𝘀𝗹𝗲𝗮𝗱𝗶𝗻𝗴.

What Is Star Wars To You?

Hey, everybody!!!! I'm working on a rewrite of the Star Wars sequel trilogy, and I'm trying to get lots of people's thoughts on what Star Wars is to them and what really makes Star Wars *Star Wars*, ya know?

I'm really curious, because for me, most of Disney's Star Wars content has really just not felt like Star Wars. I really did not like the sequel trilogy or most of the live action shows, but I absolutely adore TCW, TBB, and Andor, because they all really hit whatever it is that is Star Wars to me.

Anyway, I would love to hear your thoughts!! Also, no hate to anyone who does love the sequel trilogy or other Disney Star Wars content, I would love to hear what it is about it that makes you love it and makes it feel like Star Wars to you!

on the run

Get Sassed in Amazing Technicolor, Ventress.

Original inks can be viewed here.

May need to click on the image for better quality.

*kicks my feet playfully whilst lying on my front and lining up my sniper rifle*

forgot to say that, without Howl chasing girls and Sophie resenting him for it, the film completely erases part of the point of Sophie being old.  Wynne Jones is using an idea that Beauvoir talked about - that being an old woman is both tragic (as we lose male attention/attractiveness) and freeing (as we are freed from the male gaze).  the idea is that with being old comes liberation, and the true meaning of what it is to be a woman, as society no longer forces gender norms on us.

Sophie is free from Howl’s attentions and therefore safe from harm (a big part of the book is the fact that Sophie believes he eats women’s hearts, and him chasing girls proves this to her).  she takes solace in the fact that she’s old, and finds it freeing.  when she learns more about Howl (notably: that he doesn’t eat hearts and that he’s not evil), she starts to curse her age and resent him chasing girls.  BUT she remains old OF HER OWN VOLITION - Howl notes that she’s perpetuating the spell by wishing to remain “in disguise”.  there are SO many layers to this, and lots to do with gender politics - if she’s still old Sophie can’t get hurt, she likes the freedom, etc.  but of course on a personal level being old is her denying her feelings for Howl, and also a representation of her low self esteem - being old is a defence mechanism and protection, both on a gender level and a personal one.

and the film kinda… loses this?  the only thing that remains is being old = low self esteem.  which really sucks.  because there’s SO MUCH MORE to Sophie being old in the book (perspective I already mentioned), and a HUGE amount of this is gender politics.  that the film just erases.