Threnody, Scarlet Witch, Psylocke

Star husbands ✨✨✨

I am a safe space for anyone trapped in a time loop. Come to me, I'll believe you every time. I'll try and help you, just update me on whatever we did the last time.

Reblog to give an asexual a treat

Miles Morales: Spider-Man #8 (Marvel, July 2023) Hellfire Gala Variant Cover by Bernard Chang

Moon Knight (2021-2023) #20 cover by Stephen Segovia 

I'm back with another crack meme, let's see how well this one does

If it does as well as my New Yorker Post then I'll make a navigation list for the memes :D

Bonus:

Courtesy of GameDeveloper.com's Chris Kerr (via Twitter):

So You Have a Queer* Fandom

An open letter to executive producers, writers, and cast in the age of Twitter, tumblr, AO3, Instagram, Youtube, whatever social media platforms come next, and global audiences. 

Congratulations! If you’re reading this its highly doubtful you’re in any way involved in mass media production but I’m fucking sick of shitty audience engagement by multi-billion dollar media companies and anyway this was better than working on my dissertation you’ve probably got a successful show! 

That’s fantastic! Your work is being viewed by millions of people! Pat yourself on the back! But wait! Oh dear. There’s a hiccup. Suddenly you notice tweets and messages and questions at SDCC about your characters - your beloved, money-making, copyrighted intellectual property - being…gay?? 

You didn’t intend this, your protagonist and antagonist and supporting characters and background characters are 100% heterosexual!!  What ever will you do?!

Fear not, my hypothetical content creator! I’m about to break down some key do’s and don’ts for when you find yourself suddenly in possession of a queer fandom. I will categorize my advice in three simple levels to help you best choose which type of engagement with your fandom is right for you, your show, and your network: Beginner, Intermediate, and Advanced. Please note: this is not an exhaustive post. I can’t literally write the book for you on how media producers can engage their diverse, 21st century audiences (well, lol I could but you’re not paying me so suck it) and fandoms - like any subculture - vary greatly in demographics, linguistic quirks, norms, and culture. That means there is no ‘one size fits all’ strategy for dealing with your most passionate fans. Theoretically, you have marketing people who earn a paycheck. Make them work for it by doing some actual research instead of just changing the fonts on the SDCC posters. 

Ready? No? Well too fucking bad because here we go. 

Actually, no, I’m sorry, hold up. We need to lay some groundwork first. Let’s call these our a priori assumptions about fandom in general but queer fandom in particular. 

Assumption 1: Your queer fandom is not going anywhere. You’re fucking stuck with us. You will not get rid of us. Better bigger assholes than you show runners, executive producers, marketing teams, writers’ rooms, and casts have tried. We’re still here. We still show up at all the conventions. We still produce fanfiction, art, videos, meta. We still spend ungodly amounts of money, time, and energy engaging with the media you have created. Even sometimes especially when we are angry at it. We are here to stay. 

Keep reading

Okay, granted, it’s been a while since I’ve seen “all trans readers like one kind of fic, and no trans readers ever like another kind of fic, so it is Transphobia when you write the Wrong Kind.”

…but it hasn’t been that long since I’ve seen someone quietly wonder if they’re a Bad Trans Person for having preferences.

So it’s never a bad time to say: different people have different needs, and it’s okay to be fulfilled by different kinds of stories!

(heck, the same person might have different needs at different points in their own life, and that’s okay too)

April buddies

SAM WILSON APPRECIATION WEEK 

↳ Day 1: Favorite quotes