120 ULTIMATE LIST OF CHARACTER FLAWS. Writers Save This!
120 ULTIMATE LIST OF CHARACTER FLAWS. Writers save this!
1. Moral Flexibility - Adapts their ethics to fit the situation, often justifying questionable actions as necessary.
2. Cognitive Dissonance - Holds two conflicting beliefs or values and struggles to reconcile them, leading to inner turmoil.
3. Overempathy - Feels others’ emotions too intensely, leading to burnout or an inability to make objective decisions.
4. Intellectual Arrogance - Dismisses others’ ideas as inferior, believing their own intellect is superior.
5. Chronic Overthinking - Analyzes situations to the point of paralysis, unable to take decisive action.
6. Restless Wanderlust - Has a constant desire for change or travel, leading to instability in relationships or careers.
7. Savior Complex - Feels compelled to “save” others, often to the detriment of their own well-being or others’ autonomy.
8. Emotional Vampirism - Drains others emotionally, needing constant validation or attention.
9. Righteous Indignation - Becomes excessively angry over perceived injustices, often alienating others.
10. Altruistic Self-Destruction - Sacrifices themselves for others to an unhealthy degree, often leading to self-neglect.
11. Pathological Modesty - Downplays their own achievements to the point of self-sabotage or invisibility.
12. Incapable of Solitude - Feels an intense fear of being alone, leading to codependent or unhealthy relationships.
13. Over-Rationalization - Justifies every action or decision, even when it’s clearly flawed, to avoid guilt or responsibility.
14. Constant Self-Sabotage - Subconsciously undermines their own success due to deep-seated fears or insecurities.
15. Misplaced Loyalty - Stays loyal to people or causes even when it’s harmful or undeserved.
16. Ethical Rigidity - Follows their moral code to the letter, unable to adapt to complex or gray situations.
17. Need for Obscurity - Prefers to stay unnoticed or in the background, avoiding recognition or responsibility.
18. Involuntary Aloofness - Appears distant or disinterested, often without meaning to, leading to misunderstandings.
19. Fear of Mediocrity - Terrified of being ordinary, they constantly strive for greatness, often leading to burnout.
20. Rejection Sensitivity - Overreacts to criticism or perceived slights, often withdrawing or lashing out.
21. Conflict Avoidance - Avoids confrontation at all costs, leading to unresolved issues and resentment.
22. Over-idealization of Others - Puts people on pedestals, only to be deeply disappointed when they don’t meet expectations.
23. Chronically Unfulfilled - No matter what they achieve, they always feel something is missing, leading to constant searching.
24. Compulsive Truth-Telling - Feels compelled to speak the truth, even when it would be kinder or wiser to remain silent.
25. Overactive Imagination - Sees threats or possibilities where there are none, leading to anxiety or missed opportunities.
26. Faux Humility - Pretends to be humble but secretly craves admiration or validation.
27. Micromanagement - Needs to control every detail, often suffocating others or hindering their own progress.
28. Anachronistic Thinking - Clings to outdated beliefs or practices, struggling to adapt to modern realities.
29. Over-Reliance on Routine - Becomes anxious or lost without their routines, struggling to adapt to change.
30. Selective Memory - Remembers events in a way that suits their narrative, often distorting the truth.
31. Paradoxical Fear of Success - Desires success but subconsciously fears the changes or responsibilities it might bring.
32. Compassion Fatigue - Once empathetic, now numbed or indifferent due to overwhelming exposure to others’ suffering.
33. Overwhelming Nostalgia - Lives in the past, unable to move forward or appreciate the present.
34. Unyielding Perfectionism - So focused on flawlessness that they struggle to complete tasks or accept anything less than perfect.
35. Epistemic Arrogance - Believes they know everything worth knowing, dismissing the possibility of learning from others.
36. Excessive Hedonism - Pursues pleasure to the point of neglecting responsibilities or moral considerations.
37. Over-Cautiousness - So afraid of making mistakes that they rarely take action, leading to missed opportunities.
38. Idealistic Naivety - Believes the world should operate according to their ideals, often clashing with reality.
39. Ambition without Direction - Desires greatness but has no clear path or plan, leading to frustration and failure.
40. Emotional Transference - Projects unresolved emotions onto others, often misinterpreting their intentions or actions.
41. Overdependence on Routine - Becomes anxious or lost without their routines, struggling to adapt to change.
42. Misplaced Guilt - Feels responsible for things outside of their control, leading to unnecessary self-blame.
43. Fear of Being Ordinary - Constantly strives to stand out, often at the expense of authenticity or well-being.
44. Chronic Indecisiveness - Struggles to make even simple decisions, constantly second-guessing themselves.
45. Faux Cynicism - Pretends to be jaded or cynical as a defense mechanism, while secretly caring deeply.
46. Romanticization of Suffering - Believes that suffering is noble or meaningful, often rejecting happiness or comfort.
47. Selective Compassion - Empathetic towards some but completely indifferent or cold to others, often based on biases.
48. Avoidant Optimism - Avoids negative thoughts or situations, clinging to an unrealistic positivity that ignores real problems.
49. Fear of Abandonment - Clings to relationships out of fear of being left alone, often leading to unhealthy dynamics.
50. Overidentification with Work - Sees their job as their entire identity, struggling with self-worth outside of work.
51. Excessive Altruism - Sacrifices their own needs to help others, often to their own detriment.
52. Self-Imposed Isolation - Withdraws from others out of fear of rejection or misunderstanding, leading to loneliness.
53. Over-Analysis Paralysis - Overthinks every situation to the point of being unable to make decisions or take action.
54. Eternal Romantic - Sees the world through a lens of idealized love, often leading to disillusionment or heartbreak.
55. Emotional Incontinence - Struggles to control their emotions, often overwhelming others with their intensity.
56. Fear of Aging - Obsessed with youth, they go to great lengths to deny or hide the aging process.
57. Intellectual Cowardice - Avoids challenging their own beliefs or ideas, sticking to what they know out of fear of change.
58. Emotional Hoarding - Holds onto past hurts or grudges, unable to let go and move on.
59. Unquenchable Curiosity - Always needs to knw more, often prying into others’ lives or crossing boundaries.
60. Romantic Escapism - Uses fantasy or daydreams as a way to avoid dealing with reality, leading to detachment.
61. Masochistic Tendencies - Deliberately seeks out situations that cause them pain or discomfort, believing they deserve it.
62. Incurable Wanderer - Can never settle down, always moving on to the next place or experience, leading to rootlessness.
63. Dependency on Validation - Needs constant approval or praise from others to feel good about themselves.
64. Constant Self-Reinvention - Continuously changes their identity or persona, never settling on who they truly are.
65. Moral Masochism - Finds satisfaction in self-punishment or guilt, often holding themselves to impossible standards.
66. Faux Bravado - Pretends to be fearless or confident to hide deep-seated insecurities or fears.
67. Over-romanticization of the Past - Idealizes past experiences, believing that things were better back then, leading to dissatisfaction with the present.
68. Chronic Hedging - Never fully commits to decisions or actions, always leaving themselves an escape route.
69. Fear of Stagnation - Constantly needs to be doing something or moving forward, fearing they’ll become irrelevant or bored.
70. Over-Attachment to Objects - Places excessive sentimental value on material possessions, struggling to let go.
71. Emotional Stoicism - Refuses to show or acknowledge emotions, leading to repression and eventual breakdowns.
72. Self-Flagellation - Constantly punishes themselves for perceived failures or mistakes, often disproportionate to the actual events.
73. Fear of the Unknown - Terrified of what they can’t predict or control, leading to anxiety or avoidance of new experiences.
74. Romantic Pessimism - Believes that love or relationships are doomed to fail, leading to self-sabotage or cynicism.
75. Intellectual Purism - Believes in the superiority of “pure” intellectual pursuits, often dismissing practical or emotional concerns.
76. Existential Dread - Obsesses over the meaning (or lack thereof) of life, leading to paralysis or despair.
77. Involuntary Nonconformity- Desires to fit in but can’t help standing out or going against the grain, often feeling alienated.
78. Self-Imposed Martyrdom - Puts themselves in a position of suffering or sacrifice, believing it’s their duty or fate.
79. Idealized Self-Image - Clings to an unrealistic self-concept, struggling to accept their flaws or limitations.
80. Compulsive Honesty - Feels compelled to always tell the truth, even when it’s hurtful or inappropriate.
81. Over-Reliance on Technology - Becomes helpless without modern conveniences, struggling to cope with real-world challenges.
82. Moral Exhibitionism - Shows off their ethics or principles to gain admiration or moral superiority, often insincerely.
83. Perpetual Student Syndrome - Always learning but never applying knowledge, avoiding real-world responsibilities.
84. Emotional Osmosis - Absorbs others’ emotions so deeply that they lose track of their own feelings or needs.
85. Pathological Frugality - So obsessed with saving money or resources that they miss out on life’s joys or opportunities.
86. Obsessive Self-Improvement - Never satisfied with themselves, constantly striving for unattainable perfection.
87. False Modesty - Pretends to be humble while fishing for compliments or validation.
88. Uncontrolled Impulsiveness - Acts on whims or impulses without considering the consequences, leading to chaos or regret.
89. Chronic Hedonism - Lives only for pleasure, often to the detriment of their long-term happiness or relationships.
90. Overly Abstract Thinking - So focused on big ideas or concepts that they lose touch with reality or practical concerns.
91. Romantic Idealism - Believes in a perfect love or relationship, often leading to disappointment or disillusionment.
92. Selective Altruism - Only helps others when it suits them, often ignoring those who don’t fit their criteria.
93. Pathological Shyness - So shy or introverted that they struggle to function in social situations, often missing out on opportunities.
94. Moral Superiority - Believes they are more ethical or righteous than others, often looking down on those who don’t share their views.
95. Over-identification with a Role - Sees themselves only as their job, family role, or social identity, losing sight of their true self.
96. Chronic Complaining - Constantly finds something to complain about, often bringing others down or creating a negative atmosphere.
97. Faux Stoicism - Pretends to be emotionally strong or unaffected, while secretly struggling with deep emotional turmoil.
98. Addiction to Drama - Thrives on conflict or chaos, often creating drama where there is none to feel alive or important.
99. Obsessive Collecting - Gathers possessions, knowledge, or experiences obsessively, often unable to let go or move on.
100. Inflexible Optimism - Refuses to acknowledge negative possibilities, often unprepared for setbacks or challenges.
101. Contrarianism - Always takes the opposite stance just to challenge others, often without genuine conviction.
102. Emotional Projection - Attributes their own feelings or issues onto others, often leading to misunderstandings.
103. Compulsive Heroism - Feels the need to be seen as heroic or brave, even in situations that don’t call for it.
104. Spiritual Narcissism - Uses spirituality as a way to feel superior to others or to avoid personal flaws.
105. Self-Defeating Humor - Constantly makes jokes at their own expense, using humor to deflect serious issues.
106. Identity Fluidity - Frequently changes their identity or beliefs to fit in with different groups, losing a sense of true self.
107. Overattachment to the Past - Can’t move on from past successes or failures, allowing them to define their present.
108. Pseudointellectualism - Pretends to know more than they do, using complex language or ideas to impress others.
109. Overidealization of Youth - Places youth on a pedestal, often dismissing the value of experience or aging.
110. Refusal to Accept Help - Rejects assistance from others, believing they must do everything on their own, even to their detriment.
111. Emotional Manipulation - Uses guilt, pity, or other emotions to control or influence others, often without realizing it.
112. Inconsistent Values - Holds contradictory beliefs or morals, leading to confusion or hypocrisy in their actions.
113. Obsession with Legacy - So focused on how they’ll be remembered that they neglect the present or make unwise choices.
114. Excessive Eagerness to Please - Goes out of their way to make others happy, often at the cost of their own needs or principles.
115. Emotionally Guarded - Builds walls around their feelings, making it difficult for others to get close or understand them.
116. Selective Memory - Chooses to remember events in a way that favors them, often distorting the truth.
117. Overattachment to Authority - Relies heavily on rules or leaders, struggling to make decisions independently or question authority.
118. Fear of Vulnerability - Avoids showing weakness or asking for help, leading to isolation or burnout.
119. Intellectual Detachment - Approaches everything with cold logic, often ignoring the emotional or human side of situations.
120. Obsession with Control - Needs to control every aspect of their life and others’, often leading to stress or strained relationships.
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Fantasy Worldbuilding Questions (Clothing and Fashion)
Clothing and Fashion Worldbuilding Questions:
What is considered typical or everyday dress for each region?
What values or status does society confer to clothing (or is it entirely functional, or even non-existent)?
Who is permitted to wear what? Are there taboos, superstitions, or laws governing dress? Why?
Who has access to clothing? Which fabrics are cheaper and which more expensive (and why)?
Where are fabrics and other materials used in clothing sourced, and is their production ethical or problematic in some way?
Where are specific dress codes or uniforms enforced, and what are they?
When do styles or what people typically wear change, are there seasonal, spiritual, customary or other aspects to this?
When have (or will) clothing styles change in the world, and what are the economic, environmental, or other contributing factors?
Why is clothing in this world the way it is, what are the aesthetic beliefs, meanings or symbolism ascribed to colors, and other contributing factors?
Why does gender, class or race impact what people wear (for example, a group may have spiritual or familial meaning attached to the type of jewelry or body modification members embrace).
❯ ❯ ❯ Read other writing masterposts in this series: Worldbuilding Questions for Deeper Settings
your edible is never going to kick in because you're a bad person
I've been using this the past couple days to work on larkin/larkinrelated projects/my school work and let me tell you friends it WORKS. for fans of the 'making my font really small' or 'writing in comic sans' tricks, this writing program is sooo for you. it lets you set a word count goal that's accompanied by a little progress bar to help illustrate how far you are, it lets you change visual backgrounds from waves to a fireplace to old tv static, quite possibly my favorite feature--it allows you to enable typing sounds--so that you can make it so it sounds like you're writing on a type-writer! Can't recommend this project enough to my fellow writers <3
Can we stop acting like two people deeply loving each other has to mean they have something romantic or sexual going on? Can we stop talking as if platonic love just can't be that deep? Because that's not true. Platonic love can be just as deep, and sometimes even deeper, than romantic love. What I'm saying is, we need to stop putting romance on this pedestal and act like every other form of love is less important.
How to Write Strong Female Characters
Even if you write female protagonists all the time, subconscious biases can make them weaker than we intend. How can you make sure you write strong female characters? Use these tips while cretating your protagonists and supporting cast members so readers admire and connect with your story.
Note: This article is about writing cisgender characters and the stereotypes regarding them. To read more about writing incredible trans women characters, this post and this article are some great jumping-off points. A future post from me about writing trans protagonists will give the subject the space and time trans characters deserve.
1. Write Human Flaws
Women are often written as perfect or near-perfect characters. People expect so much of women in the real world—we want them to be attentive, fun mothers while being sexy spouses and respectful daughters. They have to succeed in their careers to provide for themselves and their family, all while fitting within the feminized constructs that make toxic male egos feel safe around women.
Basically, it can make writers create essentially perfect female protagonists. They handle everything well and when they can’t, they always find an answer to their problem.
Readers will connect more with female protagonists who are flawed. Your female protagonist should get angry, say the wrong things, make bad choices, and put herself first sometimes.
2. Avoid Objectification
Objectification is anything that makes a person feel less than fully human. It’s the scenes we’ve all read and movies we’ve watched where the female protagonist does something incredible—they save the world or take down a supervillain—and their partner, stunned in a love haze, says, “God, you’re beautiful,” before they kiss.
Complimenting female characters like this after they reach their resolution belittles their achievements. It means that even with their brilliance and courage, they’re still acceptable because they’re beautiful. Their beauty is ultimately the most important thing about her and the best way to remind her of her worth.
Other forms of objectification can sneak past a writer’s mind. Watch for these stereotypes as you work through your initial draft:
Describing her body parts as she gazes in the mirror
Saying she’s “different,” “odd,” or “unique” because she does a stereotypically male hobby or wears clothes that aren’t feminizing
Mentioning body parts in comparison to food
Making female characters manipulative for the sake of tricking people and not for any character growth goal/antagonist priority
Creating moments of immaturity that are seen as sexy (like whining being cute or pouting being hot)
3. Assign Individual Goals
Women are often written as self-sacrificing characters. They give up their time and energy for other characters because it’s what people expect of women in real life. Strong female protagonists need goals for themselves. If they don’t have an individual dream that makes them fulfilled or excited, they’ll swim through your plot exclusively for other characters’ arcs.
4. Watch for Female Cliches
Female characters often fit into specific cliches that are easily digestible for readers with conscious or subconscious sexist views. See if your characters fit into some of these common cliches to add the right flaws or arcs to make them fully human:
A symbol of purity: this protagonist never makes mistakes, is always sweet, and doesn’t have any sexual desires.
Femme fatale: this protagonist fills every room with sexual energy, only wears revealing clothes, and kicks ass with unearthly sexy grace.
A heartless bitch: this protagonist is always miserable for other characters to be around for no explainable reason, snaps at everyone, and basically takes on the role of a gradeschool bully at any age.
A pixie dream girl: this protagonist has no goals or arc of her own, exists to inspire other (mostly male) characters, and functions primarily as a plot device.
A Mary Sue: this protagonist can do nothing wrong and solves problems that she’s unqualified to do (minor example: Anastasia Steele in 50 Shades of Grey running a publishing business fresh out of college, where she didn’t study as a business major).
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Writing great female characters isn’t impossible. You only have to be aware of how those characters have been written poorly in the past. Watch for cliches and learn about examples of characters gone wrong to make your protagonists feel authentic, no matter what your plot has in store for them.
'Train market' in Thailand | source
OC Questions - Personal Principles
1. If your OC came across sensitive or important information, what would they do with it? How would they react to finding out about it in the first place?
1a. If the information concerned/involved someone they knew, would your oc choose to tell them about it? How would they do so?
1ab. Is there any situation in which your oc would hesitate to or refrain from telling that other character? Why or why not?
2. If someone asked your OC for their honest opinion on something, would they give it?
2a. If there is a situation in which your oc would hold back or otherwise answer with a lie, are there situations when they would tell the truth? If so, how do they come to that decision?
3. How honest or dishonest is your oc, generally speaking?
3a. Is there anyone with whom they share their honest opinions in confidence? What is their relationship, and what is your oc's motive in keeping these things hidden from other characters?
3b. Alternatively, is there anyone with whom they are primarily or exclusively dishonest? What is their relationship, and what is your oc's motive in hiding things from them?
3c. If your oc is the 'brutally honest' sort, is there any consequence (socially or punitively) that would compel them to keep quiet about something? How well would that go?
3d. If your oc is the type to keep negative thoughts to themself, is there anything that would compel them to speak up or say something harsh to someone's face? What would the aftermath of that look like?
4. If your OC wanted to impress someone, how would they attempt to do so?
4a. If their attempt fails or backfires, how would they react? Would they give up or try again?
4b. What would make your oc want to impress someone in the first place?
5. Is there a line your OC will not cross, morally or preferentially speaking, in pursuit of something that really matters to them? If there are many such lines, what are they?
5b. If your oc is the type to push moral boundaries in pursuit of a personal goal, how far would they be willing to go? Have they ever done something they regret?
5c. How about for a sense of duty? Do their principles differ at all if the matter is occupational or part of an obligation? If so, which holds more importance to them?
6. In general, how difficult is it for your oc to tell someone 'no?'
6a. If there is someone they struggle to refuse more than others, what is their relationship? Is the other character aware of their power over Character A?
7. In general, how often does your OC agree to help or do favors for others?
7a. Is this something they enjoy doing, feel obliged to do, or have to be roped into in order to agree?
7b. If this is something they do often, are they the type to volunteer their help before anyone asks them? If so, how is this perceived/received by others?
7bb. If they help others frequently, do they ever foresake their own needs to do so? Do they ever ask for help, themselves?
King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi
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