'Train market' in Thailand | source
Name:
Role:
Physical description:
Age:
Personality Type:
Distinctive skills and abilities:
Greatest fear:
Misbelief about the world:
What happened to make them believe this lie:
What do they criticize others for:
Love Language:
How do they respond to emotional pain:
Top 3 things they value (physical or abstract):
Is there an object they can’t bear to part with and why:
Typical outfit:
Method of manipulation:
How are they dissatisfied with life:
What do they think will bring them happiness:
What could they do to make that happen:
How has their fear stopped them from taking this action:
How do they think they can get their goal without doing the thing that makes them afraid:
Answer for each character this character has a direct relationship with
Describe relationship briefly:
Points of conflict in relationship:
What do they agree on:
What do they disagree on:
Any secrets kept from each other and why:
How did they meet and how long did they know each other:
How will their relationship change over the course of the story:
LET THEM BE VICTORIOUS
You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?
It's because he's one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge....and he gets it! and then he isn't empty or despairing! he doesn't regret it! he's totally satisfied!
because so many stories about revenge or rage are about characters "seeing the futility of their actions" or learning "their desire for revenge has only made them the monsters they hated" FUCK THAT.
Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it's fantastic. it's iconic.
let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they've done
*gets down on one knee* I want to make a shared oc universe with you
i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want i want
>First, we’ve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, that’s about 10,000 out of 40,000 processed.
>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.
>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey we’ve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.
>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so I’m happy enough with that.
>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.
>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.
>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.
>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!
>Lemmings problem now solved.
>Can confirm, after small tests, that RTÉ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.
>Some queries along the lines of “Are you not stealing the internet?” Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.
>I’m afraid I passed the You Wouldn’t Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.
>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad company’s wish to profile them.
>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.
>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Haven’t tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesn’t have the ads. I have asked my son to poke at that idea.
Horror = The fiction of fear
Splatterpunk = Horror that relies on extreme violence and graphic gore
Extreme Horror = Seeks to create utmost terror in the reader.
Psychological Horror = The danger that comes from the human mind - sanity, guilt, boundaries between right and wrong, etc.
Dystopian = Fiction set in a stark, nightmarish kind of world, often in the near future.
Lovecraftian = Based on the concept that our world was once ruled by alien creatures who still exist out there.
Thriller = high suspense and anticipation.
Mystery
Dark Diction = Stories that disturb the reader by probing the boundaries between good and evil
Supernatural = People face manifestations outside of the normal human experience.
Paranormal = features characters who are "nearly" or "formally" human, like zombies, vampires, and weres.
Paranormal Romance
Dark Fantasy
Urban Fantasy = typically set in a run-down part of a modern city, these stories involve human characters with psychic/magical abilities.
Gothic
Erotic Horro
Horror Comedy
Romantic Suspense
Steampunk = a blend of sci-fi, fantasy and historical, often with elements of horror.
Ghost stories
Slipstream
Speculative Fiction = broad term encompassing the fantasy and sci-fi genres, as well as horror fiction with supernatural or paranormal elements.
Slice of Life = no obvious plot, but shows a snapshot from people's ordinary lives.
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The Secret History by Donna Tartt
A Little Life by Hanya Yanagihara