It's December And I Miss You Yet Again

“From the River to the Sea.” A Poem by Samer Abu Hawwash, translated by Huda Fakhreddine

every street, every house, every room, every window, every balcony, every wall, every stone, every sorrow, every word, every letter, every whisper, every touch, every glance, every kiss, every tree, every spear of grass, every tear, every scream, every air, every hope, every supplication, every secret, every well, every prayer, every song, every ballad, every book, every paper, every color, every ray, every cloud, every rain, every drop of rain, every drip of sweat, every lisp, every stutter, every yamma, mother, every yaba, father, every shadow, every light, every little hand that drew in a little notebook a tree or house or heart or a family of a father, a mother, siblings, and pets, every longing, every possibility, every letter between two lovers that arrived or didn’t arrive, every gasp of love dispersed in the distant clouds, every moment of despair at every turn, every suitcase on top of

every closet, every library, every shelf, every minaret, every rug, every bell toll in every church, every rosary, every holy praise, every arrival, every goodbye, every Good Morning, every Thank God, every ‘ala rasi, my pleasure, every hill ‘an sama’i, leave me alone, every rock, every wave, every grain of sand, every hair-do, every mirror, every glance in every mirror, every cat, every meow, every happy donkey, every sad donkey’s gaze, every pot, every vapor rising from every pot, every scent, every bowl, every school queue, every school shoes, every ring of the bell, every blackboard, every piece of chalk, every school costume, every mabruk ma ijakum, congratulations on the baby, every y ‘awid bi-salamtak, condolences, every ‘ayn al- ḥasud tibla bil-‘ama, may the envious be blinded, every photograph, every person in every photograph, every niyyalak, how lucky, every ishta’nalak, we’ve missed you, every grain of wheat in every bird’s gullet, every lock of hair, every hair knot, every hand, every foot, every football, every finger, every nail, every bicycle, every rider on every bicycle, every turn of air fanning from every bicycle, every bad joke, every mean joke, every laugh, every smile, every curse, every yearning, every fight, every sitti, grandma, every

sidi, grandpa, every meadow, every flower, every tree, every grove, every olive, every orange, every plastic rose covered with dust on an abandoned counter, every portrait of a martyr hanging on a wall since forever, every gravestone, every sura, every verse, every hymn, every ḥajj mabrur wa sa ‘yy mashkur, may your ḥajj and effort be rewarded, every yalla tnam yalla tnam, every lullaby, every red teddy bear on every Valentine’s, every clothesline, every hot skirt, every joyful dress, every torn trousers, every days-spun sweater, every button, every nail, every song, every ballad, every mirror, every peg, every bench, every shelf, every dream, every illusion, every hope, every disappointment, every hand holding another hand, every hand alone, every scattered thought, every beautiful thought, every terrifying thought, every whisper, every touch, every street, every house, every room, every balcony, every eye, every tear, every word, every letter, every name, every voice, every name, every house, every name, every face, every name, every cloud, every name, every rose, every name, every spear of grass, every name, every wave, every grain of sand, every street, every kiss, every image, every eye, every tear, every yamma, every yaba, every name, every name, every name, every name, every name, every name, every name, every name, all…

"In my culture, we know death intimately. In Arabic, the highest expression of love is the phrase "ya'aburnee" Translated "you bury me" . It means "I love you so much, I'd sooner die than bury you". It was used by mothers in our lineage who were so used to losing their young in war. In my culture, we cannot talk about love without speaking death's name"

-George Abraham, "Untitled," Published In Black Napkin Press

just going to generally love more in 2025

In another universe I never outgrew you because you got to grow up with me

Helen of Troy (detail) c. 1867. by Frederick Sandys

Yet, you completely missed my point. Your stance on this was flawed right from the beginning itself, which I pointed out. It does not fulfill one of the most important aspect of Colonialism. Without a doubt, there have been hostilities and atrocities against hindus in this period, but it does not equal to colonialism. I hope one day you unlearn the hate you've nurtured.

Not another post whining about why “mUgHaLs WeRe nOt cOlOnizErs” like girl, they were literally foreign invaders who forced you to speak their language, broke your temples, tried eradicating your culture and collected zizya taxes motivated by religious bigotry in hopes of forcing your people to convert! At least have some shame and consideration for your ancestors.

My brother never touches his cricket bat with his feet. It will anger the gods within it, he says. The goalkeeper of my football team kisses the goalpost before the beginning of a match, a silent prayer to the deity within. My sister never puts her paintbrushes on the floor and my father holds his stethoscope with unmatched devotion. You see, the gods are what you want them to be, where you want them to be. In your mother’s lap, in your best friend’s hug, in the coffee you are almost addicted to, in the equipments of the gym you love working out in or in the books you bought but will never read. The gods are wherever you want them to be. The gods are wherever you need them to be.

Divine feminine

All the artists are mentioned here ✨

noah ross / jennifer gennari / roadkill - searows / st. bernard - lincoln / thegirlhoodtheory / richard siken