Can't Believe Diane Duane Invented The Nerd We All Want To Be

Can't believe Diane Duane invented the nerd we all want to be

(Begin brackets) "Captain," the other familiar voice said on his other side, "are you well?" And Jim turned to look at Spock, and was dazzled again, but this time he couldn't look away. Spock hadn't changed; but here his spirit showed as it never had before, even in the harrowing intimacy of mindmeld. From the meld, Jim was already familiar with the incessant activity of that cool, curious mind as it tirelessly hunted answers. But now he saw where the activity came from--Spock's utter certainty that there was no higher purpose for his life than to burn it away in search of truth, and to give that truth away when he found it. More, Jim saw what fueled and underlay the certainty: a profound vulnerability paired with a great, unreasonable joy—the deepest-hidden parts of Spock's Earth-human heritage, both of them sheer terror to a Vulcan mind. Even when Spock had been trying to suppress or deny those hidden legacies, they had man-aged again and again to escape and express themselves as valor, and wry humor, and the endless good-natured fencing with McCoy. But Spock wasn't denying the inheritance so vehemently any more, and the power of the older, wiser man was a joy to behold, and a terror. This great mind has been standing behind me and quietly obeying my orders for all these years? Why?? He could, be so much more—But in this place, the answer was plain to read. Loyalty was frequently unreasonable and illogical—and Spock had long since decided that this one aspect of his life could do without logic. (End brackets)

Can't believe Diane Duane invented love with this passage that's so crazy

More Posts from Tatterdemalion-sprite and Others

5 months ago
This Poem. Bro

this poem. bro

(by joseph fasano)

3 months ago

Things I’ve noticed are essential in plotting and would probably have saved me a lot of time if I had considered it earlier

The START of your story - how fucked up flawed is your premise/character at the start? what do they have to change? why are they HERE?

The END of your story - How do you want your main character/theme/universe to change after your story? Does it get better or worse? THIS SETS UP THE TONE DRASTICALLY.

What you want to happen IN BETWEEN - the MEAT of it. What made you start writing this WIP in the first place. Don't be ashamed to indulge, it's where the BRAIN JUICE comes from. You want a deep dive into worldbuilding and complex systems? Then your start and end should be rooted in some fundamental, unique rule of your universe (what made you obsess over it?). Want to write unabashed ship content? Make sure your start and end are so compelling you'll never run out of smut scenarios to shove in between scenes (what relationship dynamics made you ship it in the first place?).

The ANTE - the GRAVITY of your story. How high are the stakes? Writing a blurb or interaction? start with a small day-in-the-life so you can focus on shorter timelines and hourly minutiae that can easily get overlooked in more complicated epics. Or you can go ham on it and plot out your whole universe's timeline from conception to demise. Remember: the larger the scale, the less attached your story may get. How quickly time flies in your story typically correlates with the ante (not a hard rule, ofc, but most epics span years of time within a few pages, while a romance novel usually charts out the events of a few months over a whole manuscript.)

Everything else follows….?

Hello! I just wanted to write to thank you.

One of my favorite lines I've ever read is “Jim was already familiar with the incessant activity of that cool, curious mind as it tirelessly hunted answers. But now he saw where the activity came from - Spock’s utter certainty that there was no higher purpose for his life than to burn it away in search of truth, and to give that truth away when he found it. More, Jim saw what fueled and underlay that certainty: a profound vulnerability paired with a great, unreasonable joy”. That, combined with the YW series (which I recently reread), is very good for my soul.

You and your work are truly an inspiration to me! That Wounded Sky quote resonated with me for the theme that joy and curiosity really can underpin an entire, happy, successful life. Young Wizards has so much of the same - books and libraries are magic, but so is nature, and space, and manmade machines, and whales and sharks. Your stories strike a balance I can't always put into words - that curiosity and joy can be self-sustaining. They are not dependent on a single field, a single datum, a single discovery. They can be a lens and a philosophy and they can fit in your pocket for everyday. Curiosity as a mindset, and an exercise in loving and engaging with the world; joy as a result of realizing how many exciting things there are to love and be curious about.

On a parallel note, I am fascinated by how you seem to blend fantasy and sci fi - your Star Trek feels loving and magical, and your fantasy feels grounded and tangible. I am in awe of how many things you've been a part of creating, because it gives me hope that I, too, might avoid having to pick a narrow niche. But in the meantime, I am so grateful to be able to escape into your books, because I fall in love with them again every time, and then I come back and fall back in love with life.

I’m glad to hear it! Thanks for letting me know. ☺️

Also: generally, I think niches are best left to statues. Create what works for you and makes you happy. Life’s too short to waste doing otherwise.


Tags

You made the miracle breadbasket - you put in whatever love you had to give, and it's going to be enough to reach every reader who needs it!!

say something encouraging to other fic writers!


Tags
4 months ago

Also: I think Aragorn gets a bad reputation now because so many lesser franchises have tried to imitate his archetype without understanding why he works. In the original movies he’s just a big gentle sad guy with a sword, who knows he’s not the real hero of the story and dedicates himself to supporting those gay little hobbits. The aragorn knockoffs are not his fault

“Fairy tale does not deny the existence of sorrow and failure: the possibility of these is necessary to the joy of deliverance. It denies (in the face of much evidence, if you will) universal final defeat…giving a fleeting glimpse of Joy; Joy beyond the walls of the world, poignant as grief.” ― J.R.R. Tolkien.

4 months ago

And this is why you can't write a grimdark LOTR that has ANY resemblance to the original - if you don't tell a story that's about kindness and light and love, no number of epic battles can save you

I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?


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11 months ago

One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal

2 weeks ago

I like writing a lot…..

But when does it stop being soul sucking????

How can both be true??

(sigh) Easily. All the arts are full of apparent contradictions like this.

Re: writing, specifically: This work is a very particular kind of magic. And like all real magics, the use of it inevitably has a price.

"Soul-sucking" strikes me as a slightly harsh idiom for the payment of the Writing Price. But that's okay, because the idiom itself points at the remedy. And it's really simple! Just this:

Every time you sit down to write, you have to consciously work to do it well enough so that you grow some more soul.

(I mean, you don't think that souls run out when you use them, surely? Or can't regenerate over time? They can be surprisingly resilient... assuming you don't buy into the idea that they're limited to what you feel like you started out with, or what you've got at the moment.)

Repeatedly pouring your soul into your work is very much like bodybuilding. At first it hurts like hell. Then the body starts to adjust to the increased demands you're putting on it. After a while you look back and find you've blown way past the boundaries that you earlier thought were impassible.

When you start getting that soul-sucked feeling, it's just a sign that the workouts are having an effect. It's the equivalent of the lactic-acid ache after a session at the gym. But you still need to keep working at it to improve your results. If you find you need to take more rest time between writing bouts to replenish your reserves, fine: work out what your best refractory period seems to be, and adjust your workload to suit that as best you can. But at all costs, keep writing, at whatever interval works best. Over time, it does get easier.

Does it ever stop "sucking" / demanding that price?

Nope. Sorry! But you can learn over time to grow into those inevitable demands on your time, energy and commitment. Just keep reminding yourself: Nothing truly worth doing ever comes without a price tag. And the more you work at your craft, over time, the bigger the price tags you'll find you can afford without flinching.

...So get back in the gym. (And I hope this helps!)

I'm just gonna keep this for someday...

this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about

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