how is their relationship with their family
what are their beliefs, if they have any
what is their motivation (preferably something unrelated to their love interest/romantic feelings)
who were they raised to be vs. who they became/are becoming
what are their plans for the future, if they have any
how they feel about themselves and how it affects their behaviour
how do they feel about things they cannot control
and last but not least: Why is This Character the Protagonist??
I forgot how lonely it is to write original fiction.
Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?
Where is my motivation to keep going?
It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.
It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.
Never have I felt so much like a protagonist
your protagonist doesn’t need to save the world. maybe they just need to save their plant collection, one dying ficus at a time.
my dream of learning a little of everything gets a lot easier when they're all related :D
So the other night during D&D, I had the sudden thoughts that:
1) Binary files are 1s and 0s
2) Knitting has knit stitches and purl stitches
You could represent binary data in knitting, as a pattern of knits and purls…
You can knit Doom.
However, after crunching some more numbers:
The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…
3322 square feet
Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.
The START of your story - how fucked up flawed is your premise/character at the start? what do they have to change? why are they HERE?
The END of your story - How do you want your main character/theme/universe to change after your story? Does it get better or worse? THIS SETS UP THE TONE DRASTICALLY.
What you want to happen IN BETWEEN - the MEAT of it. What made you start writing this WIP in the first place. Don't be ashamed to indulge, it's where the BRAIN JUICE comes from. You want a deep dive into worldbuilding and complex systems? Then your start and end should be rooted in some fundamental, unique rule of your universe (what made you obsess over it?). Want to write unabashed ship content? Make sure your start and end are so compelling you'll never run out of smut scenarios to shove in between scenes (what relationship dynamics made you ship it in the first place?).
The ANTE - the GRAVITY of your story. How high are the stakes? Writing a blurb or interaction? start with a small day-in-the-life so you can focus on shorter timelines and hourly minutiae that can easily get overlooked in more complicated epics. Or you can go ham on it and plot out your whole universe's timeline from conception to demise. Remember: the larger the scale, the less attached your story may get. How quickly time flies in your story typically correlates with the ante (not a hard rule, ofc, but most epics span years of time within a few pages, while a romance novel usually charts out the events of a few months over a whole manuscript.)
Everything else follows….?
Writing is about exploring your imagination. Writing is about self expression. Writing is about having fun. Your writing doesn’t have to be perfect. You can always edit it later. You can always improve. But the most important part of the writing process is actually enjoying it.
Y’know an awful lot of Terry Pratchett’s books are concerned with how powerful women are when they get angry and how important anger is as a driving force to defend what is right and to tackle injustice.
A lot of his most interesting and most deeply moral characters are angry ones. Granny Weatherwax, Sam Vimes, Tiffany Aching. All are to a large extent driven to do good by anger.
And that honestly means a lot to me.
i think ultimately you do really have to kill that part of your brain that vividly imagines how you would redo parts of your life.
This is lovely advice.
Tidying the desktop* and ran across this just sitting there. Might as well post it.
*I had no choice. There was no more space for icons. :)